[Editorial] Cherish Your Life: Comfort in the SAW Franchise Throughout and Beyond the COVID-19 Pandemic
This essay was originally published in Hear Us Scream: The Voices of Horror Volume II (2022).
I was aware of the COVID-19 pandemic before I knew that’s what it would be called, and before it ever affected me personally. My husband is always on top of world events, and in late 2019, he explained what was happening around the globe. It was a Friday night, we were out for dinner and drinks with another couple. The four of us got together every Friday, to relax and shake off the week. I had no idea how much our lives, let alone this weekly ritual, were about to be disrupted. In late January 2020, we started preparing for the pandemic in earnest. We took inventory of our food, our dog’s food, and other household supplies. We gassed up our cars and changed the oil. We withdraw cash from the bank. In those early days, there was so little information about the virus, and we wanted to be ready for anything. Though some of our friends weren’t as concerned as we were, no one questioned our caution. My husband is immunocompromised, and the threat of COVID-19 was vague but ominous. We were taking no chances. On March 12th 2020, both our workplaces sent everyone home to work remotely “for just a couple of weeks until this all blows over.” I had a feeling it would be longer than a couple of weeks, but I didn’t know how long. Do you remember that feeling? That helpless, in-the-dark feeling? When information was changing rapidly, disinformation was even easier to find, and no one really knew what to do?
In April of 2020, my brain seemed to hit a wall and it couldn’t process anything more. I just wanted to retreat to a comfortable and safe corner of my world. I work in education, and so after a day of serving others, I didn’t have much energy left. I wanted to walk my dog, order takeout, and binge horror movies. On a whim, I bought the Saw Blu Ray box set. I wanted something gory and violent, but not too bleak. I needed a distraction. I loved the first two Saw films Saw (2004) and Saw II (2005), and I had seen the third and fourth, but barely remembered them. I hadn’t seen any of the later sequels. It was decided: I would marathon the franchise, and it would give me a short-term goal, something to look forward to. Even if I ended up hating the movies, it was something.
LISTEN TO OUR HORROR PODCAST!
In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
In August we have been looking at mind-bending films and books, which is why we decided to cover Agustina Bazterrica's disturbing horror book TENDER IS THE FLESH.
In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine contributors Iona Smith, Melissa Cox and Ariel Baska to get gooey, ewwy and a little bit horny talking about their recent body horror watches, reads and plays! From Cronenberg's Crimes of the Future, to cannibalism book Tender is the Flesh to classic sci-fi horror The Thing and more...
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
In this episode join Assistant Editor at Ghouls Magazine and host, Rebecca McCallum as strips back the layers of flesh on these films alongside Senior Contributor & Social Media Manager, Kim Morrison. And no, these two don't just think that remakes are all trash - there's love in here for originals and remakes including House of Wax (2005) and more.
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine Assistant Editor, Rebecca McCallum, and contributors Kat Hughes and Meg Kenny. They have been busy watching horror movies like The Devil’s Candy (2015), Rope (1948), Huesera: The Bone Woman (2023), binging TV shows such as Dead Ringers (2023) also also reading with the likes of My Heart is a Chainsaw and Dennis Coopers’ The Sluts.
This May we’ve been looking at natured themed horror films, anything from creature features to eco horror to biological horror and more. For this episode, the focus is on the parasitic horror and how infections can take control in terrifying ways with horror film The Bay (2012).
In this episode join host Zoë Rose Smith as she is joined by Playstation presenter, gaming streamer and The NoSleep Podcast voiceover artist - Ash Millman! Together they pull vines from their minds, and examine environmental horror film The Ruins (2008).
In April we are looking at ‘Coming-Of-Age’ horror films, from the lens of films that defined our own youth to films that directly dissect coming-of-age as a theme. This episode looks at romantic horror film Picnic at Hanging Rock (1975)!
In this episode join host Ariel Powers-Schaub alongside Sarah Miles, Kat Hughes, Alix Turner & special guest Fern. From Quentin Tarantino's Deathproof (2007) to the slasher fav Child's Play (1988) to British horror TV Ghostwatch (1992) and more.
In this episode host Zoë Rose Smith is joined by Ghouls Magazine contributors Kat Hughes, Iona Smith, Ariel Baska and Meg Kenny to talk discovering sexuality, battling bullying, navigating teen struggles and being that 'spooky bitch'. From Hellraiser to IT to Excision and more...
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
In the new Ghouls Watch episodes of the podcast, we chat about what horror films and TV shows we’ve been watching lately! This time Ariel Powers-Schaub chats to Caitlyn Downs, Ariel Baska and Liz Bishop about sci-fi horror show Severance, horror film Run Sweetheart Run, sci-fi horror film Splice and more….
Extreme horror films often look at the relationship between sex and death, examining the ways in which they intertwine and talk to one another in disturbed ways. Which is why for the month of love, we are looking at a complicated and tragic love story with Jorg Buttgereit’s 1988 horror film Nekromantik.
Have you ever turned someone down for a date? Well, if you have, then you got away lucky because if you did that to the iconic Lola Stone you would be enduring some torture... This Valentine's Day we're not indulging in anything romantic, instead we're taking part in some Anti-Valentine's by discussing Sean Byrne's Australian horror film THE LOVED ONES (2009).
Come on down to the Clown Cafe if you’re hungry for a little slicing, dicing and a hilarious amount of guts and gore! There’s only one way to start off a new year and new season of podcasts with a bloody double bill of Damien Leone’s Terrifier (2016) and Terrifier 2 (2022).
Join Ariel Powers-Schaub and Iona Smith for the final episode as they discuss Final Destination 5 (2011) and look at what the future might hold for more evolutions of this horror franchise.
Join Ariel Powers-Schaub and Iona Smith as they dive further into the Final Destination franchise to look at Final Destination 3 (2006) and Final Destination 4 (2009)!
The bells are ringing and snow is falling, it's the most wonderful time of the year! So this December for Christmas, join us as we look at Michael Dougherty's festive horror film Krampus from 2015.
Did you listen to our episode talking about what we were excited to see at Soho Horror Film Festival? Well we’re back from crawling our worm bodies out of the earth to discuss what films we managed to catch at the festival and talk about which ones were our fav!
Join Ariel Powers-Schaub and Iona Smith as they strap in for the rollercoaster ride that is the Final Destination franchise!
When you go down to the Church tonight, you're going to be in for a surprise... At Ghouls Magazine we love independent cinema and to champion indie horror, Assistant Editor Rebecca McCallum caught up with Jen Handorf!
There's going to be worms, ghosting, hangovers, cults and more at this year's Soho Horror Film Festival and we are more than excited! Join host Zoë Rose Smith as she chats to Ghouls Magazine contributors and freelance journalists, Hannah Ogilvie and Caitlyn Downs.
Halloween is nearly here and it's time to get your PJs on ready for a nightmarish movie marathon! Host Rebecca McCallum is joined by the slumber party experts, Joshua Tonks & Liz Bishop, to find out what 5 horror movies they recommend to watch this spooky season! Plus, the terrifying trio test their horror knowledge...
I did not expect to fall so completely in love with the Saw franchise, and to find such an emotional connection with the films. I watched the entire series over and over; losing count of how many times I had the movies on in the background. As I had hoped, I found comfort in the gory traps and twisted plots. But I was also surprised at how much the films made me think. They prompted me to process the different ways individuals value their own lives and the lives of others. They gave me space to feel frustration about the unfairness of disease and death, and how much our will to live matters, or does not matter. The films allowed me to consider what it means to place someone’s needs above your own, and when you should put yourself first. I went in looking for some mind candy. What I got was a way to work through my ongoing depression and anxiety.
“Right now, you’re feeling helpless.”
-Detective Mark Hoffmann, Saw V (2008)
It’s early days in the pandemic. I wake up, put on clean sweatpants, and open my work laptop at my makeshift desk. Just like I did the last several days. I open the news sites. Everything is somehow the same but also worse. More people are sick, dying, and dead. Everyone is getting either sadder and quieter, or angrier and louder. I don’t know where I fit. I want to cry but I don’t have the energy. I sip my coffee and try to focus on work; my students are counting on me.
I have never felt as helpless as I had during the start of the COVID-19 pandemic in 2020. I knew there were so many people in danger, and so little I could do about it. I felt like all I could do was stay home and keep out of the way. My anxiety was overflowing and I had nowhere to put it. The constant stress alternating with boredom made me feel as though I was losing authority over my thoughts and mind. I needed to keep my brain sharp and accomplish a task.
If you are familiar with the plot and timeline of the Saw films, you know there is plenty to occupy a mind. Because these films are often dismissed, even by other horror fans, I hadn't heard or read much discussion on them, and therefore didn’t realize how plot-heavy they actually are. There is a consistent story that carries throughout the first eight films, but it’s a product of ret-conning and it has evolved over time, rather than being planned from the start. What that amounts to is a timeline and a cast of characters that is so convoluted, and potentially confusing, you need a conspiracy-style string board to track everything. Turns out, this was great for my mental health. When I felt like my brain was getting foggy, I could focus on the timeline of events in the Saw films, and look for inconsistencies or patterns, analyzing every character’s decisions. In the early pandemic, the world was full of bad surprises every time I checked the news. But the Saw films offered lots of fun surprises, and it was exciting to wonder what would happen next. When I had eventually watched all the films, and I couldn’t be surprised anymore, I settled into a cozy feeling, and turned to Saw when I needed to know what was coming next. In a time when it felt like the world was changing constantly and I couldn’t keep up, the Saw timeline became a comfortable familiarity.
You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
• 4.5 oz/y² (153 g/m²)
• Pre-shrunk
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the centre
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
• 4.5 oz/y² (153 g/m²)
• Pre-shrunk
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the centre
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
YWe’re always thirsty for more horror, which is why you show off your love for the gory genre with a Ghouls Magazine VMPR T-Shirt! Made from soft & cosy cotton that feels so nice on the skin that even Ed Gein wants one. Grab yourself some Ghouls Magazine merch to always look fresher than a corpse.
100% cotton
Sport grey is made from 90% cotton & 10% polyester
Dark Heather is made from 65% polyester & 35% cotton
Pre-shrunk
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER. WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
• 52% combed ring-spun cotton, 48% polyester
• Slim fit
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
Need a new horror hoodie? Then say hello to the Ghouls Magazine VMPR Hoodie! Made from a blend of cotton and polyester to keep the hoodie feeling comfy and warm when watching your favourite horror films. Black pull-over hoodie featuring a vampire lips logo design.
Made from 50% pre-shrunk cotton & 50% polyester
Air-jet spun yarn with a soft feel and reduced pilling
Double-lined hood with drawstring
Ribbed cuffs and waistband
Front pouch pocket
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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Wear your love for horror on your head with the Ghouls Magazine VMPR Beanie Hat. Made from turbo acrylic for a stretchy fit to feel snug and comfy even on the coldest and spookiest of nights. Black hat features vampire blood-drip lips for some horror merch that everyone will want a slice of.
Made from 100% turbo acrylic
12” in length
Hypoallergenic material
Suitable as a unisex hat
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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Need something to carry your dismembered bodies in? Then fear not as we have the perfect solution with the Ghouls Magazine VMPR Tote Bag. Made from polyester, with a black base and featuring an all over pink vampire blood-drip mouth to help you show off those fangs. Grab yourself some Ghouls Magazine merch to help support us.
Made from 100% spun polyester fabric
Bag size: 15” x 15” (38cm x 38cm)
Double handles made from 100% natural cotton
Handle length: 11.8” (30cm)
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE.
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Whether you’re drinking your morning coffee kick, or perhaps indulging in something a bit stronger, do it with Ghouls! Sip, slice and swig through your day with a GHLS Mug featuring the Ghouls Magazine final girl logo.
Made from ceramic
Choose from 11oz or 15oz mug
Dishwasher and microwave safe
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE.
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Feeling like showing off your love for Ghouls Magazine? Then why not grab yourself one of our Ghouls Magazine VMPR Patches to attach to your denim jacket, dungarees, bag or anywhere you like really. Help to support our online horror magazine with some Ghouls Magazine merchandise.
Made from 26% cotton and 74% polyester
3” (7.6cm) size
You can attach by ironing, sewing or using a safety pin
"The rules of our game have been made very clear. You need to abide by those rules."
- Jigsaw, Saw III (2006)
Should we be wiping down groceries? Where can we buy toilet paper this week? Do masks work or not? Should I wear a mask when I walk my dog? What are the rules and how do I follow them? Why isn’t everyone trying to follow the rules? Every moment is full of sadness and fear and too many decisions. I can’t take it anymore, but I don’t have a choice. Work’s done for the day so I pour a couple of fingers of bourbon. I maybe should slow down on the nightly bourbons, but with everything going on, who can blame me? Thank goodness the local liquor store does curbside pickup.
I felt a sense of order slipping away from the world. In addition to the pandemic, America was in the midst of a political storm. We were trying to reckon with racial injustice, systemic policing problems, and the most contentious presidential election of my lifetime. Friends and families were turning on each other, and the isolation wasn’t helping us come together as a nation.
I craved order and rules. I wanted a set of instructions to follow — I am great at following instructions! And we were provided with some guidance— socially distance, wash our hands, wear our masks —although it was hard to keep up with the different versions of the rulebook. Changes in the virus itself and discoveries by scientists meant what we were told to do yesterday was no longer necessary today. On top of that, there were some who didn’t want to try and follow the rules. It was devastating to look around my world and see such selfishness, so much disregard for the lives of others.
Saw presents a world of rules. I don’t agree with Jigsaw’s approach, but he is a man of his word. If his victims listen carefully and follow instructions, they can survive. It was soothing to watch a world where rules were laid out clearly, and one in which there were consequences to ignoring the rules. Often, Jigsaw’s traps require the victims to work together for survival. It was heartening to cheer for a group of people to work together, when that was all that I wanted from the world at the time. I needed to see a world in which it was possible to work together and try to survive. In Jigsaw’s world, as in our own, one’s actions affect others. That idea is depicted so simply in the Saw films, it helped me process the more complicated world around me when I turned off the TV.
LISTEN TO OUR HORROR PODCAST!
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
In August we have been looking at mind-bending films and books, which is why we decided to cover Agustina Bazterrica's disturbing horror book TENDER IS THE FLESH.
In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine contributors Iona Smith, Melissa Cox and Ariel Baska to get gooey, ewwy and a little bit horny talking about their recent body horror watches, reads and plays! From Cronenberg's Crimes of the Future, to cannibalism book Tender is the Flesh to classic sci-fi horror The Thing and more...
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
In this episode join Assistant Editor at Ghouls Magazine and host, Rebecca McCallum as strips back the layers of flesh on these films alongside Senior Contributor & Social Media Manager, Kim Morrison. And no, these two don't just think that remakes are all trash - there's love in here for originals and remakes including House of Wax (2005) and more.
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine Assistant Editor, Rebecca McCallum, and contributors Kat Hughes and Meg Kenny. They have been busy watching horror movies like The Devil’s Candy (2015), Rope (1948), Huesera: The Bone Woman (2023), binging TV shows such as Dead Ringers (2023) also also reading with the likes of My Heart is a Chainsaw and Dennis Coopers’ The Sluts.
This May we’ve been looking at natured themed horror films, anything from creature features to eco horror to biological horror and more. For this episode, the focus is on the parasitic horror and how infections can take control in terrifying ways with horror film The Bay (2012).
In this episode join host Zoë Rose Smith as she is joined by Playstation presenter, gaming streamer and The NoSleep Podcast voiceover artist - Ash Millman! Together they pull vines from their minds, and examine environmental horror film The Ruins (2008).
In April we are looking at ‘Coming-Of-Age’ horror films, from the lens of films that defined our own youth to films that directly dissect coming-of-age as a theme. This episode looks at romantic horror film Picnic at Hanging Rock (1975)!
In this episode join host Ariel Powers-Schaub alongside Sarah Miles, Kat Hughes, Alix Turner & special guest Fern. From Quentin Tarantino's Deathproof (2007) to the slasher fav Child's Play (1988) to British horror TV Ghostwatch (1992) and more.
In this episode host Zoë Rose Smith is joined by Ghouls Magazine contributors Kat Hughes, Iona Smith, Ariel Baska and Meg Kenny to talk discovering sexuality, battling bullying, navigating teen struggles and being that 'spooky bitch'. From Hellraiser to IT to Excision and more...
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
In the new Ghouls Watch episodes of the podcast, we chat about what horror films and TV shows we’ve been watching lately! This time Ariel Powers-Schaub chats to Caitlyn Downs, Ariel Baska and Liz Bishop about sci-fi horror show Severance, horror film Run Sweetheart Run, sci-fi horror film Splice and more….
Extreme horror films often look at the relationship between sex and death, examining the ways in which they intertwine and talk to one another in disturbed ways. Which is why for the month of love, we are looking at a complicated and tragic love story with Jorg Buttgereit’s 1988 horror film Nekromantik.
Have you ever turned someone down for a date? Well, if you have, then you got away lucky because if you did that to the iconic Lola Stone you would be enduring some torture... This Valentine's Day we're not indulging in anything romantic, instead we're taking part in some Anti-Valentine's by discussing Sean Byrne's Australian horror film THE LOVED ONES (2009).
Come on down to the Clown Cafe if you’re hungry for a little slicing, dicing and a hilarious amount of guts and gore! There’s only one way to start off a new year and new season of podcasts with a bloody double bill of Damien Leone’s Terrifier (2016) and Terrifier 2 (2022).
Join Ariel Powers-Schaub and Iona Smith for the final episode as they discuss Final Destination 5 (2011) and look at what the future might hold for more evolutions of this horror franchise.
Join Ariel Powers-Schaub and Iona Smith as they dive further into the Final Destination franchise to look at Final Destination 3 (2006) and Final Destination 4 (2009)!
The bells are ringing and snow is falling, it's the most wonderful time of the year! So this December for Christmas, join us as we look at Michael Dougherty's festive horror film Krampus from 2015.
Did you listen to our episode talking about what we were excited to see at Soho Horror Film Festival? Well we’re back from crawling our worm bodies out of the earth to discuss what films we managed to catch at the festival and talk about which ones were our fav!
Join Ariel Powers-Schaub and Iona Smith as they strap in for the rollercoaster ride that is the Final Destination franchise!
When you go down to the Church tonight, you're going to be in for a surprise... At Ghouls Magazine we love independent cinema and to champion indie horror, Assistant Editor Rebecca McCallum caught up with Jen Handorf!
There's going to be worms, ghosting, hangovers, cults and more at this year's Soho Horror Film Festival and we are more than excited! Join host Zoë Rose Smith as she chats to Ghouls Magazine contributors and freelance journalists, Hannah Ogilvie and Caitlyn Downs.
Halloween is nearly here and it's time to get your PJs on ready for a nightmarish movie marathon! Host Rebecca McCallum is joined by the slumber party experts, Joshua Tonks & Liz Bishop, to find out what 5 horror movies they recommend to watch this spooky season! Plus, the terrifying trio test their horror knowledge...
In this episode of the podcast, host Rebecca McCallum is joined by not one, but two guests to talk about their passion for horror books, and some of their recommendations to get you reading this winter. The first guest is Nina the Book Slayer, who is a book reviewer for Hear Us Scream, followed by Alex Bookubus who is a book reviewer on YouTube!
In the latest episode of the podcast, host Rebecca McCallum is joined by Tim Coleman to discuss sci-fi horror film ALIEN from 1979.
"You're probably wondering where you are. I'll tell you where you might be. You might be in the room you die in."
- Jigsaw, Saw (2004)
Lately I cry at random. How long will this go on? My best friend is a pharmacist, will she be ok? My mom, my brother, my husband, my in-laws, will they be ok? How long before someone I know dies of COVID? What if someone I love is in the hospital, and I can’t be with them?
To my surprise, the Saw films offer thoughtful criticism of medical care and health insurance in America. Saw VI (2009) applies close focus and commentary on American health insurance, and how the systems place a cold calculation on the monetary value of someone’s life. I did not know this would be a focus of the film, and I was surprised and found it cathartic to watch an unfair system get ripped apart, at least on screen. Other films in the series have more subtle commentary. Jill Tuck, Jigsaw’s wife, runs a community health clinic. It’s never plainly stated, but the viewer can infer that her clinic serves people who otherwise would not receive health care. Addiction and mental illness are themes in many of the films, and while these issues aren’t always portrayed kindly, the pain and trauma that can stem from them is clear. In Jigsaw (2017), the eighth film in the franchise, it’s revealed that John’s cancer could have been caught sooner, if not for an honest mistake by an overworked medical professional. This was a poignant point during the pandemic, as medical facilities were overcrowded and staff worked unreasonable hours because there was no other choice to keep patients alive.
I didn’t realize how much anxiety I was feeling about being able to get care if we needed it, and what our health insurance may or may not have covered. I was worried about being able to accompany my husband to the hospital. If he had to go to the hospital, I was worried there wouldn’t be enough beds. The Saw movies gave me a safe-haven to realize and handle my frustrations and anxieties on the topic of health care.
Throughout the pandemic, we have been surrounded by death and dying. I wasn’t too worried for myself, since my risk was low. But I was constantly distracted by the fear of my loved ones dying. Death is not a welcome topic in most polite conversations, but I needed to process. When working through something dark or painful, I lean all the way into it. The Saw films presented the perfect bloody pool for diving headfirst into my fears. Jigsaw says he tests his victims to see their reaction when faced with death, to strengthen their will to live. Stories about fearing death, grieving, and surviving — these were exactly the stories I didn’t know I needed at the time.
"How You Play The Cards You're Dealt Is All That Matters."
- Jigsaw, Saw IV (2007)
The most remarkable result of my arbitrary decision to watch the Saw films is that I found my way into the horror community. I have been a dedicated horror fan my whole life, but it has mostly been a personal, and sometimes lonely, hobby. After I finished the Saw franchise, I had a slew of thoughts I needed to deal with, and I began to write. I was writing for myself, but I ended up with an article I was proud of, and I sent in my first pitch to Ghouls Magazine. A little over a year later, I am thriving as a horror writer, and I have found my place in a supportive and lively horror community.
I don’t agree with Jigsaw’s assertion that “most people are so ungrateful to be alive” (Saw). I am grateful to be alive, and I know we have lost so many in this pandemic who were also grateful. As I write this paragraph, the pandemic is ongoing, but this is life, right now, for as long as it lasts. I still have a lot to be grateful for.
I have decided to heed the advice of Jill’s health clinic, “Cherish your life.” My life is happening now, and I cherish it. I am trying my best to focus on what I can control, and some days, that may only be the decision of which movies to watch. It’s ok to stay entertained, and try to stay happy, even when the world is falling apart around you.
I settle into my comfortable nest of blankets. Jigsaw never changes, Billy the Puppet is always there for me. The rules of the world are clear and there are consequences for not following them. The violence is cathartic, and the grief mirrors my own.
“Let me give you the simple version. You will keep him alive, whatever it takes. No excuses, no equivocations, no crying.”
- Amanda, SAW III (2006)
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
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Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.