[Editorial] What to Watch at This Year's Cine-Excess International Film Festival 2023
Kicking off on Tuesday 17th October, the 2023 edition considers the cinematic, social and cultural significance of the possessed, supernatural and unclean body onscreen. In-keeping with the festival’s established mission to integrate academic and industrial film perspectives, this year’s theme of ‘Raising Hell: Demons, Darkness and the Abject’ focuses on landmark scholarly texts as well as anniversaries and restorations of cult cinema classics that deal with this subject.
“Cine-Excess 2023 is the biggest event we have staged in the festival’s 17-year history. It runs for two weeks online and in cinemas with screenings in Birmingham and Kidderminster, extending the festival’s commitment to access and inclusion.” - Director Xavier Mendik.
Here's what you have to look forward to if you’re grabbing tickets for the fest…
Hellraiser Stars Reunite
Three of cinema’s most recognisable cult horror stars will make special appearances on Thursday 19th and Friday 20th October.
All three actors are travelling to the West Midlands on Thursday 19th October to mentor film students from Birmingham City University (BCU), their trip will culminate with a special screening of Hellraiser at the Birmingham Electric Cinema.
“Cine-Excess film festival is a unique and extraordinary festival. It will be great getting together with a couple of my fellow cenobites and celebrating the genius of Clive Barker and the Hellraiser films,” said Wilde.
“I think Hellraiser and Hellraiser II have lasted as they were so unique for their time, they're intelligent horror and more than jump scares, freaky makeup and costume,” added Vince.
Actor Doug Bradley, who played the iconic Pinhead character in Hellraiser will also participate in the event through a prerecorded film interview conducted from the USA following a screening of HELLRAISER II: HELLBOUND on Friday 20th October.
LISTEN TO OUR HORROR PODCAST!
In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
In August we have been looking at mind-bending films and books, which is why we decided to cover Agustina Bazterrica's disturbing horror book TENDER IS THE FLESH.
In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine contributors Iona Smith, Melissa Cox and Ariel Baska to get gooey, ewwy and a little bit horny talking about their recent body horror watches, reads and plays! From Cronenberg's Crimes of the Future, to cannibalism book Tender is the Flesh to classic sci-fi horror The Thing and more...
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
In this episode join Assistant Editor at Ghouls Magazine and host, Rebecca McCallum as strips back the layers of flesh on these films alongside Senior Contributor & Social Media Manager, Kim Morrison. And no, these two don't just think that remakes are all trash - there's love in here for originals and remakes including House of Wax (2005) and more.
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine Assistant Editor, Rebecca McCallum, and contributors Kat Hughes and Meg Kenny. They have been busy watching horror movies like The Devil’s Candy (2015), Rope (1948), Huesera: The Bone Woman (2023), binging TV shows such as Dead Ringers (2023) also also reading with the likes of My Heart is a Chainsaw and Dennis Coopers’ The Sluts.
This May we’ve been looking at natured themed horror films, anything from creature features to eco horror to biological horror and more. For this episode, the focus is on the parasitic horror and how infections can take control in terrifying ways with horror film The Bay (2012).
In this episode join host Zoë Rose Smith as she is joined by Playstation presenter, gaming streamer and The NoSleep Podcast voiceover artist - Ash Millman! Together they pull vines from their minds, and examine environmental horror film The Ruins (2008).
In April we are looking at ‘Coming-Of-Age’ horror films, from the lens of films that defined our own youth to films that directly dissect coming-of-age as a theme. This episode looks at romantic horror film Picnic at Hanging Rock (1975)!
In this episode join host Ariel Powers-Schaub alongside Sarah Miles, Kat Hughes, Alix Turner & special guest Fern. From Quentin Tarantino's Deathproof (2007) to the slasher fav Child's Play (1988) to British horror TV Ghostwatch (1992) and more.
In this episode host Zoë Rose Smith is joined by Ghouls Magazine contributors Kat Hughes, Iona Smith, Ariel Baska and Meg Kenny to talk discovering sexuality, battling bullying, navigating teen struggles and being that 'spooky bitch'. From Hellraiser to IT to Excision and more...
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
In the new Ghouls Watch episodes of the podcast, we chat about what horror films and TV shows we’ve been watching lately! This time Ariel Powers-Schaub chats to Caitlyn Downs, Ariel Baska and Liz Bishop about sci-fi horror show Severance, horror film Run Sweetheart Run, sci-fi horror film Splice and more….
Extreme horror films often look at the relationship between sex and death, examining the ways in which they intertwine and talk to one another in disturbed ways. Which is why for the month of love, we are looking at a complicated and tragic love story with Jorg Buttgereit’s 1988 horror film Nekromantik.
Have you ever turned someone down for a date? Well, if you have, then you got away lucky because if you did that to the iconic Lola Stone you would be enduring some torture... This Valentine's Day we're not indulging in anything romantic, instead we're taking part in some Anti-Valentine's by discussing Sean Byrne's Australian horror film THE LOVED ONES (2009).
Come on down to the Clown Cafe if you’re hungry for a little slicing, dicing and a hilarious amount of guts and gore! There’s only one way to start off a new year and new season of podcasts with a bloody double bill of Damien Leone’s Terrifier (2016) and Terrifier 2 (2022).
Join Ariel Powers-Schaub and Iona Smith for the final episode as they discuss Final Destination 5 (2011) and look at what the future might hold for more evolutions of this horror franchise.
Join Ariel Powers-Schaub and Iona Smith as they dive further into the Final Destination franchise to look at Final Destination 3 (2006) and Final Destination 4 (2009)!
The bells are ringing and snow is falling, it's the most wonderful time of the year! So this December for Christmas, join us as we look at Michael Dougherty's festive horror film Krampus from 2015.
Did you listen to our episode talking about what we were excited to see at Soho Horror Film Festival? Well we’re back from crawling our worm bodies out of the earth to discuss what films we managed to catch at the festival and talk about which ones were our fav!
Join Ariel Powers-Schaub and Iona Smith as they strap in for the rollercoaster ride that is the Final Destination franchise!
When you go down to the Church tonight, you're going to be in for a surprise... At Ghouls Magazine we love independent cinema and to champion indie horror, Assistant Editor Rebecca McCallum caught up with Jen Handorf!
There's going to be worms, ghosting, hangovers, cults and more at this year's Soho Horror Film Festival and we are more than excited! Join host Zoë Rose Smith as she chats to Ghouls Magazine contributors and freelance journalists, Hannah Ogilvie and Caitlyn Downs.
Halloween is nearly here and it's time to get your PJs on ready for a nightmarish movie marathon! Host Rebecca McCallum is joined by the slumber party experts, Joshua Tonks & Liz Bishop, to find out what 5 horror movies they recommend to watch this spooky season! Plus, the terrifying trio test their horror knowledge...
Possessed Bodies, Monstrous Beings and the Abject: A Screening Season
To compliment this year’s festival theme, the Cine-Excess 2023 screening season features startling new film premieres and cult classics that focus on the unnatural, unholy and alienated body.
The screening season includes both in-person UK film premieres and exclusive screenings alongside a range of streamed releases, many of which are being made available for international audiences to watch:
The Devil’s Work (Dir Ursula Dabrowsky)
Charlie and Dustin plan to spend a tranquil weekend at their friend's countryside home, but their peace is shattered when a blood-splattered woman arrives and begins to stalk them. When Charlie realizes that the stalker is her sister, Lindy, things take a dangerous turn…
Livescreamers (Dir Michelle Iannantuono)
In the screenlife found footage film LIVESCREAMERS, Michael Smallwood (Halloween Kills, Righteous Gemstones) leads a popular group of content creators who face a lesson in teamwork when a cursed video game kills them one by one.
I am Monsters (Dir Nicholas Vince)
Hellraiser star Nicholas Vince’s acclaimed documentary is adapted from his 2019 autobiographical one-man-show. This remarkable film adaptation is a poignant and relatable story of growing up immersed in horror, while also providing an essential exploration of the challenges faced by gay individuals during the oppressive Thatcher era, where staying in the closet was often the safest choice.
Deleter (Dir Mikhail Red)
Censor meets The Ring in Mikhail Red’s chilling new film. After deleting a surfaced suicide video of her co-worker, a desensitized online content moderator fleeing from her troubled past is haunted by a vengeful presence.
Abruptio (Dir Evan Marlowe)
Les Hackel is a guy down on his luck who wakes to find an explosive device has been implanted in his neck. He must carry out heinous crimes in order to stay alive while trying to identify the mastermind manipulating the now twisted and strange world around him. Evan Marlowe’s innovative film is enacted entirely using life-size puppets and features horror luminaries such as Jordan Peele, Robert Englund and the late Sid Haig in prominent voice-over roles.
Cine-excess is also hosting an all-dayer of screeners at The Lume Cinema in Kidderminster including Soft Liquid Centre, It Doesn’t Get Any Better Than This, How We Ended Us and a double bill of I am Monsters and Hellraiser (1987).
The screenings conclude on Saturday 28th October with the worldwide theatrical premiere of the new documentary The Exorcist Untold (Dir Robin Bextor), which will screen simultaneously across a range of Midlands cinemas.
Conference and Academic Panels
Throughout the course of the festival, there will be Themed academic conferences which include a live-streamed keynote address by Professor Barbara Creed (University of Melbourne), author of ‘The Monstrous Feminine’ and panels which include members of the Ghouls Magazine team on subjects such as ABJECT BODIES, THE SUPERNATURAL AND SUBURBAN TERRORS and ABJECTION AFTER CREED: NEW CASE STUDIES.
Cine-Excess 2023 takes place online and at the Birmingham Electric Cinema, Mockingbird cinema and Lume Cinema, Kidderminster between 17th-28th October.
A full schedule of the Cine-Excess Film Festival and Conference can be found here.
Want a ticket for the event? You can grab your Cine-Excess 2023 Film Festival tickets here.
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Hag horror originated in the early 1960’s and enjoyed its heyday during this time. Golden Era Hollywood actresses such as Joan Crawford and Bette Davis suddenly found themselves struggling to win roles over the younger, rising starlets of the time. So, in an ironic moment of art imitating life imitating art, these women turned to psychological horror films centered on unstable and dangerous older women. And a new character archetype was born.
While thematically and tonally different from his first feature, All Jacked Up and Full of Worms (2022), director Alex Phillips continues to create some of the more surreal indie horror films around. While Anything that Moves plays off of giallo and grindhouse genre films of the 70s, there is a unique warmth that Phillips brings along with all the blood and sex.
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You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
• 4.5 oz/y² (153 g/m²)
• Pre-shrunk
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the centre
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Pre-shrunk
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
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Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.