[Film Review] Return to Silent Hill (2026)
The life of a Silent Hill fan is a turbulent one. For every Silent Hill 3, there’s a Silent Hill: Homecoming. For every Silent Hill 2 Remake, there’s a Silent Hill: Ascension. For every Silent Hill f, there’s a Return to Silent Hill, and thus, the pendulum continues to swing, this time into frustrating - but expected - disappointment.
[Film Review] Flights of Reverie (2025)
What if evolution wasn’t finished with us? That’s the question at the heart of Flights of Reverie (2025), the feature debut of director Li Wallis. The film sees British ornithologist Jack Hastings (John Dooley) travel to Berlin, which has been gripped by paranoia following several mysterious deaths.
[Film Review] Confessions in Static (2025)
Confessions in Static is an exploration of the True Crime genre, and its ethics and effects on society, but it fails to deliver that message in a satisfying or novel way.
[Film Review] Stalker (2025)
Overall, Stalker is a pretty solid short film with some very tense moments and an excellent performance from its lead actress. It’s not perfect, and some of the deeper stuff went over my head, but I’m glad I watched it. I think it’ll stick with me for a while, even if I’m still not sure what it all meant.
[Film Review] Bone Lake (2025)
There is something paradoxical about the idea of a weekend getaway, searching for comfort by taking ourselves out of our comfort zones. Perhaps the change of scenery, a disruption in routine, an escape from the pressures of our daily lives, will reveal to us a path towards solitude.
[Film Review] 28 Years Later: The Bone Temple (2026)
The Bone Temple is the sequel to 28 Years Later that we deserve. Director Nia DaCosta took the beauty and spectacle that Danny Boyle gave us with 28 Years Later and turned it up to eleven. It’s darker, more disturbing and more… camp? Deliciously, delightfully camp.
[Film Review] Pelverata (2025)
The atmosphere seeping from every pore of this film is certainly its biggest strength; however, the narrative and structure fall quite short of the intended impact.
[Film Review] A study of the human ability to endure self-inflicted pain in XXXDarknet: Red Lips
According to the opening credits of the film, the Darknet is a place feverishly depraved to the point of questioning if humanity even exists, with a slathering of heinous crimes committed all for the purchase and pleasure of the sick individuals that find themselves beholden to their inner most sadistic wants.
[Film Review] Sympathy for the Devil (2023)
If you know me at all, you know that I love, as many people do, the work of Nic Cage. Live by the Cage, die by the Cage. So, when the opportunity to review this came up, I jumped at it.
[Film Review] V/H/S/85 (2023)
When V/H/S first hit our screens in 2012, nobody could have foreseen that 11 years later we’d be on our sixth instalment (excluding the two spinoffs) of the series.
[Film Review] Kill Your Lover (2023)
When someone is in a toxic relationship, it can affect more than just their heart and mind. Their bodies can weaken or change due to the continued stress and unhappiness that comes from the toxicity.
[Film Review] Shaky Shivers (2022)
If you can’t count on your best friend to check your teeth and hands and stand vigil with you all night to make sure you don’t wolf out, who can you count on? And so begins our story on anything but an ordinary night in 1993…
[Film Review] Elevator Game (2023)
The best thing about urban legends is the delicious thrill of the forbidden. Don’t say “Bloody Mary” in the mirror three times in a dark room unless you’re brave enough to summon her. Don’t flash your headlights at a car unless you want to have them drive you to your death.
[Film Review] A Wounded Fawn (2022)
A Wounded Fawn (Travis Stevens, 2022) celebrates both art history and female rage in this surreal take on the slasher genre.
[Film Review] Perpetrator (2023)
Perpetrator opens with a girl walking alone in the dark. Her hair is long and loose just begging to be yanked back and her bright clothes—a blood red coat, in fact—is a literal matador’s cape for anything that lies beyond the beam of her phone screen.
[Film Review] Mercy Falls (2023)
Filmed on location in Scotland, Ryan Hendrick's new thriller Mercy Falls (2023) uses soaring views of the Scottish Highlands to show that the natural world can either provide shelter or be used as a demented playground for people to hurt each other.
[Film Review] Somewhere Quiet (2023)
After watching the psychological thriller Somewhere Quiet (2023), viewers will need hours (or days) to decompress.
[Film Review] It Lives Inside (2023)
It Lives Inside, written and directed by Bishal Dutta, won the 2023 Midnighters Audience Award Winner at SXSW – and with good reason.
[Film Review] Homebodies (1974)
Writer/director Larry Yust challenges these stereotypes in his 1974 comedy horror Homebodies in which a group of elderly neighbours are on the verge of being evicted from their homes.
[Film Review] The Nun 2 (2023)
This year marks ten years since the release of James Wan’s The Conjuring, the story of real life paranormal investigators/well-meaning kooks/dangerous frauds (delete as applicable) Ed and Lorraine Warren.
