[Mother of Fears] Killing the Cuckoo in Orphan: First Kill (2022)
Welcome to Mother of Fears – a monthly column that will explore the various roles that mothers play within the horror genre. Mothers are a staple feature in horror movies, and yet, their stories, motivations, representations, and relationships with their children are so varied and complex that we never feel like we’re watching the same story twice. Every month I will take a look at a different mother from the world of horror, explore their story, and look at how they fit into the broader representation of women in horror.
Spoiler Warning: This editorial contains spoilers for Orphan (2009) and Orphan: First Kill (2022)
2022 saw Esther return to our screens with the prequel Orphan: First Kill (2022). And while some may have been worried that we were going to see the same story from Orphan (2009) all over again, this look back into Esther’s past managed to give us a creative spin as we explore what happened with the first family she was welcomed into.
We first meet Esther (real name Leena) as a psychiatric patient at the Saarne Institute. After making her escape and claiming her first victims, she scours the internet to see which missing children she resembles. Leena is looking for someone to con, and to get out of Estonia, so she plays on her child-like appearance to make sure this happens as quickly as possible.
After being discovered by a police officer, Leena claims her parents are in America, and that she is Esther Albright, who has been missing for the past four years. And so we meet the Albright family. There’s mother Tricia, her artist husband Allen, and their teenage son, Gunnar. The family seem relatively happy, although we get hints of Tricia and Gunnar teaming up and Allen being left on the outside. Allen seems to be the most deeply affected by Esther’s disappearance, and so her popping up across the world seems like the answer to his prayers.
But it’s Tricia who travels across to the Russian embassy to be reunited with Esther and bring her back home. We’re not shown the discussion on why she travels over her husband. Maybe she feels it's her default right as Esther’s mother. Maybe she wants to meet Esther before introducing her to everyone else to scope out any problems. Maybe only one parent could go as someone needed to stay at home with Gunnar. Whatever the reason, Tricia greets her missing daughter alone and arranges for travel back to America.
LISTEN TO OUR HORROR PODCAST!
In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
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Leena may look like Esther, but Tricia seems to pick up on the strange vibes she’s giving out right away. Not only does Esther have a strong accent, but she dresses differently and is extremely skilled at several pursuits she previously didn’t show any interest in. She also has a very loose story about how she was taken by a woman four years ago and has been pretending to be her daughter ever since.
When Tricia and Esther return home, Allen is delighted to greet them at the airport, as the emotion over finally being reunited with his missing daughter overwhelms him. Gunnar, however, seems even more mistrusting than his mother.
Esther is welcomed into the plush family home, with promises that her parents will make up for all the missing birthdays and Christmases with whatever presents she would like. Her room has everything a little girl could ask for, and Esther seems to have hit the jackpot. It was mentioned at the Saarne Institute that Esther’s usual technique is to play the innocent child before robbing the family and making her escape. And that is her plan this time around too now that she’s been transported to America. The only problem is Allen.
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Esther and Allen have been spending a lot of time together sharing their love of art. Allen is a professional artist, and Esther is a very talented drawer. Allen is delighted to share his passion with his daughter, as he remarks it was something she wasn’t interested in before. He’s also incredibly impressed by her talent, so the two end up alone in his studio frequently. Esther finds herself falling for Allen, and even though she makes her escape from the family home, she decides to return and see how events will play out with her pretend father.
Things get complicated when Detective Donnan tries to involve himself after Esther returns because he played such a large role in her disappearance investigation. He clearly has his worries about Esther, so he steals a record from her room so he can run the fingerprints on it. He quickly discovers that the prints don’t match, but Esther isn’t far behind and is intent on killing him to keep her secret. However, it’s Tricia who finishes the job, after following her daughter to Donnan’s house.
And this is when we discover the real secret about the mother of the Albright family. Tricia has known the whole time that Esther isn’t her real daughter, and the reason she knows this for a fact is the real Esther is dead. Everything we’ve seen so far with Tricia suddenly makes a lot more sense and accounts for the level of mistrust she displayed towards her daughter on what should have been a joyous occasion.
We’ve seen Tricia keeping a close eye on Esther, especially when she’s spending time alone with Allen. We also see Tricia trying on several occasions to see what is inside Esther’s book that she keeps close at all times. But why would Tricia kill a detective to cover up Esther’s lie? And why would she head over to Russia in the first place to pick up a person she knows full well isn’t her child?
One reason is she knows how badly Allen is missing Esther, and so being able to make their family whole again and heal the rift that has grown between them seems like a good enough motive. However, the main reason Tricia has gone to such extreme lengths to hide the fact that Esther is a cuckoo is that it was Gunnar who killed the real Esther four years ago. Tricia has gone through all this trouble and thrown her family into a ridiculous situation to protect her son.
You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
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You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
• 4.5 oz/y² (153 g/m²)
• Pre-shrunk
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the centre
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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YWe’re always thirsty for more horror, which is why you show off your love for the gory genre with a Ghouls Magazine VMPR T-Shirt! Made from soft & cosy cotton that feels so nice on the skin that even Ed Gein wants one. Grab yourself some Ghouls Magazine merch to always look fresher than a corpse.
100% cotton
Sport grey is made from 90% cotton & 10% polyester
Dark Heather is made from 65% polyester & 35% cotton
Pre-shrunk
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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Need a new horror hoodie? Then say hello to the Ghouls Magazine VMPR Hoodie! Made from a blend of cotton and polyester to keep the hoodie feeling comfy and warm when watching your favourite horror films. Black pull-over hoodie featuring a vampire lips logo design.
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Wear your love for horror on your head with the Ghouls Magazine VMPR Beanie Hat. Made from turbo acrylic for a stretchy fit to feel snug and comfy even on the coldest and spookiest of nights. Black hat features vampire blood-drip lips for some horror merch that everyone will want a slice of.
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Feeling like showing off your love for Ghouls Magazine? Then why not grab yourself one of our Ghouls Magazine VMPR Patches to attach to your denim jacket, dungarees, bag or anywhere you like really. Help to support our online horror magazine with some Ghouls Magazine merchandise.
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While we don’t know the exact actions which led to Esther’s death, it turns out she died during a fight with Gunnar. And while she had already lost one child, Tricia wasn’t willing to lose two by allowing Gunnar to be punished for what he did to his sister. So instead, she decided to cover the death up and lie to her husband for all these years.
This reveal shows that those hints we got about Gunnar and Tricia being on one side of things while Allen is on the other were accurate. Tricia and her son have been keeping this terrible secret together for years, and both of their worlds have been rocked by Esther showing up.
Tricia may be trying to keep her son safe by not handing him over to the police, but the fact she is so willing to toss Esther aside and take her son’s side is chilling. Rather than worrying about Gunnar’s behaviour and stopping to consider the wider ramifications of him being so angry and violent that he killed his little sister without a second thought, Tricia thinks only of keeping him safe and keeping what remains of their family together.
She seems to have a very ‘boys will be boys’ attitude and tries to claim that it wasn’t his fault. Her overbearing and overprotective approach to her son is toxic, and it’s something that Gunnar leans into because it makes his life easier. He has this knowledge over his mother, which no doubt helps with getting his way, but he’s also seen the lengths she will go to to keep him safe.
Leena shares her real identity with Tricia, and in perhaps an even more strange turn of events, she agrees to keep her secret and allow her to live in the family home as Esther for the sake of her husband. She also knows that if Esther disappears again it will draw unwanted suspicion on the family, and that’s something she cannot afford. By bringing Esther into the secret with Gunnar, Tricia has ensured that Allen is the only person left on the outside again, thinking his family is perfect and happy.
And Esther agrees because Tricia helps her get rid of Detective Donnan’s body, and it will give her a safe place to stay until she works out the next step in her plan. It may have all worked out quite well if it weren’t for the men in the Albright family. To begin with, Esther is still getting far too close to Allen, and now that Tricia knows Esther is an adult and has feelings for her husband, she’s uncomfortable with them being alone so much. She also uses her knowledge to taunt Esther, knowing that she will never be able to act on her feelings because she’s already established herself as Allen’s daughter.
Gunnar also complicates the situation, because he knows about Esther’s true identity and knows that she won’t want to blow her cover. And so he also chooses to taunt her as his mother does, which is perhaps a bold move considering how many people Esther has killed or injured so far. Gunnar thinks he’s untouchable, and he threatens that if Esther becomes too much of a problem he’ll simply do to her what he did to his real sister. All this suggests that the real Esther’s death may not have been so much of an accident after all, and perhaps Gunnar takes pleasure in exerting his power over those seemingly weaker, smaller, and younger than him.
LISTEN TO OUR HORROR PODCAST!
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
In August we have been looking at mind-bending films and books, which is why we decided to cover Agustina Bazterrica's disturbing horror book TENDER IS THE FLESH.
In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine contributors Iona Smith, Melissa Cox and Ariel Baska to get gooey, ewwy and a little bit horny talking about their recent body horror watches, reads and plays! From Cronenberg's Crimes of the Future, to cannibalism book Tender is the Flesh to classic sci-fi horror The Thing and more...
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
In this episode join Assistant Editor at Ghouls Magazine and host, Rebecca McCallum as strips back the layers of flesh on these films alongside Senior Contributor & Social Media Manager, Kim Morrison. And no, these two don't just think that remakes are all trash - there's love in here for originals and remakes including House of Wax (2005) and more.
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine Assistant Editor, Rebecca McCallum, and contributors Kat Hughes and Meg Kenny. They have been busy watching horror movies like The Devil’s Candy (2015), Rope (1948), Huesera: The Bone Woman (2023), binging TV shows such as Dead Ringers (2023) also also reading with the likes of My Heart is a Chainsaw and Dennis Coopers’ The Sluts.
This May we’ve been looking at natured themed horror films, anything from creature features to eco horror to biological horror and more. For this episode, the focus is on the parasitic horror and how infections can take control in terrifying ways with horror film The Bay (2012).
In this episode join host Zoë Rose Smith as she is joined by Playstation presenter, gaming streamer and The NoSleep Podcast voiceover artist - Ash Millman! Together they pull vines from their minds, and examine environmental horror film The Ruins (2008).
In April we are looking at ‘Coming-Of-Age’ horror films, from the lens of films that defined our own youth to films that directly dissect coming-of-age as a theme. This episode looks at romantic horror film Picnic at Hanging Rock (1975)!
In this episode join host Ariel Powers-Schaub alongside Sarah Miles, Kat Hughes, Alix Turner & special guest Fern. From Quentin Tarantino's Deathproof (2007) to the slasher fav Child's Play (1988) to British horror TV Ghostwatch (1992) and more.
In this episode host Zoë Rose Smith is joined by Ghouls Magazine contributors Kat Hughes, Iona Smith, Ariel Baska and Meg Kenny to talk discovering sexuality, battling bullying, navigating teen struggles and being that 'spooky bitch'. From Hellraiser to IT to Excision and more...
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
In the new Ghouls Watch episodes of the podcast, we chat about what horror films and TV shows we’ve been watching lately! This time Ariel Powers-Schaub chats to Caitlyn Downs, Ariel Baska and Liz Bishop about sci-fi horror show Severance, horror film Run Sweetheart Run, sci-fi horror film Splice and more….
Extreme horror films often look at the relationship between sex and death, examining the ways in which they intertwine and talk to one another in disturbed ways. Which is why for the month of love, we are looking at a complicated and tragic love story with Jorg Buttgereit’s 1988 horror film Nekromantik.
Have you ever turned someone down for a date? Well, if you have, then you got away lucky because if you did that to the iconic Lola Stone you would be enduring some torture... This Valentine's Day we're not indulging in anything romantic, instead we're taking part in some Anti-Valentine's by discussing Sean Byrne's Australian horror film THE LOVED ONES (2009).
Come on down to the Clown Cafe if you’re hungry for a little slicing, dicing and a hilarious amount of guts and gore! There’s only one way to start off a new year and new season of podcasts with a bloody double bill of Damien Leone’s Terrifier (2016) and Terrifier 2 (2022).
Join Ariel Powers-Schaub and Iona Smith for the final episode as they discuss Final Destination 5 (2011) and look at what the future might hold for more evolutions of this horror franchise.
Join Ariel Powers-Schaub and Iona Smith as they dive further into the Final Destination franchise to look at Final Destination 3 (2006) and Final Destination 4 (2009)!
The bells are ringing and snow is falling, it's the most wonderful time of the year! So this December for Christmas, join us as we look at Michael Dougherty's festive horror film Krampus from 2015.
Did you listen to our episode talking about what we were excited to see at Soho Horror Film Festival? Well we’re back from crawling our worm bodies out of the earth to discuss what films we managed to catch at the festival and talk about which ones were our fav!
Join Ariel Powers-Schaub and Iona Smith as they strap in for the rollercoaster ride that is the Final Destination franchise!
When you go down to the Church tonight, you're going to be in for a surprise... At Ghouls Magazine we love independent cinema and to champion indie horror, Assistant Editor Rebecca McCallum caught up with Jen Handorf!
There's going to be worms, ghosting, hangovers, cults and more at this year's Soho Horror Film Festival and we are more than excited! Join host Zoë Rose Smith as she chats to Ghouls Magazine contributors and freelance journalists, Hannah Ogilvie and Caitlyn Downs.
Halloween is nearly here and it's time to get your PJs on ready for a nightmarish movie marathon! Host Rebecca McCallum is joined by the slumber party experts, Joshua Tonks & Liz Bishop, to find out what 5 horror movies they recommend to watch this spooky season! Plus, the terrifying trio test their horror knowledge...
In this episode of the podcast, host Rebecca McCallum is joined by not one, but two guests to talk about their passion for horror books, and some of their recommendations to get you reading this winter. The first guest is Nina the Book Slayer, who is a book reviewer for Hear Us Scream, followed by Alex Bookubus who is a book reviewer on YouTube!
In the latest episode of the podcast, host Rebecca McCallum is joined by Tim Coleman to discuss sci-fi horror film ALIEN from 1979.
However, Tricia isn’t able to keep up the illusion for too long, and she soon plans ways she can get rid of Esther once and for all. After a few back-and-forth attacks between the two women, Tricia ropes in Gunnar to help her get the job done. Not only is he the only other person who knows her secrets, but Tricia knows he’s more than capable of getting his hands dirty and committing murder. Tricia tries to poison Esther, which is quite a hands-off approach to murder, but Gunnar seems like he’s only too willing to face Esther in person and rid the family of her.
However, both of them have underestimated the things Esther will do to stay alive and a one-on-one showdown between Esther and Gunnar sees him die at the hands of two of his favourite weapons - his crossbow and his fencing sword. With both her children taken from her, Tricia chases Esther around the house and eventually onto the roof as the house catches fire around them.
Allen turns up in time to head to the roof to save his remaining family, but with both Tricia and Ester hanging from the gutter, he’s only able to save one. And while both women try to plead their case and blame the other for their situation, Allen decides to save Esther because he’s lost his daughter once and he doesn’t want to lose her again. This means Tricia falls to her death as Allen tries to comfort Esther and ensure she’s not hurt.
While Allen finds out pretty quickly that Esther isn’t really his daughter, Tricia dies knowing that he picked his daughter over her. He couldn’t see past Esther’s disguise and lies, and his undying love for his daughter was always going to win against the feelings he had for Tricia. Tricia welcomed Esther into her home to try and repair her marriage and make Allen happy, but the minute she did that she sealed her fate because of how strongly he felt for Esther.
Tricia took very extreme steps to try and save her family and ensure they could live as close to normal as possible, but in the end, she lost everything. Not only did she have to watch her son die and her house burn around her, but she had to deal with the fact that Esther won Allen’s affection as Tricia fell to her death and died on the driveway below.
This may be seen as an extreme version of love between herself and Gunnar, but it’s a cruel way for her to treat her younger child. When she needed her most, when only her mother could fight for justice for her, Tricia chose to side with her son and throw Esther’s body down a dark hole in the middle of nowhere. She lied about Esther to her husband, and though she felt she was being kind to him, she kept this hope alive in him which meant he was never really at peace. If he had known Esther died four years ago, he may have been able to find some closure and move on. It seems each parent in the Albright family had a favourite child and in the end, it tore the family apart.
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A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit.
Both the original Pet Sematary (1989) and its 2019 remake are stories about the way death and grief can affect people in different ways. And while the films centre on Louis Creed and his increasingly terrible decision-making process, there’s no doubt that the story wouldn’t pack the same punch or make the same sense without his wife, Rachel.
The story focuses on a group of survivors after most of the world’s population is wiped out by Captain Trips, a lethal super-flu. And while there are enough horrors to go around in a story like this, the real focus of King’s book is how those who survive react to the changing world around them.
Set during the mid-fifteenth century, Onibaba (1964) tells the story of two women fighting for survival. Credited only as Older Woman and Younger Woman (or Kichi's Mother and Kichi's Wife) according to IMDB, the story is focussed on the lengths these women will go to survive a war, and yet they’re not even given names, unlike the male characters.
For journalist Veronica Quaife her life changes direction one night in a massive way while attending a Bartok Science Industries party. She’s there to cover the event for Particle magazine, and has a few interviews scheduled with scientists who all think they’ve discovered something which will change the world.
You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
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You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
• 4.5 oz/y² (153 g/m²)
• Pre-shrunk
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the centre
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YWe’re always thirsty for more horror, which is why you show off your love for the gory genre with a Ghouls Magazine VMPR T-Shirt! Made from soft & cosy cotton that feels so nice on the skin that even Ed Gein wants one. Grab yourself some Ghouls Magazine merch to always look fresher than a corpse.
100% cotton
Sport grey is made from 90% cotton & 10% polyester
Dark Heather is made from 65% polyester & 35% cotton
Pre-shrunk
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• 52% combed ring-spun cotton, 48% polyester
• Slim fit
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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Need a new horror hoodie? Then say hello to the Ghouls Magazine VMPR Hoodie! Made from a blend of cotton and polyester to keep the hoodie feeling comfy and warm when watching your favourite horror films. Black pull-over hoodie featuring a vampire lips logo design.
Made from 50% pre-shrunk cotton & 50% polyester
Air-jet spun yarn with a soft feel and reduced pilling
Double-lined hood with drawstring
Ribbed cuffs and waistband
Front pouch pocket
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Wear your love for horror on your head with the Ghouls Magazine VMPR Beanie Hat. Made from turbo acrylic for a stretchy fit to feel snug and comfy even on the coldest and spookiest of nights. Black hat features vampire blood-drip lips for some horror merch that everyone will want a slice of.
Made from 100% turbo acrylic
12” in length
Hypoallergenic material
Suitable as a unisex hat
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Need something to carry your dismembered bodies in? Then fear not as we have the perfect solution with the Ghouls Magazine VMPR Tote Bag. Made from polyester, with a black base and featuring an all over pink vampire blood-drip mouth to help you show off those fangs. Grab yourself some Ghouls Magazine merch to help support us.
Made from 100% spun polyester fabric
Bag size: 15” x 15” (38cm x 38cm)
Double handles made from 100% natural cotton
Handle length: 11.8” (30cm)
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Whether you’re drinking your morning coffee kick, or perhaps indulging in something a bit stronger, do it with Ghouls! Sip, slice and swig through your day with a GHLS Mug featuring the Ghouls Magazine final girl logo.
Made from ceramic
Choose from 11oz or 15oz mug
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Feeling like showing off your love for Ghouls Magazine? Then why not grab yourself one of our Ghouls Magazine VMPR Patches to attach to your denim jacket, dungarees, bag or anywhere you like really. Help to support our online horror magazine with some Ghouls Magazine merchandise.
Made from 26% cotton and 74% polyester
3” (7.6cm) size
You can attach by ironing, sewing or using a safety pin

Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.