[Editorial] Horrible Imaginings Film Festival interview with Jay Kay
In anticipation of the Horrible Imaginings Film Festival (HIFF), I had the opportunity to chat with Jay Kay, filmmaker and member of the fest’s operations team…
[Editorial] Extreme Horror Films Most Likely to Haunt Your Dreams
It’s downright infuriating to hear people blather on about how a film can – nay will – cause someone to go off the deep end…
[Editorial] Disability and Horror: A Quiet Place Part 2 (2021)
I eagerly looked forward to this follow-up from John Krasinski’s A Quiet Place, which introduced a different vision of the apocalypse…
[Editorial] American Psycho (2000)
Mary Harron’s American Psycho has had a strange and convoluted path to its current position as a lauded part of the American horror canon…
[Editorial] Interview with Barbara Crampton about Jakob’s Wife
I sat down with Barbara Crampton to chat about female friendship, vampirism as life after death, and sexuality on screen in Jakob’s Wife…
[Mother of Fears] This House Needs a Family in We Are Still Here
In We Are Still Here (2015), we are plunged right into the middle of Anne’s grief just a couple of months after losing her son, Bobby, in a car crash…
[Editorial] You Can Hear Me: Navigating the Aural Gaze in Carnival of Souls (1962)
When engaging critically with a film, we often talk about its gaze. Film is, after all, a visual medium, and how we look at the objects and characters on the screen shapes our relationship with the story…
[Editorial] “How do girls know how to do that?”: Female Adaptation and Evolution in Spring (2014) Part 1
The time spent under lockdown due to the pandemic has meant audiences often turned to films and television for comfort, escapism or even challenge…
[Editorial] 20 Years Later: The Others (2001)
Released 20 years ago in 2001, Alejandro Amenábar’s The Others was part of a short cycle of slow, supernatural horror films with twists…
[Editorial] Five Films About Necrophilia That You May Love To Death
Necrophilia, aka, the sexual attraction towards dead bodies, or a sexual act involving dead bodies is probably one of the biggest taboos not only in real life…
[Editorial] 10 Years Later: The Cabin in the Woods (2011)
A meta-slasher-comedy that executes being scary, funny and thoughtful, and manages to both reward horror fans for their insider knowledge…
[Editorial] Disability and Horror: Don’t Breathe (2016)
Fede Alvarez’s Don’t Breathe was a break-out indie horror hit upon its release in 2016, a fact somewhat remarkable given its premise, an old blind vet who is both victim and villain defending his home from good-looking burglars…
[Editorial] Medusa’s Man: Examining Brad in Teeth (2007)
Teeth (2007) is a refreshing coming of age tale starring the underrated Jess Weixler as the virginal Dawn who has been cursed (or blessed, based on your perceptions) with the folkloric vagina dentata…
[Editorial] Director Julien Maury Talks All Things Kandisha
Having watched and reviewed Kandisha recently, it was a real pleasure and privilege to talk to Julien Maury, one of the minds behind the film…
[Editorial] North Bend Film Festival 2021
This year’s North Bend Film Festival brought the fantastical, eclectic and surreal to the big screen and it’s audiences…
[Editorial] Sorority Sister and Seasonal Slayings-Comparing Black Christmas (1974, 2006 and 2019)
While slashers are commonplace in the horror genre now, back in the ‘70s the sub-genre was on the brink of an explosion…
[Editorial] Preview: Fantasia International Film Festival 2021
Quentin Tarantino dubs it “the most important and prestigious genre film festival in the world” and Guillermo Del Toro calls it “a shrine”
[Editorial] Disability and Horror: Introduction
Within the world of horror films, disability representation has had a fraught history, but one I’ve paid careful attention to all my life. I was born with a rare disease that took half my hearing, half my vision, and half my face…
[Editorial] Top 10 British Horror Films
One of the only ‘historic’ films on the list occurs in eighteenth century, rural England. Fearing their community has been taken over by witchcraft…
[Editorial] Director Daeil Kim Talks Capturing American Culture
To those living outside of the United States, the looming threat of constant mass shootings may parallel the fear felt while watching a modern day horror film…
