[Film Review] MEN (2022)
Alex Garland is a world builder and magician. He is a spellbinder. A masterful creator of complex characters and ominous mundanity…
[Editorial] Heathens, every one of them! The Unholy Trinity of Folk Horror
Three films have come to define folk horror, namely Witchfinder General (1968), Blood on Satan’s Claw (1971) and The Wicker Man (1973).
[Editorial] 13 Horror Films to Revisit From 13 Years Ago (2009)
13 Horror Films to Revisit From 13 Years Ago (2009)
[Editorial] Disability and Horror: Fresh (2022)
It’s time we had a talk. The film I want to talk about, Fresh, was a major hit out of Sundance back in March…
[Editorial] Growing Up Ghouls: The Saw and My Family
Being a mom and a horror fan has never been an easy feat…
[Mother of Fears] Meta Mothering in Wes Craven’s New Nightmare
Welcome to Mother of Fears – a monthly column that will explore the various roles that mothers play within the horror genre…
[Film Review] Videodrome (1983)
Videodrome centers its narrative around consumerism, sadomasochism and the horrifying mutation and degradation of the human form…
[Film Review] Torn Hearts (2022)
Torn Hearts (2022) warns what may happen if you meet your heroes. Director Brea Grant’s new film follows a band called Torn Hearts, a two-woman contemporary country music act in Nashville, Tennessee.
[Editorial] Where to Start with French Horror: 6 Recommendations
If you’re ready to expand your repertoire then read on for the crème de la crème of Franco frights…
[Editorial] And What Will Be Left of Them: Sally Hardesty and the Emotional Weight of Survival
Trauma is the essence of horror. Though terrifying stories may differ wildly, the one common thread is the fear of physical or emotional pain suffered by a protagonist…
[Editorial] #HeldByHorror: Frankenstein and representation of loneliness
This week is #MentalHealthAwarenessWeek and writer, podcaster and Burlesque performer, Ygraine Hackett-Cantabrana, talks about the film FRANKENSTEIN and its representation of loneliness.
[Editorial] Florence Welch’s Ode to Female Monsters
A man stands distraught in an austere office as the beat begins. Suddenly, Florence Welch, dripping in her signature ethereal-witch attire, appears…
[Editorial] The Love Witch: A Horrific Exploration about the Mental Repercussions of Abusive Relationships
Biller's attempt to discuss feminism fails, while topics such as mental health prevails…
[Film Review] Peppergrass (2021)
In a mid-Covid world, it was only a matter of time before the pandemic became a factor in film…
[Editorial] #HeldByHorror: How 'Starfish' represents the horror of living with PTSD
This week is #MentalHealthAwarenessWeek and filmmaker, podcaster and writer, Ariel Baska, talks about the horror movie Starfish.
[Editorial] Black Gloves, Blood and Style: The History of the Giallo Part 3
After the golden age of giallo had waxed and waned during the years of 1970 and 1978, the popularity of the Italian horror subgenre began to decline into the 1980s…
[Editorial] 10 Horror Witches Who Need More Love
Alongside vampires, ghosts and monsters, the witch is an iconic symbol of horror, showing up in pretty much every culture since the inception of storytelling…
[Film Review] The Aviary (2022)
The Aviary is a surprisingly intriguing character study of the effects of psychological trauma and cult practices…
[Film Review] The Yellow Wallpaper (2021)
Charlotte Perkins-Gilman’s infamous short story The Yellow Wallpaper still resonates 130 years later
[Book Review] Mums and Sons (2022)
Horror films often have so much to show and tell us, it can be impossible to catch everything in a movie in just one viewing…
