[Book Review] Water Shall Refuse Them
McKnight Hardy’s debut novel is a literary folk horror set in Wales during the summer heatwave of 1976 detailing the breakdown of a family in the aftermath of personal tragedy. Rituals and cruelty play a part in the teenage daughter’s coming of age.
The family is made up of four members: the protagonist, sixteen-year-old Nif, and her mum, dad and kid brother. The story opens with them en route to a remote village in Wales. We soon learn that there was a third child, Nif’s younger sister Petra, who died recently and the reason for the trip is to get away from the everyday routine and have space to process their grief.
Upon arrival in the village, as the family settle into their temporary home, Nif meets some local girls who are distinctly unwelcoming towards her. She also makes the acquaintance of Mally, the teenage boy who lives next door. Mally and his mother, Janet, are the outcasts of the village, seemingly staying only to provoke the insular nature of the other inhabitants. They see Janet as some kind of wanton harlot with her alcohol consumption and proclivity for strutting around her garden in a bikini. There is even talk of her being a witch.
After her sister’s death Nif starts following a way of self-devised thinking.. Inspired by her church-going youth and the rituals and symbolism of the Catholic religion, she creates various prescribed processes she must follow and collects a handful of special items that she believes possess great meaning and power. In Nif one can see shades of Merricat from Shirley Jackson’s We Have Always Lived in the Castle and Frank from Iain Banks’ The Wasp Factory, two outstanding pieces of dark, literary fiction featuring atypical teenage protagonists.
Nif and Mally’s relationship quickly blossoms as they confess details about themselves to each other and they find they share some similar personality traits and hobbies. They feed off each other and their unorthodox beliefs are strengthened. One of Mally’s favourite spots in the area that he takes Nif to is high up on a hill where they can look down at the miniature houses and people below which mirrors their distance and detachment from reality.
Meanwhile, the other characters have their own issues to deal with. Father is obsessed with sculpting a bust of his wife while trying to ignore the allure of neighbour Janet. Once a religious devotee, mother is having a crisis of faith and spends her days absentmindedly chain-smoking. Little Lorry is too young to really know what is going on and is neglected by those who should be caring for him. The hope for the family to come together and heal during their time away seems like a futile notion as all they do is move further apart. Can they really ever escape the family tragedy and its ramifications?
The idea of power, whether perceived or otherwise, is a significant theme within this novel. The death of Petra has created a sense of powerlessness amongst the family. For Nif, she is trying to establish power and identity as she comes of age amidst the instability of the household. Janet uses her distinctly feminine power in different ways such as antagonising the other villagers and flirting with Nif’s father while at the same time befriending Nif’s mother.
The story is a slow-burn with a creeping sense of dread as relationships break down and Nif’s estrangement grows stronger. The location plays a large role, the rural environment and its parched landscape being as much a part of the story as the characters. The heatwave and isolated setting are used to great effect, creating a stifling atmosphere with no escape. It’s hazy and sweaty and altogether overbearing. Water Shall Refuse Them is a convincing and troubling coming-of-age story with strong folk horror and witchcraft elements that nails a dark and unnerving tone throughout.
Content warning for scenes of child abuse, animal cruelty and animal death, some of which contain particularly unflinching detail.
RELATED ARTICLES
Happily, her new anthology The Book of Queer Saints Volume II is being released this October. With this new collection, queer horror takes center stage.
It's fitting that Elizabeth Hand's novel Wylding Hall (2015) won the Shirley Jackson Award; her writing echoes and pays homage to the subtle scariness and psychological horror of Shirley Jackson's works.
Penance is Eliza Clark’s eagerly awaited second novel following her debut Boy Parts, which found much love and notoriety in online reading circles.
However Nat Segaloff’s book The Exorcist Legacy: 50 Years of Fear is a surprising and fascinating literary documentation of the movie that caused moviegoers to faint and vomit in the aisles of the cinema.
Nineteen Claws And A Black Bird packs in plenty of sublime and disturbing short stories across its collection.
Gretchen Felker-Martin’s Manhunt, a novel that holds both horror and heart in equal regard, a biting and brilliant debut from one of horror-fiction’s most exciting names.
Moïra Fowley’s debut adult work is a shapeshifting and arresting short story collection which looks at the queer female body through experiences both horrific and sensual.
Bora Chung’s bizarre and queasy short stories were nominated for the 2022 International Booker Prize and it’s no surprise why.
A girl stands with her back to the viewer, quietly defiant in her youthful blue-and-white print dress, which blends in with a matching background
GHOULS GANG CONTENT
EXPLORE
Redux Redux comes to streaming off the back of a fair amount of hype after playing several festivals, including South by Southwest, where it had its premiere as part of their Midnighter strand last year. Festival hype is, of course, always to be taken with a grain of salt, but in the case of Redux Redux, it feels very warranted.
Anyone who’s ever spent any time in Japan will likely be familiar with the allure of the convenience store. The humble konbini is so much more than just a place to buy cheap coffee and cigarettes – it’s a beacon aglow on even the darkest of nights, where a fluffy egg sando or crisp sliver of Famichiki awaits, the convenience store serves as a reminder that you are never too far from creature comforts, and the company of another human being.
Fairy tales and horror almost go hand in hand; from a young age, we read cautionary tales, warning us about whom we should trust and, in Little Red Riding Hood’s case, to ‘beware of the Big Bad Wolf’. So it doesn’t come as a surprise that we see horror filmmakers take these stories and adapt them to the big screen with their own spin on the classic tales.
“This is not a George Romero movie. There is no such thing as a zombie, okay?” No girl, this is a Tina Romero movie! Funny, fabulous and unapologetically queer, Queens of the Dead is the debut feature from Tina Romero.
Kicking off the final day, we have Violence, a blood-soaked thriller set in an alternate 1980’s that will shake away any remnant of hangover from the night before and wake up the audience.
While many horror films may feature a similar set-up, few pack the emotional punch of Adam O’Brien’s new film Bury the Devil, which premiered March 6 at FrightFest Glasgow.
Like the analogy of a frog in a boiling pot of water, the tension steadily builds upon itself throughout the film, until the climatic ending, when the viewer can hardly believe that just eighty minutes ago Joe was flying high on his upcoming freedom.
Mark "Markiplier" Fischbach has been a staple of the YouTube horror gaming scene since his debut in 2012. Now he's traded his computer screen for the big screen with his adaptation of David Szymanski's 2022 indie game Iron Lung.

It’s a subculture that leans decidedly, sinisterly far-right – and it’s with this thread of baked-in horror that author Saratoga Schaefer gleefully runs riot in their new novel, Tradwife (2026).