LATEST INTERVIEWS
While thematically and tonally different from his first feature, All Jacked Up and Full of Worms (2022), director Alex Phillips continues to create some of the more surreal indie horror films around. While Anything that Moves plays off of giallo and grindhouse genre films of the 70s, there is a unique warmth that Phillips brings along with all the blood and sex.
Films that blend horror with romance always fascinate me; add a niche contemporary setting that I’ve never heard of before and I’m hooked. Cannibal Mukbang was made by Aimee Kuge, a young woman from New York, and I was privileged to spend a little time talking with her over Zoom…
Have I told you about Mayhem Film Festival before? It’s a favourite event of mine, so I’ve blurted about it in anticipation to many people I know. The event has just passed, so now is the time to gush its praises to those I don’t know.
Loop Track, Thomas Sainsbury’s directorial debut, has such a sparse description that it’s really difficult to know what you’re stepping into when it starts. It’s about Ian (played by the director), who is taking a trek through the New Zealand bush….
For a movie that doesn’t even mention the word “vampire” once throughout the length of the film, Near Dark (1987) is a unique entry in the vampire film genre.
The Adams family’s latest film, Where the Devil Roams, was a smash at Fantasia and FrightFest (where it won three major awards), and is now heading into the UK regional festivals, including my favourite, Mayhem Film Festival in Nottingham.
With It Lives Inside, writer and director Bishal Dutta created a horror film that is as moving as it is terrifying. Ghouls Magazine was able to sit down with the award-winning filmmaker to discuss the inspirations behind the movie.
Rodrigo Gudiño is no stranger to horror business. In 1997, he launched Rue Morgue, a leading horror and entertainment resource that has since expanded to include Rue Morgue Magazine, Rue Morgue Digital, as well as a horror expo and TV channel.
Access: Horror is “a two-day event packed full of academic panels, short films, and talks exploring and celebrating the history, impact and future of disability in the horror genre”, and as you can see from the festival’s website, the subjects under discussion and the panels alike are all rather fascinating. Earlier this week, I spent half an hour in the company of Ariel Baska, the person who came up with the idea for Access: Horror to dig into her motivation and what pass-holders might expect.
Ahead of Enys Men’s US release, I got to chat with BAFTA-award winning director and writer Mark Jenkin about ambiguity, Cornish folklore and the importance of identity.
I met British actress Amber Doig-Thorne to chat about women in slasher horror, her experiences making Blood and Honey, and LGBTQ+ representation in horror.
Join Ghouls Magazine senior contributor, Liz Bishop, as she chats to British horror legend, Andy Nyman! They discuss Andy's involvement in British horror including Dead Set and Severance, plus the creation of horror theatre play Ghost Stories, and Andy's co-written new book The Warlock Effect.
Attachment AKA Natten har øjne is a queer love story with a Yiddish and demonic twist. It’s also the first directorial feature from Gabriel Bier Gislason
There’s been quite a buzz about Next Exit since its UK premiere at Arrow Video FrightFest last year…
The Outwaters is a rare found-footage film, both beautiful and brutally wild at times. I had the privilege of grabbing some of writer/director Robbie Banfitch’s time last week, on the day The Outwaters was due in American cinemas.
The Unknowable (2022) is a new found footage episodic film from Zacharay Donohue, who brought us The Den in 2013. I had the pleasure of chatting with Zach about his new original film, available on YouTube now!
What makes you smile? asks the sinister trailer for Parker Finn’s full-length adaptation of his award-winning short…
IIn terms of innovation in short-form filmmaking, Christian “Kang” Bachini’s incredible Escalation stands out above the rest…
I met writer and director Nathan Crooker at FilmQuest (see my rave review of the festival here) last November after watching his incredible short film #Nofilter
What I’ve noticed the most about Craig Ouellette is his ability to build tension in such a short amount of time…
The Last Thing Mary Saw (2021) is a dark and gothic tale that examines the consequences of life under a repressive and restrictive society…
We caught up with co-writer Alessandra all about the latest ghoulish and spooky way to indulge in the culinary in A Gothic Cookbook…
We caught up with director Rob Jabbaz to talk all about his shocking splatter Taiwanese horror film The Sadness…
We caught up with director Alex Noyer to talk all about his sensory horror film Sound of Violence…
I had a conversation with writer Phil Drinkwater and Producer Giles Edwards on Broadcast Signal Intrusion…
Demigod is a new film from Miles Doleac, about a terrifying secret awaiting a woman when she returns to her birthplace in Germany with her husband…
We caught up with Ice Nine Kills frontman Spencer Charnas to chat all about their latest album The Silver Scream 2: Welcome to Horrorwood…
Diving into the depth of found footage horror films! With guests Jed Shepherd, Aislinn Clarke, Adrian Tofei and Mary Beth McAdnrews….
After reviewing Hall (2020), the new virus outbreak horror film, I had the opportunity to send some questions to Julian Richings…
RELATED ARTICLES
Redux Redux comes to streaming off the back of a fair amount of hype after playing several festivals, including South by Southwest, where it had its premiere as part of their Midnighter strand last year. Festival hype is, of course, always to be taken with a grain of salt, but in the case of Redux Redux, it feels very warranted.
Anyone who’s ever spent any time in Japan will likely be familiar with the allure of the convenience store. The humble konbini is so much more than just a place to buy cheap coffee and cigarettes – it’s a beacon aglow on even the darkest of nights, where a fluffy egg sando or crisp sliver of Famichiki awaits, the convenience store serves as a reminder that you are never too far from creature comforts, and the company of another human being.
Fairy tales and horror almost go hand in hand; from a young age, we read cautionary tales, warning us about whom we should trust and, in Little Red Riding Hood’s case, to ‘beware of the Big Bad Wolf’. So it doesn’t come as a surprise that we see horror filmmakers take these stories and adapt them to the big screen with their own spin on the classic tales.
“This is not a George Romero movie. There is no such thing as a zombie, okay?” No girl, this is a Tina Romero movie! Funny, fabulous and unapologetically queer, Queens of the Dead is the debut feature from Tina Romero.
Kicking off the final day, we have Violence, a blood-soaked thriller set in an alternate 1980’s that will shake away any remnant of hangover from the night before and wake up the audience.
While many horror films may feature a similar set-up, few pack the emotional punch of Adam O’Brien’s new film Bury the Devil, which premiered March 6 at FrightFest Glasgow.

Liz Bishop sat down with Director Carter Smith (The Ruins, Swallowed) to discuss how The Passenger (2023) came to be, and his experience of working on a script more emotionally driven than his previous body-horrors.