[Game Review] Until Dawn (2015)
Horror games have always scared me more than films. I believe its because you are the character, you have to push the joystick to move around the corner and you are responsible for their fate. In Until Dawn (2015) that responsibility is increased six-fold when you play as a group of friends who try to survive the night.
Until Dawn follows a group of 6 young adults as they return to the location where their friends had gone missing one year earlier. Motion capture performances from Hayden Panettiere, Rami Malek and Peter Stormare bring to life the story which includes some horror tropes you would expect to find in any teen horror; a prank gone wrong, a scary dark house surrounded by an8 even scarier and darker forest, horny teenagers and a psycho killer stalking the group. The story premise is not original, granted, but the game mechanics of controlling each of the 6 friends - their actions and their responses to conversations with each other, which in turn will strengthen or weaken their relationships and, will ultimately determine the fate of the characters - is awesome. If you piss off a friend, well, they might not save you and that character will die. It is brutal. In my first play I accidentally killed someone because I was a fool and separated from the group down a lonely path and the guilt I had was unlike any other game death because the point is to experience the consequences of your decisions. It plays with your morals and ultimately asks the question most horror fans have asked ourselves, would you survive a horror film?
The gameplay is a ‘choose your own adventure’ style with incredibly accessible controls which a novice gamer can grasp. They employ the idea of the butterfly effect meaning there are key decision points which can dramatically change the direction of your individual game which gives it replay-ability. The game tells you when you have just made one of these important decisions and every time I got one of those notifications my blood would run cold as I doubted whether the decision I had made was the right one. There are many different endings and the game awards achievements for each ending you get; keeping them all alive, they all die, just the women or just the men.
The friends are a collection of stereotypes between the alpha male to the high maintenance girlfriend, which does feel a bit stale especially after The Cabin in the Woods (2011) satirised these cliché roles a few years prior. Some characters are more likeable than others meaning there maybe a couple you will be more than happy to lose along the way (Emily, I am looking at you). But my favourite is Hayden Panettiere’s Sam who feels very much like her character in Scream 4 (2011), capable and independent. I have played this game three times and I have never let Sam die because, I could never do that.
The games biggest flaw is in its representation of women primarily through the male gaze; we have a woman running around in a towel, another who spends the majority of her game in her underwear and while playing as one the of the men, if you select the right conversation prompts, his girlfriend will do a striptease. The prank that starts off the whole game involves a female character being lured into believing one of the guys wants to make a move on her, so when she starts undressing, her ‘friends’ are hiding with their cameras to film her – not cool. Contrary to popular belief, women make up around half of gamers (Statista, 2017) and we should be moving away from this vapid one-sided representation.
Overall, I would fully recommend this game to new and experienced gamers alike. There is a lot of fun to be had, especially with friends as you can all argue about which decisions to make and then blame each other when your character’s jaw gets ripped off - yes that can happen.
Available on PS4.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vestibulum id ligula porta felis euismod semper.
Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.
Sed purus sem, scelerisque ac rhoncus eget, porttitor nec odio. Lorem ipsum dolor sit amet.
Vivamus pellentesque vitae neque at vestibulum. Donec efficitur mollis dui vel pharetra.
Praesent id libero id metus varius consectetur ac eget diam. Nulla felis nunc, consequat laoreet lacus id.
Donec id justo non metus auctor commodo ut quis enim. Mauris fringilla dolor vel condimentum imperdiet.
Commodo cursus magna, vel scelerisque nisl consectetur et. Donec id elit non mi porta gravida at eget metus.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vestibulum id ligula porta felis euismod semper.
Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.
Sed purus sem, scelerisque ac rhoncus eget, porttitor nec odio. Lorem ipsum dolor sit amet.
Vivamus pellentesque vitae neque at vestibulum. Donec efficitur mollis dui vel pharetra.
RELATED ARTICLES
Redux Redux comes to streaming off the back of a fair amount of hype after playing several festivals, including South by Southwest, where it had its premiere as part of their Midnighter strand last year. Festival hype is, of course, always to be taken with a grain of salt, but in the case of Redux Redux, it feels very warranted.
Anyone who’s ever spent any time in Japan will likely be familiar with the allure of the convenience store. The humble konbini is so much more than just a place to buy cheap coffee and cigarettes – it’s a beacon aglow on even the darkest of nights, where a fluffy egg sando or crisp sliver of Famichiki awaits, the convenience store serves as a reminder that you are never too far from creature comforts, and the company of another human being.
Fairy tales and horror almost go hand in hand; from a young age, we read cautionary tales, warning us about whom we should trust and, in Little Red Riding Hood’s case, to ‘beware of the Big Bad Wolf’. So it doesn’t come as a surprise that we see horror filmmakers take these stories and adapt them to the big screen with their own spin on the classic tales.
“This is not a George Romero movie. There is no such thing as a zombie, okay?” No girl, this is a Tina Romero movie! Funny, fabulous and unapologetically queer, Queens of the Dead is the debut feature from Tina Romero.
Kicking off the final day, we have Violence, a blood-soaked thriller set in an alternate 1980’s that will shake away any remnant of hangover from the night before and wake up the audience.
While many horror films may feature a similar set-up, few pack the emotional punch of Adam O’Brien’s new film Bury the Devil, which premiered March 6 at FrightFest Glasgow.
Like the analogy of a frog in a boiling pot of water, the tension steadily builds upon itself throughout the film, until the climatic ending, when the viewer can hardly believe that just eighty minutes ago Joe was flying high on his upcoming freedom.
Mark "Markiplier" Fischbach has been a staple of the YouTube horror gaming scene since his debut in 2012. Now he's traded his computer screen for the big screen with his adaptation of David Szymanski's 2022 indie game Iron Lung.
EXPLORE
Hag horror originated in the early 1960’s and enjoyed its heyday during this time. Golden Era Hollywood actresses such as Joan Crawford and Bette Davis suddenly found themselves struggling to win roles over the younger, rising starlets of the time. So, in an ironic moment of art imitating life imitating art, these women turned to psychological horror films centered on unstable and dangerous older women. And a new character archetype was born.
Here at Ghouls, we’re not averse to getting a little soppy with it, so we’ve rounded up seven of the most romantic horror films to spice up your Valentine’s Day, and where to stream them.
We devoured films of blood, obsession, and brutality, letting the screams of terror soundtrack our time in the shadows. Below, are our favourite films that haunted, thrilled, and consumed us while the magazine was on hiatus:
Ahead of the Academy Awards ceremony, Ghouls has rounded up where you can stream all of the 2025 horror releases in the UK and the US from the comfort of your own home.
Now it’s time for Soho’s main 2023 event, which is presented over two weekends: a live film festival at the Whirled Cinema in Brixton, London, and an online festival a week later. Both have very rich and varied programmes (with no overlap this year), with something for every horror fan.
In the six years since its release the Nintendo Switch has amassed an extensive catalogue of games, with everything from puzzle platformer games to cute farming sims to, uh, whatever Waifu Uncovered is.
A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
If you like cults, sacrificial parties, and lesbian undertones then Mona Awad’s Bunny is the book for you. Samantha, a student at a prestigious art university, feels isolated from her cliquey classmates, ‘the bunnies’.

Commodo cursus magna, vel scelerisque nisl consectetur et. Donec id elit non mi porta gravida at eget metus.