ANALYSIS - ARCHIVE Featured 22 October 2023 [Mother of Fears] Mothering in Silence in A Quiet Place (2018) 22 October 2023 22 October 2023 15 October 2023 [Editorial] “I control my life, not you!”: Living with Generalised Anxiety Disorder and the catharsis of the Final Destination franchise 15 October 2023 15 October 2023 13 October 2023 [Editorial] What to Watch at This Year's Cine-Excess International Film Festival 2023 13 October 2023 13 October 2023 12 October 2023 [Editorial] Cherish Your Life: Comfort in the SAW Franchise Throughout and Beyond the COVID-19 Pandemic 12 October 2023 12 October 2023 10 October 2023 [Editorial] The Art of Horror in Metal 10 October 2023 10 October 2023 24 September 2023 [Mother of Fears] Mother Vs. Monster in Silent Hill (2006) 24 September 2023 24 September 2023 24 September 2023 [Editorial] If Looks Could Kill: Tom Savini’s Practical Effects in Maniac (1980) 24 September 2023 24 September 2023 29 August 2023 [Editorial] Virginity is a Killer as Cherry Falls (2000) Celebrates 23rd Anniversary 29 August 2023 29 August 2023 29 August 2023 [Editorial] Deadly Duets: The Power of Dance in Horror Cinema 29 August 2023 29 August 2023 27 August 2023 [Mother of Fears] I Don’t Wanna Be Buried in a Pet Sematary (1989) and (2019) 27 August 2023 27 August 2023 22 August 2023 [Editorial] Examining Addiction in Midnight Mass (2021) 22 August 2023 22 August 2023 20 August 2023 [Editorial] Eat Shit and Die: Watching The Human Centipede (2009) in Post-Roe America 20 August 2023 20 August 2023 25 July 2023 [Editorial] The Shocking Brilliance of Frankenhooker (1990) 25 July 2023 25 July 2023 24 July 2023 [Editorial] Metal Heart: Body Dysmorphia As A Battle Ground In Tetsuo: The Iron Man (1989) 24 July 2023 24 July 2023 23 July 2023 [Mother of Fears] How I Love to Love Nadine in The Stand (2020) 23 July 2023 23 July 2023 4 July 2023 [Editorial] Blood, Guts and Mommy Issues in The Witch (2015) 4 July 2023 4 July 2023 30 June 2023 [Editorial] They’re Coming to Re-Invent You, Barbara! Night of the Living Dead 1968 vs Night of the Living Dead 1990 30 June 2023 30 June 2023 27 June 2023 [Editorial] Dead Ringers (2023) and Bodily Autonomy 27 June 2023 27 June 2023 25 June 2023 [Mother of Fears] A Certain Hunger in Onibaba (1964) 25 June 2023 25 June 2023 19 June 2023 [Editorial] The Texas Chainsaw Massacre 1974 vs 2003: The Birth and Evolution of the Final Girl Trope 19 June 2023 19 June 2023 9 June 2023 [Editorial] 90s Horror Attitude, Music and Friendship 9 June 2023 9 June 2023 5 June 2023 [Editorial] The Terrible Place: Visiting and Revisiting Hollywood in Horror 5 June 2023 5 June 2023 27 May 2023 [Mother of Fears] Be Very Afraid of Motherhood in The Fly (1986) 27 May 2023 27 May 2023 24 May 2023 [Editorial] The Disrupt Symbology of Lamb (2021) 24 May 2023 24 May 2023 23 May 2023 [Editorial] Eden Lake (2008): How a Film’s Potential is Destroyed by Bias 23 May 2023 23 May 2023 11 May 2023 [Editorial] Dead By Dawn: A Retrospect on the Original Evil Dead Trilogy 11 May 2023 11 May 2023 10 May 2023 [Editorial] The Female Lens in Cat People (1942) 10 May 2023 10 May 2023 5 May 2023 [Editorial] Poetry, Literature, Fairy Tales and the Gothic in An American Werewolf in London (1981) 5 May 2023 5 May 2023 30 April 2023 [Editorial] Reclaiming Femininity and Coming of Age in Raw (2016) 30 April 2023 30 April 2023 29 April 2023 [Editorial] The Losers Club: The Best Friends I Never Had 29 April 2023 29 April 2023