[Editorial] Virginity is a Killer as Cherry Falls (2000) Celebrates 23rd Anniversary
Content Warning: This article discusses sexual assault.
As the ‘90s drew to a close, Scream (1996) came along and changed the slasher genre forever. While the ‘80s were packed with memorable slasher movies such as Friday the 13th (1980), A Nightmare on Elm Street (1984), and Child’s Play (1988), the ‘90s were slightly lacking. However, post-Scream, the genre was invigorated, and in the years that followed, we were hit with more new slasher movies than you could shake a kitchen knife at. On August 25, 2000, the UK was treated to a gem of a slasher film, Cherry Falls (2000), being released in cinemas. While censorship issues meant the film was released two months later as a TV movie in the United States, Cherry Falls has still earned its place as a cult classic in the slasher world.
While Scream stressed the importance of the typical rules of horror movies, Cherry Falls decided to take the most important one and turn it on its head. Typically, it’s the sexually-active characters who tend to meet a grisly end first. However, this time around, the killer is specifically targeting virgins, creating a moral quandary for the local teens as they had to decide if they wanted to have sex to take themselves out of the firing line.
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In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
In August we have been looking at mind-bending films and books, which is why we decided to cover Agustina Bazterrica's disturbing horror book TENDER IS THE FLESH.
In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine contributors Iona Smith, Melissa Cox and Ariel Baska to get gooey, ewwy and a little bit horny talking about their recent body horror watches, reads and plays! From Cronenberg's Crimes of the Future, to cannibalism book Tender is the Flesh to classic sci-fi horror The Thing and more...
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
In this episode join Assistant Editor at Ghouls Magazine and host, Rebecca McCallum as strips back the layers of flesh on these films alongside Senior Contributor & Social Media Manager, Kim Morrison. And no, these two don't just think that remakes are all trash - there's love in here for originals and remakes including House of Wax (2005) and more.
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine Assistant Editor, Rebecca McCallum, and contributors Kat Hughes and Meg Kenny. They have been busy watching horror movies like The Devil’s Candy (2015), Rope (1948), Huesera: The Bone Woman (2023), binging TV shows such as Dead Ringers (2023) also also reading with the likes of My Heart is a Chainsaw and Dennis Coopers’ The Sluts.
This May we’ve been looking at natured themed horror films, anything from creature features to eco horror to biological horror and more. For this episode, the focus is on the parasitic horror and how infections can take control in terrifying ways with horror film The Bay (2012).
In this episode join host Zoë Rose Smith as she is joined by Playstation presenter, gaming streamer and The NoSleep Podcast voiceover artist - Ash Millman! Together they pull vines from their minds, and examine environmental horror film The Ruins (2008).
In April we are looking at ‘Coming-Of-Age’ horror films, from the lens of films that defined our own youth to films that directly dissect coming-of-age as a theme. This episode looks at romantic horror film Picnic at Hanging Rock (1975)!
In this episode join host Ariel Powers-Schaub alongside Sarah Miles, Kat Hughes, Alix Turner & special guest Fern. From Quentin Tarantino's Deathproof (2007) to the slasher fav Child's Play (1988) to British horror TV Ghostwatch (1992) and more.
In this episode host Zoë Rose Smith is joined by Ghouls Magazine contributors Kat Hughes, Iona Smith, Ariel Baska and Meg Kenny to talk discovering sexuality, battling bullying, navigating teen struggles and being that 'spooky bitch'. From Hellraiser to IT to Excision and more...
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
In the new Ghouls Watch episodes of the podcast, we chat about what horror films and TV shows we’ve been watching lately! This time Ariel Powers-Schaub chats to Caitlyn Downs, Ariel Baska and Liz Bishop about sci-fi horror show Severance, horror film Run Sweetheart Run, sci-fi horror film Splice and more….
Extreme horror films often look at the relationship between sex and death, examining the ways in which they intertwine and talk to one another in disturbed ways. Which is why for the month of love, we are looking at a complicated and tragic love story with Jorg Buttgereit’s 1988 horror film Nekromantik.
Have you ever turned someone down for a date? Well, if you have, then you got away lucky because if you did that to the iconic Lola Stone you would be enduring some torture... This Valentine's Day we're not indulging in anything romantic, instead we're taking part in some Anti-Valentine's by discussing Sean Byrne's Australian horror film THE LOVED ONES (2009).
Come on down to the Clown Cafe if you’re hungry for a little slicing, dicing and a hilarious amount of guts and gore! There’s only one way to start off a new year and new season of podcasts with a bloody double bill of Damien Leone’s Terrifier (2016) and Terrifier 2 (2022).
Join Ariel Powers-Schaub and Iona Smith for the final episode as they discuss Final Destination 5 (2011) and look at what the future might hold for more evolutions of this horror franchise.
Join Ariel Powers-Schaub and Iona Smith as they dive further into the Final Destination franchise to look at Final Destination 3 (2006) and Final Destination 4 (2009)!
The bells are ringing and snow is falling, it's the most wonderful time of the year! So this December for Christmas, join us as we look at Michael Dougherty's festive horror film Krampus from 2015.
Did you listen to our episode talking about what we were excited to see at Soho Horror Film Festival? Well we’re back from crawling our worm bodies out of the earth to discuss what films we managed to catch at the festival and talk about which ones were our fav!
Join Ariel Powers-Schaub and Iona Smith as they strap in for the rollercoaster ride that is the Final Destination franchise!
When you go down to the Church tonight, you're going to be in for a surprise... At Ghouls Magazine we love independent cinema and to champion indie horror, Assistant Editor Rebecca McCallum caught up with Jen Handorf!
There's going to be worms, ghosting, hangovers, cults and more at this year's Soho Horror Film Festival and we are more than excited! Join host Zoë Rose Smith as she chats to Ghouls Magazine contributors and freelance journalists, Hannah Ogilvie and Caitlyn Downs.
Halloween is nearly here and it's time to get your PJs on ready for a nightmarish movie marathon! Host Rebecca McCallum is joined by the slumber party experts, Joshua Tonks & Liz Bishop, to find out what 5 horror movies they recommend to watch this spooky season! Plus, the terrifying trio test their horror knowledge...
Cherry Falls opens with Rod and Stacy making out in a car next to the titular falls in the town. While Rod is trying his best moves on Stacy (and by best, I mean pretending to be an alien who needs to breed with Earth women to complete his mission), Stacy refuses to go any further than kissing. The pair are then interrupted by a woman dressed in black, who kills both of them swiftly and brutally. We then cut to Jody and her boyfriend, Kenny, who are also kissing in Kenny’s car. Much like Rod, Kenny is trying to pressure Jody into sleeping with him. When she refuses, he decides to break up with her, as he feels he’s already put too much time into their year-long relationship and is getting little in return.
Our third victim is Annette, who has a very public fight with Dylan in the school cafeteria after it turns out he has been spreading lies about their sexual activity together. That night, she is attacked in her home and strung to the ceiling for her parents to find when they return from their date. It’s here we find out the common link between our three victims – they were all virgins when they died. The theme of teen sexuality runs through the entire movie, even when murder isn’t involved. The film does an outstanding job of representing the struggles of all parties involved and shows how complex sex can be when you’re a teenager.
The interaction between Rod and Stacy seems pretty typical of any teen movie, with the boy desperately trying to talk his girlfriend into having sex with him. However, as the film progresses, we see that it’s often more complicated than that.
Kenny breaks up with Jodywhen she refuses to have sex with him, and yet when she arrives at his house later and decides she’s ready, Kennyfreaks out. While he only seemed interested in her for sex, he later insists that he wants to make sure that she is sleeping with him because she wants to commit to him, not just because she was trying to block out the bad things in her life.
You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
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You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
• 4.5 oz/y² (153 g/m²)
• Pre-shrunk
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the centre
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YWe’re always thirsty for more horror, which is why you show off your love for the gory genre with a Ghouls Magazine VMPR T-Shirt! Made from soft & cosy cotton that feels so nice on the skin that even Ed Gein wants one. Grab yourself some Ghouls Magazine merch to always look fresher than a corpse.
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
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PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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In the scene where Jody decides she wants to lose her virginity, she’s entirely in control of the situation, asking Kenny to bite her toes as he rubs her feet. It could be the fact that she’s not being pressured, and is instead asking Kenny to fulfil her sexual needs, which makes her more ready to sleep with him. However, this seems to perplex Kenny. We’re always told that teenage boys are sex-mad, and girls just go along for the ride (pardon the pun) when this definitely isn’t the case. Kenny thinks he needs to be the one initiating the whole thing, and so when Jody does, he’s confused.
This damaging stereotype that teenage girls have to be convinced and pushed into having sex means the female side of things is often left out of sex education. As the teens of Cherry Falls decide the best way to avoid the killer is to hold a ‘pop your cherry’ ball, Cindytakes it upon herself to educate the girls on having sex, because clearly they haven’t been getting reliable information anywhere else. She covers essential topics such as birth control and the female orgasm (or lack thereof), and how chances are it will be a little awkward. Rather than being portrayed as the ‘slut’, Cindyis shown as a fountain of knowledge and experience. She is filling those vital knowledge gaps, to give the girls a chance to enjoy sex and know exactly what they’re going into.
LISTEN TO OUR HORROR PODCAST!
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
In August we have been looking at mind-bending films and books, which is why we decided to cover Agustina Bazterrica's disturbing horror book TENDER IS THE FLESH.
In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine contributors Iona Smith, Melissa Cox and Ariel Baska to get gooey, ewwy and a little bit horny talking about their recent body horror watches, reads and plays! From Cronenberg's Crimes of the Future, to cannibalism book Tender is the Flesh to classic sci-fi horror The Thing and more...
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
In this episode join Assistant Editor at Ghouls Magazine and host, Rebecca McCallum as strips back the layers of flesh on these films alongside Senior Contributor & Social Media Manager, Kim Morrison. And no, these two don't just think that remakes are all trash - there's love in here for originals and remakes including House of Wax (2005) and more.
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine Assistant Editor, Rebecca McCallum, and contributors Kat Hughes and Meg Kenny. They have been busy watching horror movies like The Devil’s Candy (2015), Rope (1948), Huesera: The Bone Woman (2023), binging TV shows such as Dead Ringers (2023) also also reading with the likes of My Heart is a Chainsaw and Dennis Coopers’ The Sluts.
This May we’ve been looking at natured themed horror films, anything from creature features to eco horror to biological horror and more. For this episode, the focus is on the parasitic horror and how infections can take control in terrifying ways with horror film The Bay (2012).
In this episode join host Zoë Rose Smith as she is joined by Playstation presenter, gaming streamer and The NoSleep Podcast voiceover artist - Ash Millman! Together they pull vines from their minds, and examine environmental horror film The Ruins (2008).
In April we are looking at ‘Coming-Of-Age’ horror films, from the lens of films that defined our own youth to films that directly dissect coming-of-age as a theme. This episode looks at romantic horror film Picnic at Hanging Rock (1975)!
In this episode join host Ariel Powers-Schaub alongside Sarah Miles, Kat Hughes, Alix Turner & special guest Fern. From Quentin Tarantino's Deathproof (2007) to the slasher fav Child's Play (1988) to British horror TV Ghostwatch (1992) and more.
In this episode host Zoë Rose Smith is joined by Ghouls Magazine contributors Kat Hughes, Iona Smith, Ariel Baska and Meg Kenny to talk discovering sexuality, battling bullying, navigating teen struggles and being that 'spooky bitch'. From Hellraiser to IT to Excision and more...
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
In the new Ghouls Watch episodes of the podcast, we chat about what horror films and TV shows we’ve been watching lately! This time Ariel Powers-Schaub chats to Caitlyn Downs, Ariel Baska and Liz Bishop about sci-fi horror show Severance, horror film Run Sweetheart Run, sci-fi horror film Splice and more….
Extreme horror films often look at the relationship between sex and death, examining the ways in which they intertwine and talk to one another in disturbed ways. Which is why for the month of love, we are looking at a complicated and tragic love story with Jorg Buttgereit’s 1988 horror film Nekromantik.
Have you ever turned someone down for a date? Well, if you have, then you got away lucky because if you did that to the iconic Lola Stone you would be enduring some torture... This Valentine's Day we're not indulging in anything romantic, instead we're taking part in some Anti-Valentine's by discussing Sean Byrne's Australian horror film THE LOVED ONES (2009).
Come on down to the Clown Cafe if you’re hungry for a little slicing, dicing and a hilarious amount of guts and gore! There’s only one way to start off a new year and new season of podcasts with a bloody double bill of Damien Leone’s Terrifier (2016) and Terrifier 2 (2022).
Join Ariel Powers-Schaub and Iona Smith for the final episode as they discuss Final Destination 5 (2011) and look at what the future might hold for more evolutions of this horror franchise.
Join Ariel Powers-Schaub and Iona Smith as they dive further into the Final Destination franchise to look at Final Destination 3 (2006) and Final Destination 4 (2009)!
The bells are ringing and snow is falling, it's the most wonderful time of the year! So this December for Christmas, join us as we look at Michael Dougherty's festive horror film Krampus from 2015.
Did you listen to our episode talking about what we were excited to see at Soho Horror Film Festival? Well we’re back from crawling our worm bodies out of the earth to discuss what films we managed to catch at the festival and talk about which ones were our fav!
Join Ariel Powers-Schaub and Iona Smith as they strap in for the rollercoaster ride that is the Final Destination franchise!
When you go down to the Church tonight, you're going to be in for a surprise... At Ghouls Magazine we love independent cinema and to champion indie horror, Assistant Editor Rebecca McCallum caught up with Jen Handorf!
There's going to be worms, ghosting, hangovers, cults and more at this year's Soho Horror Film Festival and we are more than excited! Join host Zoë Rose Smith as she chats to Ghouls Magazine contributors and freelance journalists, Hannah Ogilvie and Caitlyn Downs.
Halloween is nearly here and it's time to get your PJs on ready for a nightmarish movie marathon! Host Rebecca McCallum is joined by the slumber party experts, Joshua Tonks & Liz Bishop, to find out what 5 horror movies they recommend to watch this spooky season! Plus, the terrifying trio test their horror knowledge...
In this episode of the podcast, host Rebecca McCallum is joined by not one, but two guests to talk about their passion for horror books, and some of their recommendations to get you reading this winter. The first guest is Nina the Book Slayer, who is a book reviewer for Hear Us Scream, followed by Alex Bookubus who is a book reviewer on YouTube!
In the latest episode of the podcast, host Rebecca McCallum is joined by Tim Coleman to discuss sci-fi horror film ALIEN from 1979.
While your friends getting murdered is obviously not ideal, most of the teens in Cherry Falls seem excited by the prospect of the ‘pop your cherry’ ball. Perhaps the idea of losing your virginity en masse is more appealing because it takes off the constant pressure that these teens feel when it comes to their sexual status. While it’s not condonable, the way that Rob and Kenny find themselves constantly pressuring their girlfriends for sex, as well as the fact Dylan lies about his sexual encounter with Annette, shows the sort of pressure the teens, especially the boys, are under to appear sexually active.
The way the sex party is handled in the movie is actually pretty sweet, considering they could have focused mostly on the physical side of things. Instead, the focus is on the teens pairing off with each other. With the pressure of asking those you have a crush on taken away, the teens put their hearts on the line and do what they haven’t had the guts to do previously. Even the ‘loser’ kids who spend most of the film being the target of the popular kids’ bullying find themselves the perfect partners pretty quickly.
The truth is, the people who are most concerned with teenagers having sex are the town’s older generation, and that’s exactly what the killer is banking on. Principal Sisler is outraged at the thought of telling the teens’ parents that the killer is targeting virgins for fear the town will have a ‘fuck fest’ on their hands. Even the town meeting erupts into violence when the parents start making comments about the sexual activity of each other’s kids.
The killer, revealed to be Jody’s English teacher Mr Leonard Marliston, targets virgins as revenge for what happened to his mother, Lora Lee Sherman, twenty-seven years previously. After she was raped by four football players from wealthy and prominent families, the crime was covered up, and Lora Lee was forced to flee town. Lora Lee became pregnant with Leonard as a result of the attack and drummed the story into Lenoard every day of his childhood.
Because Leonard has seen all the people who attacked his mother, and even those who helped cover up the attack, rise to positions of power in the community, he knows how corrupt the town is. Leonardwants to target the only innocence that these people have left – their virginal children.
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By dressing up as his mother when he kills, Leonard brings Lora Lee back to Cherry Falls and exposes the hypocritical nature of the adults in town. This is especially true with Jody’s father, Sheriff Marken. Marken is particularly hard on Jody, giving her an extremely early curfew and grounding her when she returns home late from a date. Jody puts up with his strict ways because he is her father and the town sheriff, and therefore a strong moral compass for her. And so, when Jody finds out that her father was involved in Lora Lee’s rape, it not only destroys her relationship with him but also makes her question everything she’s grown to trust.
Sheriff Marken is the one person Leonard wants to destroy the most because it turns out Marken is Leonard’s father. He builds a close relationship with Jody so that when she feels betrayed by her parents and Kenny, it’s Leonard that she runs to. Once Leonard reveals that Marken did participate in the rape, and was not merely a drunken bystander as Jody’s mother suggested, he gets to watch Marken in the most pain possible, as he loses that strong relationship with his daughter. Ensuring that bond is severed before he kills either Marken or Jody is Leonard’s endgame, as he knows it will hurt Marken a lot more than merely killing Jody.
The adults of the town are so worried about the teenage population’s moral decisions, when, in truth, they need to take a look at themselves. Both the town principal and sheriff participated in the rape of Lora Lee,taking complete advantage of her after her car breaks down in the middle of nowhere. The town also takes advantage of the fact that Lora Leeis an outcast, and decides to side with the popular, well-off families of the football players involved, rather than supporting a vulnerable outsider. Even Jody’smother knows the story and still chooses to marry and have a child with Sheriff Marken, simply sweeping the whole thing under the rug by rationalising his involvement in the attack.
Parents so often think they know better in horror movies, much like Marge forcing Nancy to sleep in A Nightmare on Elm Street, but the teens seem to have the most sensible approach to the situation. They group together and organise a consensual sex party, find a secluded location which will house everyone, and even come up with a cracking pun for the poster. The kids have started to cotton on to the fact that the whole idea of virginity and its associated innocence is outdated and silly. Most of them don’t think twice about having sex to save their lives, whereas their parents and seniors still seem worried about the moral ambiguities involved in the whole thing.
Even casting the rules of horror aside, Jody is still a virgin as the film comes to an end and she takes the killer down in traditional ‘final girl’ style. However, rather than being completely anti-sex, or chaste, like final girls frequently are, she is now armed with the knowledge that she feels ready to have sex with Kenny. She also knows that Kenny only wants her after he ditched the sex party to reconcile.
Overall, Cherry Falls is actually a pretty good representation of the confusion and pressure of sex as a teenager. Rather than having naked teens in every second scene, it chooses to give us a more realistic glimpse into the most awkward time of our life. It’s also very sex-positive, showing that consensual sex between two people is nothing to be ashamed of and that informing the teens involved, as Cindy does, is often more helpful than trying to prevent it completely. Finally, it somewhat reassuringly shows that no one really knows what they’re doing when it comes to teenage relationships – not even adults.
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Hag horror originated in the early 1960’s and enjoyed its heyday during this time. Golden Era Hollywood actresses such as Joan Crawford and Bette Davis suddenly found themselves struggling to win roles over the younger, rising starlets of the time. So, in an ironic moment of art imitating life imitating art, these women turned to psychological horror films centered on unstable and dangerous older women. And a new character archetype was born.
While thematically and tonally different from his first feature, All Jacked Up and Full of Worms (2022), director Alex Phillips continues to create some of the more surreal indie horror films around. While Anything that Moves plays off of giallo and grindhouse genre films of the 70s, there is a unique warmth that Phillips brings along with all the blood and sex.
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Films that blend horror with romance always fascinate me; add a niche contemporary setting that I’ve never heard of before and I’m hooked. Cannibal Mukbang was made by Aimee Kuge, a young woman from New York, and I was privileged to spend a little time talking with her over Zoom…
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Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.