[Editorial] Calling the Corners and Representing the Elements in The Craft (1996)
For witches, the four elements of earth, air, water, and fire are an incredibly important part of our practice. When we set up our altars, items are placed at the points of the compass to represent each element as we work our rituals, with earth sitting at north, air at east, fire at south, and water at west.
Elements can also be used when casting a circle, which is a safety spell cast before working any magick to ensure that we’re protected from anything negative while we work. The elements can be called upon in turn as we work around the circle to aid with our magick, and then they are thanked and released at the end as the circle is closed again.
In the 1996 witch teen drama The Craft, the elements are given a vital role throughout the entire movie. In one of the most dramatic scenes in the movie, the witches call the guardians of each directional tower, along with their element while invoking the spirit on a moonlit beach. “Hail to the guardians of the watchtowers of the north. By the powers of mother and earth. Hear us”, Sarah chants when it’s her turn to call her corner. Once the four corners are called, the circle is complete and the ritual can begin.
This is why Bonnie, Rochelle, and Nancy believe they need Sarah’s power to make their witchcraft really work. They need a fourth member of the coven so they can call a corner each, complete the circle, and give their rituals more power. And while the women all pick an element to represent when they cast their spells, it turns out there is more subtle elemental work at play throughout the entire movie.
In the documentary Conjuring ‘The Craft’ (2000), featured as a DVD extra, writer Peter Filardi mentions that each of the witches represents an element, which is why they work so well together as a coven, in the beginning anyway.
Sarah as Earth
Sarah, as the most grounded member of the coven, gets the honour of representing earth. Even though she gets excited about the spells working and the growing power that the coven finds from working with each other, she knows that witchcraft isn’t to be messed with. When she is told by store owner, Lirio, that the power of three will cause negative energy to come back to them threefold if they abuse their power, Sarah is the only one who takes this advice seriously.
She’s also the most down to earth to look at considering her fashion choices versus the rest of the group, but especially versus the fiery goth look of Nancy’s wardrobe. On the first day of school, she chooses to turn up before she’s got her uniform, making her stand out from everyone, not just the other witches, in her earthy tones.
It’s worth noting that when the coven invokes the spirit, we see the containers holding the animals each woman brought with her explode when the power of the spell reaches its pinnacle, except for the small bird that Sarah is seen carrying. This could represent the fact that Sarah can control her power in situations like this, which we see mirrored in the film’s finale when she is able to invoke the spirit by herself and defeat Nancy. It could also show that Sarah was holding back in this moment, deciding to keep her feet firmly planted where she feels safe instead of wandering into unknown territory with this complicated spell. Either way, it shows that Sarah is more grounded than the rest of the coven and can channel her energy when she needs it most.
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Sarah is also the only natural witch of the group, so it makes sense that she would represent earth. While she hasn’t channelled her witchcraft in such a direct way before, she tells the other woman stories of how she’s accidentally flooded her room or made herself deaf in the past due to spells she didn’t even know she was casting. Her power is the strongest, it’s her that causes the coven’s spells to start working, and it’s only Sarah that’s left with powers at the end of the whole ordeal because she has a natural connection to witchcraft.
Sarah soon finds out that witchcraft was passed down to her from her mother, who was also a natural witch. This makes sense as Sarah channels both the powers of mother and earth when she takes part in rituals. Even though Sarah’s mother died in childbirth and she has never met her, she’s an incredibly important part of her life. The first thing Sarah unpacks in her new room is a picture of her mother, and it shows how strong their bond is. By passing her powers along to her daughter, Sarah’s mother has ensured that their bond will last a lifetime. She even aids Sarah in moments of doubt, her photo coming to life to show Sarah that she’s had the power she needed in her this whole time, and doesn’t need the rest of the coven to reach her full witchy potential.
Finally, Sarah’s element being earth makes sense because north is connected to earth. Sarah is definitely the true north of the group, constantly trying to pull them back in the right direction when they start to drift off the path. When their spells start to work and they see the real consequences, she’s the first to suggest they lay off the spells for a while. She also notices the changes in the other women’s characters which they seem to ignore. She doesn’t want to lose her friends, but she is unwilling to continue hurting people once she realises what is going on. Instead, she tries to steer the other witches back onto the right path, hopefully fixing the problems they’ve created without tearing the coven apart. Of course, the other women make this impossible for her, and she’s forced to correct the whole mess herself. Sarah uses her earth powers to bring balance back to the group, which means stripping the other three witches of their powers.
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In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
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In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
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In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
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Bonnie as Air
While she calls the element of fire when the witches invoke the spirit, writer Peter Filardi clarifies that Bonnie represents the element of air due to her skills as a seer. However, it’s worth noting that Bonnie carries a butterfly into the ceremony with her, so even though she’s calling one element, the jar she’s carrying hints at her real elemental nature.
When we first meet Bonnie she is walking the hallways with Nancy and Rochelle, though she is concentrating on the almanac she is reading. Much like a daily horoscope for witches, the almanac provides an insight into what is coming that day and how to use it in your magickal work.
“The almanac says today will bring an arrival of something…‘A new wholeness and with it a new balance. Earth, air, water, fire.’ Maybe it's our fourth.’ Through the almanac and her belief in its powers, Bonnie is the first member of the coven to get a hint of Sarah’s arrival. She’s also the first person to see Sarah’s powers in action when she catches her levitating a pencil using her mind in a class they share. Bonnie returns to the group with news of Sarah’s powers and eventually convinces Nancy to invite her to be part of the group.
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Rochelle as Water
Rochelle’s element is probably the most obvious in the group, considering how much time we see her spend in the school swimming pool as part of the diving team. She calls west, which is associated with the element of water, when they invoke the spirit and carries a clownfish to the ceremony.
Rochelle feels incredibly at home in the water, but the experience is constantly ruined for her because of the racist taunts from bully Laura. In the pool is also when Rochelle is separated from the other girls, and therefore, able to focus more clearly on her individual power. However, Laura is ruining her concentration, causing her to dive badly and not stand out on the team.
When Rochelle casts her spell against Laura, it causes all of Laura’s perfect blonde hair to fall out while she’s sitting poolside. Seeing her enemy finally get taken down a peg gives Rochelle the confidence she needs to block out all the distractions and finally show off her true diving talent, which clearly impresses her coach. Once she’s able to get rid of Laura’s negative energy at the pool, Rochelle is able to connect with her element better and dive into the water below.
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Nancy as Fire
The last element on the list is fire, which could only belong to Nancy. During the invoking the spirit ceremony, Nancy calls on the element of air, but it’s clear that fire is what is really lurking under the surface of this witch. She’s the one who is struck by lightning on the beach, apparently taking into herself all the power of Manon. This adds to the fire that was already burning inside Nancy and causes her to start burning out of control.
Almost every interaction Nancy has with other characters in this movie is of a confrontational nature. As they call the corners, fire is connected to feelings, and boy, does Nancy have a lot of feelings. While she argues with classmates and challenges teachers on a daily basis, it seems that she has to hold a lot of her feelings inside in order to get on with her life. She hates her step-dad, but tries to keep the peace at home and with her mother. However, when her rage finally spills over, it’s like a fire has been lit, and there’s no putting it out. When her stepfather attacks her mother, Nancy seemingly uses her power to kill him, finally freeing their trailer of his presence.
And when she becomes more confident in her powers, Nancy starts to get more and more out of control, like a forest fire quickly spreading through the dry grass. Once she gets a taste of power, she only wants more, consuming those around her like kindling. When Sarah wants things to calm down a little, Nancy refuses to be put out, making her flame burn even brighter and with more intensity. Her fire spreads to Rochelle and Bonnie as she wins them over to her side, and pushes Sarah out because she can’t manipulate her in the same way.
LISTEN TO OUR HORROR PODCAST!
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In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine contributors Iona Smith, Melissa Cox and Ariel Baska to get gooey, ewwy and a little bit horny talking about their recent body horror watches, reads and plays! From Cronenberg's Crimes of the Future, to cannibalism book Tender is the Flesh to classic sci-fi horror The Thing and more...
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
In this episode join Assistant Editor at Ghouls Magazine and host, Rebecca McCallum as strips back the layers of flesh on these films alongside Senior Contributor & Social Media Manager, Kim Morrison. And no, these two don't just think that remakes are all trash - there's love in here for originals and remakes including House of Wax (2005) and more.
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine Assistant Editor, Rebecca McCallum, and contributors Kat Hughes and Meg Kenny. They have been busy watching horror movies like The Devil’s Candy (2015), Rope (1948), Huesera: The Bone Woman (2023), binging TV shows such as Dead Ringers (2023) also also reading with the likes of My Heart is a Chainsaw and Dennis Coopers’ The Sluts.
This May we’ve been looking at natured themed horror films, anything from creature features to eco horror to biological horror and more. For this episode, the focus is on the parasitic horror and how infections can take control in terrifying ways with horror film The Bay (2012).
In this episode join host Zoë Rose Smith as she is joined by Playstation presenter, gaming streamer and The NoSleep Podcast voiceover artist - Ash Millman! Together they pull vines from their minds, and examine environmental horror film The Ruins (2008).
In April we are looking at ‘Coming-Of-Age’ horror films, from the lens of films that defined our own youth to films that directly dissect coming-of-age as a theme. This episode looks at romantic horror film Picnic at Hanging Rock (1975)!
In this episode join host Ariel Powers-Schaub alongside Sarah Miles, Kat Hughes, Alix Turner & special guest Fern. From Quentin Tarantino's Deathproof (2007) to the slasher fav Child's Play (1988) to British horror TV Ghostwatch (1992) and more.
In this episode host Zoë Rose Smith is joined by Ghouls Magazine contributors Kat Hughes, Iona Smith, Ariel Baska and Meg Kenny to talk discovering sexuality, battling bullying, navigating teen struggles and being that 'spooky bitch'. From Hellraiser to IT to Excision and more...
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
In the new Ghouls Watch episodes of the podcast, we chat about what horror films and TV shows we’ve been watching lately! This time Ariel Powers-Schaub chats to Caitlyn Downs, Ariel Baska and Liz Bishop about sci-fi horror show Severance, horror film Run Sweetheart Run, sci-fi horror film Splice and more….
Extreme horror films often look at the relationship between sex and death, examining the ways in which they intertwine and talk to one another in disturbed ways. Which is why for the month of love, we are looking at a complicated and tragic love story with Jorg Buttgereit’s 1988 horror film Nekromantik.
Have you ever turned someone down for a date? Well, if you have, then you got away lucky because if you did that to the iconic Lola Stone you would be enduring some torture... This Valentine's Day we're not indulging in anything romantic, instead we're taking part in some Anti-Valentine's by discussing Sean Byrne's Australian horror film THE LOVED ONES (2009).
Come on down to the Clown Cafe if you’re hungry for a little slicing, dicing and a hilarious amount of guts and gore! There’s only one way to start off a new year and new season of podcasts with a bloody double bill of Damien Leone’s Terrifier (2016) and Terrifier 2 (2022).
Join Ariel Powers-Schaub and Iona Smith for the final episode as they discuss Final Destination 5 (2011) and look at what the future might hold for more evolutions of this horror franchise.
Join Ariel Powers-Schaub and Iona Smith as they dive further into the Final Destination franchise to look at Final Destination 3 (2006) and Final Destination 4 (2009)!
The bells are ringing and snow is falling, it's the most wonderful time of the year! So this December for Christmas, join us as we look at Michael Dougherty's festive horror film Krampus from 2015.
Did you listen to our episode talking about what we were excited to see at Soho Horror Film Festival? Well we’re back from crawling our worm bodies out of the earth to discuss what films we managed to catch at the festival and talk about which ones were our fav!
Join Ariel Powers-Schaub and Iona Smith as they strap in for the rollercoaster ride that is the Final Destination franchise!
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In this episode of the podcast, host Rebecca McCallum is joined by not one, but two guests to talk about their passion for horror books, and some of their recommendations to get you reading this winter. The first guest is Nina the Book Slayer, who is a book reviewer for Hear Us Scream, followed by Alex Bookubus who is a book reviewer on YouTube!
In the latest episode of the podcast, host Rebecca McCallum is joined by Tim Coleman to discuss sci-fi horror film ALIEN from 1979.
This is where Nancy starts to lose control, and Sarah quickly realises that she’s going to have to put Nancy’s fire out completely in order to stop her from destroying herself. When she kills Chris by pushing him out a window, it’s clear she’s not totally in control of her actions. She has every reason to hate Chris, but she goes from wanting to humiliate him to murdering him in the space of about five minutes. At this point, there’s no predicting how quickly situations with Nancy will escalate. There’s a fire constantly burning under the surface, which is incredibly hard to read, making it difficult for the rest of the coven to connect with her.
In the finale, we see Nancy burn up all her powers in a bid to get rid of Sarah once and for all. After glamouring the house to make it seem bug-infested and making Sarah believe her parents are dead, Nancy really has nothing left to fight with when Sarah manages to regain her strength and kick off round two of the fight.
She clearly believes her powers have the ability to burn forever, but instead, they burn bright and fast, starting to fade away before she’s even had the chance to really use them. She may think that fire is the more dangerous and impressive element to have inside you, but Sarah’s earth powers are able to smother the fire burning in Nancy and put out the flames for good.
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You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
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• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
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USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
Need a new horror hoodie? Then say hello to the Ghouls Magazine VMPR Hoodie! Made from a blend of cotton and polyester to keep the hoodie feeling comfy and warm when watching your favourite horror films. Black pull-over hoodie featuring a vampire lips logo design.
Made from 50% pre-shrunk cotton & 50% polyester
Air-jet spun yarn with a soft feel and reduced pilling
Double-lined hood with drawstring
Ribbed cuffs and waistband
Front pouch pocket
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Wear your love for horror on your head with the Ghouls Magazine VMPR Beanie Hat. Made from turbo acrylic for a stretchy fit to feel snug and comfy even on the coldest and spookiest of nights. Black hat features vampire blood-drip lips for some horror merch that everyone will want a slice of.
Made from 100% turbo acrylic
12” in length
Hypoallergenic material
Suitable as a unisex hat
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Need something to carry your dismembered bodies in? Then fear not as we have the perfect solution with the Ghouls Magazine VMPR Tote Bag. Made from polyester, with a black base and featuring an all over pink vampire blood-drip mouth to help you show off those fangs. Grab yourself some Ghouls Magazine merch to help support us.
Made from 100% spun polyester fabric
Bag size: 15” x 15” (38cm x 38cm)
Double handles made from 100% natural cotton
Handle length: 11.8” (30cm)
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE.
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Whether you’re drinking your morning coffee kick, or perhaps indulging in something a bit stronger, do it with Ghouls! Sip, slice and swig through your day with a GHLS Mug featuring the Ghouls Magazine final girl logo.
Made from ceramic
Choose from 11oz or 15oz mug
Dishwasher and microwave safe
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE.
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Feeling like showing off your love for Ghouls Magazine? Then why not grab yourself one of our Ghouls Magazine VMPR Patches to attach to your denim jacket, dungarees, bag or anywhere you like really. Help to support our online horror magazine with some Ghouls Magazine merchandise.
Made from 26% cotton and 74% polyester
3” (7.6cm) size
You can attach by ironing, sewing or using a safety pin
EXPLORE
Hag horror originated in the early 1960’s and enjoyed its heyday during this time. Golden Era Hollywood actresses such as Joan Crawford and Bette Davis suddenly found themselves struggling to win roles over the younger, rising starlets of the time. So, in an ironic moment of art imitating life imitating art, these women turned to psychological horror films centered on unstable and dangerous older women. And a new character archetype was born.
Here at Ghouls, we’re not averse to getting a little soppy with it, so we’ve rounded up seven of the most romantic horror films to spice up your Valentine’s Day, and where to stream them.
We devoured films of blood, obsession, and brutality, letting the screams of terror soundtrack our time in the shadows. Below, are our favourite films that haunted, thrilled, and consumed us while the magazine was on hiatus:
Ahead of the Academy Awards ceremony, Ghouls has rounded up where you can stream all of the 2025 horror releases in the UK and the US from the comfort of your own home.
Now it’s time for Soho’s main 2023 event, which is presented over two weekends: a live film festival at the Whirled Cinema in Brixton, London, and an online festival a week later. Both have very rich and varied programmes (with no overlap this year), with something for every horror fan.
In the six years since its release the Nintendo Switch has amassed an extensive catalogue of games, with everything from puzzle platformer games to cute farming sims to, uh, whatever Waifu Uncovered is.

Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.