[Mother of Fears] Mother Vs. Monster in Silent Hill (2006)
Welcome to Mother of Fears – a monthly column that will explore the various roles that mothers play within the horror genre. Mothers are a staple feature in horror movies, and yet, their stories, motivations, representations, and relationships with their children are so varied and complex that we never feel like we’re watching the same story twice. Every month I will take a look at a different mother from the world of horror, explore their story, and look at how they fit into the broader representation of women in horror.
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit. It’s a town destroyed by the warped beliefs of the townspeople and their evil practices which they carried out under the guise of purification. It’s a town sitting in limbo, punishing its population for their past actions. A fire still burns under Silent Hill, in the abandoned coal mines, and in the heart of a little girl now twisted by anger and her need for revenge.
And yet, Sharon finds herself called to Silent Hill. In the night she sleepwalks and calls out for the town she has no memory of as her adoptive parents Rose and Christopher feel powerless to help her. While Christopher believes Sharon needs professional help, Rose decides that a road trip to Silent Hill itself will finally solve the mystery of her daughter’s night terrors.
LISTEN TO OUR HORROR PODCAST!
In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
In August we have been looking at mind-bending films and books, which is why we decided to cover Agustina Bazterrica's disturbing horror book TENDER IS THE FLESH.
In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine contributors Iona Smith, Melissa Cox and Ariel Baska to get gooey, ewwy and a little bit horny talking about their recent body horror watches, reads and plays! From Cronenberg's Crimes of the Future, to cannibalism book Tender is the Flesh to classic sci-fi horror The Thing and more...
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
In this episode join Assistant Editor at Ghouls Magazine and host, Rebecca McCallum as strips back the layers of flesh on these films alongside Senior Contributor & Social Media Manager, Kim Morrison. And no, these two don't just think that remakes are all trash - there's love in here for originals and remakes including House of Wax (2005) and more.
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine Assistant Editor, Rebecca McCallum, and contributors Kat Hughes and Meg Kenny. They have been busy watching horror movies like The Devil’s Candy (2015), Rope (1948), Huesera: The Bone Woman (2023), binging TV shows such as Dead Ringers (2023) also also reading with the likes of My Heart is a Chainsaw and Dennis Coopers’ The Sluts.
This May we’ve been looking at natured themed horror films, anything from creature features to eco horror to biological horror and more. For this episode, the focus is on the parasitic horror and how infections can take control in terrifying ways with horror film The Bay (2012).
In this episode join host Zoë Rose Smith as she is joined by Playstation presenter, gaming streamer and The NoSleep Podcast voiceover artist - Ash Millman! Together they pull vines from their minds, and examine environmental horror film The Ruins (2008).
In April we are looking at ‘Coming-Of-Age’ horror films, from the lens of films that defined our own youth to films that directly dissect coming-of-age as a theme. This episode looks at romantic horror film Picnic at Hanging Rock (1975)!
In this episode join host Ariel Powers-Schaub alongside Sarah Miles, Kat Hughes, Alix Turner & special guest Fern. From Quentin Tarantino's Deathproof (2007) to the slasher fav Child's Play (1988) to British horror TV Ghostwatch (1992) and more.
In this episode host Zoë Rose Smith is joined by Ghouls Magazine contributors Kat Hughes, Iona Smith, Ariel Baska and Meg Kenny to talk discovering sexuality, battling bullying, navigating teen struggles and being that 'spooky bitch'. From Hellraiser to IT to Excision and more...
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
In the new Ghouls Watch episodes of the podcast, we chat about what horror films and TV shows we’ve been watching lately! This time Ariel Powers-Schaub chats to Caitlyn Downs, Ariel Baska and Liz Bishop about sci-fi horror show Severance, horror film Run Sweetheart Run, sci-fi horror film Splice and more….
Extreme horror films often look at the relationship between sex and death, examining the ways in which they intertwine and talk to one another in disturbed ways. Which is why for the month of love, we are looking at a complicated and tragic love story with Jorg Buttgereit’s 1988 horror film Nekromantik.
Have you ever turned someone down for a date? Well, if you have, then you got away lucky because if you did that to the iconic Lola Stone you would be enduring some torture... This Valentine's Day we're not indulging in anything romantic, instead we're taking part in some Anti-Valentine's by discussing Sean Byrne's Australian horror film THE LOVED ONES (2009).
Come on down to the Clown Cafe if you’re hungry for a little slicing, dicing and a hilarious amount of guts and gore! There’s only one way to start off a new year and new season of podcasts with a bloody double bill of Damien Leone’s Terrifier (2016) and Terrifier 2 (2022).
Join Ariel Powers-Schaub and Iona Smith for the final episode as they discuss Final Destination 5 (2011) and look at what the future might hold for more evolutions of this horror franchise.
Join Ariel Powers-Schaub and Iona Smith as they dive further into the Final Destination franchise to look at Final Destination 3 (2006) and Final Destination 4 (2009)!
The bells are ringing and snow is falling, it's the most wonderful time of the year! So this December for Christmas, join us as we look at Michael Dougherty's festive horror film Krampus from 2015.
Did you listen to our episode talking about what we were excited to see at Soho Horror Film Festival? Well we’re back from crawling our worm bodies out of the earth to discuss what films we managed to catch at the festival and talk about which ones were our fav!
Join Ariel Powers-Schaub and Iona Smith as they strap in for the rollercoaster ride that is the Final Destination franchise!
When you go down to the Church tonight, you're going to be in for a surprise... At Ghouls Magazine we love independent cinema and to champion indie horror, Assistant Editor Rebecca McCallum caught up with Jen Handorf!
There's going to be worms, ghosting, hangovers, cults and more at this year's Soho Horror Film Festival and we are more than excited! Join host Zoë Rose Smith as she chats to Ghouls Magazine contributors and freelance journalists, Hannah Ogilvie and Caitlyn Downs.
Halloween is nearly here and it's time to get your PJs on ready for a nightmarish movie marathon! Host Rebecca McCallum is joined by the slumber party experts, Joshua Tonks & Liz Bishop, to find out what 5 horror movies they recommend to watch this spooky season! Plus, the terrifying trio test their horror knowledge...
In this episode of the podcast, host Rebecca McCallum is joined by not one, but two guests to talk about their passion for horror books, and some of their recommendations to get you reading this winter. The first guest is Nina the Book Slayer, who is a book reviewer for Hear Us Scream, followed by Alex Bookubus who is a book reviewer on YouTube!
In the latest episode of the podcast, host Rebecca McCallum is joined by Tim Coleman to discuss sci-fi horror film ALIEN from 1979.
Rose may be Sharon’s adoptive mother, but she still has a strong mothering instinct. She knows that the only way to figure out what is going on with Sharon is to return to the town that plagues her dreams and answer the call the town has made to her. Rose has to fight her husband to prove that she knows better and understands the needs of her daughter, even if Sharon doesn’t fully understand what is being asked of her. Whatever the truth is, no matter how horrible a place Silent Hill is, Sharon will never be free of the nightmares that make their way into her head every night unless she returns home and confronts the other parts of herself that have been left behind.
Christopher blocks Rose’s credit cards and pleads with her to return, but Rose is strong in her resolve. Even when they almost get pulled over by the police officer Cybil Bennett, Rose decides to make a break for it instead to make a desperate bid for Silent Hill. It’s almost as though she believes all their problems will be solved the minute they cross into the town boundaries.
🧟♀️HELP US STAY UNDEAD🧟
We are a small & independent online magazine.
If you enjoy our content please consider donating or becoming a member.
Ghouls Gang members also get access to bonus podcasts, articles and much more.
Your contribution really makes the difference and helps us stay undead!
💜Thank You💜
When Rose first enters the town of Silent Hill, she thinks she sees Sharon running away from her, just out of reach and always too far away to catch. Rose quickly discovers the child is not Sharon, but actually Alessa, a young girl who was burned as a witch 30 years earlier. Sharon and Alessa look exactly the same, so Rose reasons that Alessa definitely has something to do with Sharon’s connection to the town.
We’re also introduced to Dahlia, Alessa’s mother who wanders the streets of the town seemingly searching for her daughter. Dahlia and Rose quickly bond over the shared pain of losing a child, but Dahlia attacks Rose when she sees the picture of Sharon in Rose’s locket.
While Dahlia was not complicit in the death of her daughter, she was powerless against the town’s mob mentality and unable to stop them until it was too late. She is stuck in the limbo state with everyone else, but immune to the powers of the evil creatures that lurk in the street whenever the darkness descends.
While Alessa/Dark Alessa’s initial calls were to Sharon, it becomes clear that Rose was the real key to solving the problem all along. Dark Alessa was able to maintain a strong connection with Sharon because she was the good part of Alessa, ripped away from the evils of Silent Hill, and stored in the outside world for safekeeping.
Dark Alessa uses Sharon as a pawn, to bring fresh meat into Silent Hill to help Alessa get her revenge. While Dahlia clearly still loves her daughter very much, she has been beaten down by the pressure of the town, and their leader Christabella, who also happens to be Dahlia’s sister.
LISTEN TO OUR HORROR PODCAST!
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
In August we have been looking at mind-bending films and books, which is why we decided to cover Agustina Bazterrica's disturbing horror book TENDER IS THE FLESH.
In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine contributors Iona Smith, Melissa Cox and Ariel Baska to get gooey, ewwy and a little bit horny talking about their recent body horror watches, reads and plays! From Cronenberg's Crimes of the Future, to cannibalism book Tender is the Flesh to classic sci-fi horror The Thing and more...
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
In this episode join Assistant Editor at Ghouls Magazine and host, Rebecca McCallum as strips back the layers of flesh on these films alongside Senior Contributor & Social Media Manager, Kim Morrison. And no, these two don't just think that remakes are all trash - there's love in here for originals and remakes including House of Wax (2005) and more.
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine Assistant Editor, Rebecca McCallum, and contributors Kat Hughes and Meg Kenny. They have been busy watching horror movies like The Devil’s Candy (2015), Rope (1948), Huesera: The Bone Woman (2023), binging TV shows such as Dead Ringers (2023) also also reading with the likes of My Heart is a Chainsaw and Dennis Coopers’ The Sluts.
This May we’ve been looking at natured themed horror films, anything from creature features to eco horror to biological horror and more. For this episode, the focus is on the parasitic horror and how infections can take control in terrifying ways with horror film The Bay (2012).
In this episode join host Zoë Rose Smith as she is joined by Playstation presenter, gaming streamer and The NoSleep Podcast voiceover artist - Ash Millman! Together they pull vines from their minds, and examine environmental horror film The Ruins (2008).
In April we are looking at ‘Coming-Of-Age’ horror films, from the lens of films that defined our own youth to films that directly dissect coming-of-age as a theme. This episode looks at romantic horror film Picnic at Hanging Rock (1975)!
In this episode join host Ariel Powers-Schaub alongside Sarah Miles, Kat Hughes, Alix Turner & special guest Fern. From Quentin Tarantino's Deathproof (2007) to the slasher fav Child's Play (1988) to British horror TV Ghostwatch (1992) and more.
In this episode host Zoë Rose Smith is joined by Ghouls Magazine contributors Kat Hughes, Iona Smith, Ariel Baska and Meg Kenny to talk discovering sexuality, battling bullying, navigating teen struggles and being that 'spooky bitch'. From Hellraiser to IT to Excision and more...
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
In the new Ghouls Watch episodes of the podcast, we chat about what horror films and TV shows we’ve been watching lately! This time Ariel Powers-Schaub chats to Caitlyn Downs, Ariel Baska and Liz Bishop about sci-fi horror show Severance, horror film Run Sweetheart Run, sci-fi horror film Splice and more….
Extreme horror films often look at the relationship between sex and death, examining the ways in which they intertwine and talk to one another in disturbed ways. Which is why for the month of love, we are looking at a complicated and tragic love story with Jorg Buttgereit’s 1988 horror film Nekromantik.
Have you ever turned someone down for a date? Well, if you have, then you got away lucky because if you did that to the iconic Lola Stone you would be enduring some torture... This Valentine's Day we're not indulging in anything romantic, instead we're taking part in some Anti-Valentine's by discussing Sean Byrne's Australian horror film THE LOVED ONES (2009).
Come on down to the Clown Cafe if you’re hungry for a little slicing, dicing and a hilarious amount of guts and gore! There’s only one way to start off a new year and new season of podcasts with a bloody double bill of Damien Leone’s Terrifier (2016) and Terrifier 2 (2022).
Join Ariel Powers-Schaub and Iona Smith for the final episode as they discuss Final Destination 5 (2011) and look at what the future might hold for more evolutions of this horror franchise.
Join Ariel Powers-Schaub and Iona Smith as they dive further into the Final Destination franchise to look at Final Destination 3 (2006) and Final Destination 4 (2009)!
The bells are ringing and snow is falling, it's the most wonderful time of the year! So this December for Christmas, join us as we look at Michael Dougherty's festive horror film Krampus from 2015.
Did you listen to our episode talking about what we were excited to see at Soho Horror Film Festival? Well we’re back from crawling our worm bodies out of the earth to discuss what films we managed to catch at the festival and talk about which ones were our fav!
Join Ariel Powers-Schaub and Iona Smith as they strap in for the rollercoaster ride that is the Final Destination franchise!
When you go down to the Church tonight, you're going to be in for a surprise... At Ghouls Magazine we love independent cinema and to champion indie horror, Assistant Editor Rebecca McCallum caught up with Jen Handorf!
There's going to be worms, ghosting, hangovers, cults and more at this year's Soho Horror Film Festival and we are more than excited! Join host Zoë Rose Smith as she chats to Ghouls Magazine contributors and freelance journalists, Hannah Ogilvie and Caitlyn Downs.
Halloween is nearly here and it's time to get your PJs on ready for a nightmarish movie marathon! Host Rebecca McCallum is joined by the slumber party experts, Joshua Tonks & Liz Bishop, to find out what 5 horror movies they recommend to watch this spooky season! Plus, the terrifying trio test their horror knowledge...
In this episode of the podcast, host Rebecca McCallum is joined by not one, but two guests to talk about their passion for horror books, and some of their recommendations to get you reading this winter. The first guest is Nina the Book Slayer, who is a book reviewer for Hear Us Scream, followed by Alex Bookubus who is a book reviewer on YouTube!
In the latest episode of the podcast, host Rebecca McCallum is joined by Tim Coleman to discuss sci-fi horror film ALIEN from 1979.
So Dark Alessa decides to exploit Rose’s love for her daughter instead, leading her into the basement of the hospital so she can finally uncover the grisly truth about what happened to Alessa all those years ago. She emotionally exploits Rose by using Sharon’s drawings to direct Rose all over town, knowing that Rose will cling to any connection to her daughter she finds.
Even faced with intense encounters with terrifying creatures that could spring forth from the darkness with only a couple of siren blasts as a warning, Rose never wavers in her task to find Sharon.
Rose even agrees to take Dark Alessa into herself, so that she can sneak the demon into the church and wipe out the townsfolk once and for all. Rose knows this is the only way she will be able to get Sharon back, but she also recognizes the importance of Alessa getting her revenge. Rose sees Sharon reflected in Alessa, and as a mother, sympathises with the things Alessa was put through in the name of religious purification.
It’s in this moment that Rose steps in and does what Dahlia couldn’t, by standing up for Alessa and supporting her needs. Rose is not overcome by fear or the pressure of the townsfolk and only thinks about what is best for her child. Her motherly bond is so strong that she saves both Sharon and Alessa from the horrible hold the town has over them at the same time.
Dark Alessa and Alessa are true to their word, and when they wreak their revenge on the town they leave Rose and Sharon unharmed. Rather than being evil just for the sake of it, the two versions of Alessa have a very clear purpose in their hatred and anger, and it’s very rightly focused on the people in the town who caused all this with their warped religious beliefs.
The only Silent Hill resident left alive is Dahlia. While Dahlia is confused that Alessa didn’t take her, Rose explains it’s “because you’re her mother. Mother is God in the eyes of a child.” While Alessa is unable to rescue Dahlia from the dark realm of Silent Hill, she spares her the torturous barbed wire death that everyone else has to suffer. Also, staying in limbo is surely preferable to being sent directly to Hell, which is definitely where Christabella was going.
Earlier in the film, Anna remarks that “not even the darkness wants her” of Dahlia, but the truth is Alessa has been keeping her mother safe as much as possible from the creatures that roam the streets. Even after 30 years and enough rage to turn a whole town into a nightmare scape, Alessa still loves her mother and forgives her for the part she played in her burning.
While Rose is not Alessa’s mother, both Alessa and Dark Alessa recognize her significance because she chose to welcome Sharon into her life. Rose formed a bond with Alessa by mothering and nurturing the good side of her, and that’s why she ends up such a vital part of Alessa’s plan.
Alessa has tried to take down the townsfolk on her own, and yet they are still safe from her in their church. It is Rose’s bravery to take Dark Alessa into herself and fight Christabella head-on that finally allows both versions of Alessa access to the church. Christabella thought that God was the most powerful force in Silent Hill, but she clearly hadn’t reckoned on Rose. Only Dark Alessa recognised Rose’s full potential and the things a mother will do to protect her child.
Adoption in horror movies is often told as a scary story from the point of view of the mother or new family who have welcomed this child into their home. Movies like Orphan (2009), The Omen (1976), or Before I Wake (2016) show adoption as a perilous activity that means welcoming a child into your home who may very well want to kill you (or possess powers that will kill you accidentally).
Adoptive mothers are often dealing with the grief of the loss of a child, or the inability to have their own children and adopt in what is seen as a second-choice option. In Silent Hill, there’s never any real reason given for why Rose and Christopher chose to adopt Sharon. There’s no traumatic story from their past, but instead, just a need to have a child and love it. And so, they chose to pick a child that had already been born and abandoned and was so in need of a loving home.
They’ve had Sharon since she was a baby and clearly formed a very loving family around her. At the first signs of trouble, Rose takes immediate action to try and solve the mystery of Sharon’s past and help her get a good night’s sleep again. Sharon is seen as a happy and content child, drawing under a tree with her mother as they continue on their road trip. The bond the two share is undeniable.
And so, Silent Hill gives us a more positive representation of adoption and the adoptive mother than a lot of other movies have managed. Rose never feels a disconnect from her daughter or like she isn’t her real mother. She tells Cybil, “Sharon’s adopted, but I’m her mother. I knew that from the moment I first laid eyes on her.” There’s never this worry of Sharon being some sort of cuckoo in the nest, waiting to strike and cause pain for her parents.
Silent Hill merely uses adoption as a plot mechanism to explore Sharon’s unknown past, but Sharon is never the monster of the piece. She’s always represented as the good part of Alessa. Sharon is merely a vehicle for Dark Alessa to call assistance to Silent Hill, and Rose provides that without any hesitation because of how much she loves her daughter.
The ending of Silent Hill is left slightly ambiguous, which was made worse by the sequel Silent Hill: Revelation (2012). However, whatever happens to Rose and Sharon, they don’t manage to completely escape the realm of Silent Hill.
After helping both versions of Alessa complete their plan, Rose and Sharon are allowed to walk free as their reward. Their car starts and the chasm in the road heals itself so that mother and daughter can finally escape their waking nightmare.
However, upon returning to the house it’s clear that everything is not as it seems. While they’ve made it back home, they are on a different plane of existence from Christopher, who seems to sense Rose’s presence in the room.
But none of that seems to matter. Rose aimed to rescue her daughter and to free her from whispers of Silent Hill that were calling her home. They’ve escaped the monsters, and they’re together, and really, that’s all that matters to Rose now. Even if they are trapped in another world, they have each other, which is something Alessa and Dahlia were never able to achieve.
RELATED ARTICLES
A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit.
Both the original Pet Sematary (1989) and its 2019 remake are stories about the way death and grief can affect people in different ways. And while the films centre on Louis Creed and his increasingly terrible decision-making process, there’s no doubt that the story wouldn’t pack the same punch or make the same sense without his wife, Rachel.
The story focuses on a group of survivors after most of the world’s population is wiped out by Captain Trips, a lethal super-flu. And while there are enough horrors to go around in a story like this, the real focus of King’s book is how those who survive react to the changing world around them.
Set during the mid-fifteenth century, Onibaba (1964) tells the story of two women fighting for survival. Credited only as Older Woman and Younger Woman (or Kichi's Mother and Kichi's Wife) according to IMDB, the story is focussed on the lengths these women will go to survive a war, and yet they’re not even given names, unlike the male characters.
For journalist Veronica Quaife her life changes direction one night in a massive way while attending a Bartok Science Industries party. She’s there to cover the event for Particle magazine, and has a few interviews scheduled with scientists who all think they’ve discovered something which will change the world.
You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
• 4.5 oz/y² (153 g/m²)
• Pre-shrunk
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the centre
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
• 4.5 oz/y² (153 g/m²)
• Pre-shrunk
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the centre
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
YWe’re always thirsty for more horror, which is why you show off your love for the gory genre with a Ghouls Magazine VMPR T-Shirt! Made from soft & cosy cotton that feels so nice on the skin that even Ed Gein wants one. Grab yourself some Ghouls Magazine merch to always look fresher than a corpse.
100% cotton
Sport grey is made from 90% cotton & 10% polyester
Dark Heather is made from 65% polyester & 35% cotton
Pre-shrunk
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER. WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
• 52% combed ring-spun cotton, 48% polyester
• Slim fit
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
Need a new horror hoodie? Then say hello to the Ghouls Magazine VMPR Hoodie! Made from a blend of cotton and polyester to keep the hoodie feeling comfy and warm when watching your favourite horror films. Black pull-over hoodie featuring a vampire lips logo design.
Made from 50% pre-shrunk cotton & 50% polyester
Air-jet spun yarn with a soft feel and reduced pilling
Double-lined hood with drawstring
Ribbed cuffs and waistband
Front pouch pocket
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Wear your love for horror on your head with the Ghouls Magazine VMPR Beanie Hat. Made from turbo acrylic for a stretchy fit to feel snug and comfy even on the coldest and spookiest of nights. Black hat features vampire blood-drip lips for some horror merch that everyone will want a slice of.
Made from 100% turbo acrylic
12” in length
Hypoallergenic material
Suitable as a unisex hat
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Need something to carry your dismembered bodies in? Then fear not as we have the perfect solution with the Ghouls Magazine VMPR Tote Bag. Made from polyester, with a black base and featuring an all over pink vampire blood-drip mouth to help you show off those fangs. Grab yourself some Ghouls Magazine merch to help support us.
Made from 100% spun polyester fabric
Bag size: 15” x 15” (38cm x 38cm)
Double handles made from 100% natural cotton
Handle length: 11.8” (30cm)
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE.
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Whether you’re drinking your morning coffee kick, or perhaps indulging in something a bit stronger, do it with Ghouls! Sip, slice and swig through your day with a GHLS Mug featuring the Ghouls Magazine final girl logo.
Made from ceramic
Choose from 11oz or 15oz mug
Dishwasher and microwave safe
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE.
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Feeling like showing off your love for Ghouls Magazine? Then why not grab yourself one of our Ghouls Magazine VMPR Patches to attach to your denim jacket, dungarees, bag or anywhere you like really. Help to support our online horror magazine with some Ghouls Magazine merchandise.
Made from 26% cotton and 74% polyester
3” (7.6cm) size
You can attach by ironing, sewing or using a safety pin

Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.