[Editorial] #HeldByHorror: How 'Starfish' represents the horror of living with PTSD
This week is #MentalHealthAwarenessWeek and filmmaker, podcaster and writer, Ariel Baska, talks about the horror movie Starfish.
[Editorial] Carmilla Isn't Just a Lesbian Vampire – She's Also a Really Bad Girlfriend
Whether she's known by Carmilla, Mircalla or Millarca, the bewitching queer vampire at the heart of Irish author Joseph Sheridan Le Fanu's 1872 novella Carmilla …
[Editorial] My Arms Are Hungry for You-A Study of Lucy Westenra in Bram Stoker’s Dracula (1992)
In Francis Ford Coppola’s adaptation of Bram Stoker’s Dracula (1992), the story mainly centres around Mina, the fiancée of solicitor Jonathan Harker, and the possible reincarnation of Dracula’s first love, Elisabeta
[Editorial] Droch Fola (Evil Blood): The Irish Vampire
A billowing silken black cloak envelopes a tall, pale European aristocratic gentleman
[Mother of Fears] Fighting Real-Life Monsters in Cujo (1983)
Welcome to Mother of Fears – a monthly column that will explore the various roles that mothers play within the horror genre…
[Editorial] The Blood Soaked Woman – An Observation and Reading of a Horror Trope
It’s an image we have seen over and over again; a woman, head to toe saturated in blood, the whites of her eyes piercing through the red – she is transformed…
[Editorial] Folie à Deux: When Teenage Bonding Goes Too Far
The bonds that women form as teenagers are necessary for dealing with a hostile world and the many changes of adolescence…
[Editorial] The Exploration of Paraphilias in Extreme Horror
Sex and horror have been tied together for decades, scenes alluding to a sexual nature are often seen in most of the classic horrors…
[Editorial] Transploitation: Glen or Glenda
What is transploitation? Some introduction to the term is necessary, certainly, but I don’t want to take too much away from Glen or Glenda.
[Editorial] Horror in a ‘Not Horror’ Film: Deconstructing The Humans (2021)
As The Humans ended, I sat in stunned silence…
[Mother of Fears] How Mommy Killed The Monster in A Nightmare on Elm Street 1984
Welcome to Mother of Fears – a monthly column that will explore the various roles that mothers play within the horror genre…
[Editorial] The Ones Who Did Not Die: The Final Girls of Horror Q&A Event
Do you love final girls? Host Rebecca McCallum chats to some Ghouls Magazine contributors all about their favourite final girls the the evolution of the final girl in horror…
[Editorial] The Revival and Rebirth of the Final Girl in Texas Chainsaw Massacre (2022)
In 1974 the world was shocked by what was depicted on-screen; something so unimaginable, so heinous and so depraved…
[Editorial] Exploring Womanhood Through Ginger Snaps Back 2: Unleashed
If I had to watch one horror movie on repeat for the rest of my life, it would be Ginger Snaps (2000)..
[Editorial] Disability and Horror: Midnight (2021)
If you’ve seen Squid Game, you’re probably already familiar with Wi Ha-Joon, the persistent detective determined to find out the truth behind the deadly games…
[Editorial] “How Do Girls Know How To Do That?” – Female Adaptation And Evolution In Spring Pt.2
The hypocrisy in the treatment of women finds its place in horror and thriller perhaps more than other genres…
[Editorial] A New Wave of Horror Stories in Pop Music - Part 3
These reclamatory bodies of work are also uniquely suited to the current landscape of pop music…
[Editorial] Taking Back Control: Women Empowerment in Malignant (2021)
Malignant (2021) braved the big screen recently, introducing a grungy new horror full of energy and fun. Director James Wan…
[Editorial] Exploring Fear and Extreme Film in S&Man (2006)
Where is the line between real and fake? What scares you the most? What boundary will you not cross?
[Editorial] A New Wave of Horror Stories in Pop Music - Part 2
While an artist like Halsey has described their aforementioned visual album If I Can’t Have Love, I Want Power as a work of body horror, and acts…
