[Editorial] The Shocking Brilliance of Frankenhooker (1990)
Modern horror cinema has used the Frankenstein theme in various iterations, but none so unique as exploitation director Frank Henenlotter’s Frankenhooker (1990).
[Editorial] They’re Coming to Re-Invent You, Barbara! Night of the Living Dead 1968 vs Night of the Living Dead 1990
The year was 1968 and a young man named George A. Romero had shot his first film, a horror movie that would change the world of cinema and not just horror cinema, at that. Night of the Living Dead (1968), would go on to become one of the most important and famous horror films of all time as it tackled not only survival horror but also very taboo and shocking topics like cannibalism and matricide.
[Editorial] The Texas Chainsaw Massacre 1974 vs 2003: The Birth and Evolution of the Final Girl Trope
Leatherface, the chainsaw-wielding and hulking antagonist of The Texas Chain Saw Massacre (1974), was a gift given to horror fans by visionary filmmaker Tobe Hooper. The concept of a violent—often childlike in the original version— beast of a man who wears the faces of his victims’ grabbed audiences in the 1970s and is still a horror cultural icon today, synonymous with powerhouse slasher icons like Freddy Krueger, Michael Myers, and Jason Voorhees.
[Editorial] In Defense Of… Why Suspiria (2018) is Better Than The Original
Dario Argento’s Suspiria (1977) is a classic. There’s simply no other way to describe it. Its use of garishly bright color, the amazing soundtrack by Argento’s band Goblin, and Daria Nicoldi (Argento’s wife at the time)’s fairy-tale-inspired story are groundbreaking.
[For The Love Of Franchises] The Sleepaway Camp Franchise And The Unsung Slasher Queen We All Deserve
Sleepaway Camp, the now-cult camp slasher film with an infamous twist, came to the horror realm in 1983…
[Editorial] A Maniac for William Lustig’s Maniac (1980)
A film like 1980’s Maniac has a troubled and controversial past and makes it hard, as a feminist, to defend what is widely considered misogynistic serial killer fare. I am not undertaking this to change minds on that fact, but more to speak upon the fascinating uniqueness of what is truly a grindhouse cult classic that gets so much right.
[Editorial] Exploring sexism, ageism, and toxic relationships with The Leech Woman (1960)
Ageism is nothing new to society, particularly from the female perspective. It affects all genders, but is specifically more challenging for women who statistically do more to “cover up” signs of age such as gray hairs, fine lines and wrinkles, age spots, etc. as a societal norm.
