[Editorial] Interview with Don’t F*** In The Woods 2 (2022) Director Shawn Burkett
Sometimes when interviewing a film director, I could close my eyes and imagine we were giggling together about their work over a beer. It was pretty much like that when I met with Shawn Burkett recently to talk about Don’t Fuck in the Woods 2 (2022), which has recently been released onto VOD.
[Film Review] Rave (2020)
Loud, bellowing drums are at the forefront of the opening scene while we see partygoers heading towards a mysterious abandoned factory, the primary location of Nils Alatalo’s Swedish psychedelic body horror Rave (2020).
[Film Review] Pennywise: The Story of IT (2022)
Pennywise: The Story of IT (2022) dives into the making of one of the most famous pieces of Stephen King-related media…
[Film Review] Yokai Monsters Trilogy (1968 - 1969)
To talk about the Yōkai Monsters trilogy, now available on Shudder after a great Arrow box set release last year, it’s necessary to give an idea of what yōkai actually are. However, it’s a little difficult to say as most definitions fall short in encompassing the role that they play in Japanese folklore.
[Editorial] Interview with Slash/Back (2022) Director Nyla Innuksuk
Horror films set in or near the arctic are rare. We have The Thing (1982), 30 Days of Night (2007), a handful of others… and now Slash/Back (2022), set and shot in Pangnirtung, Nunavut; and if you’re not familiar with geography, that’s the Canadian territory that’s basically next door to Greenland.
[Book Review] Hear Us Scream Vol II
Hear Us Scream Vol II is a collection of over thirty essays from horror writers, scholars and fanatics. Touching on topics ranging from the monster within, to family values and reclaiming our bodies through horror, this is a deeply personal collection. Every contribution is meticulously crafted and edited, with care and insight into the film and genre being discussed.
[Film Review] My Best Friend’s Exorcism (2022)
Another beloved horror novel has been given the movie treatment this October as Grady Hendrix’s My Best Friend’s Exorcism (2022) hit Amazon Prime. Based on the 2016 novel, which many of us bought for its beautiful ‘80s VHS-style cover, My Best Friend’s Exorcism focuses on the relationship between best friends Abby (Elsie Fisher) and Gretchen (Amiah Miller) after a night at a lake house goes very wrong.
[Film Review] Hounded (2022)
Tommy Boulding’s Hounded (2022) is a fast-paced and violent appraisal of classism. Four friends make their living as thieves, stealing art from the homes of wealthy people and selling it to art dealers.
[Editorial] Sapphics Bite Back: Top 10 Alternatives to Netflix’s “First Kill”
If like me, you are craving more lesbian vampire content to stick your teeth into, below are my top 10 films and tv shows…
[Mother of Fears] I Gave You Everything in Mother! (2017)
Mother! (2017) opens with a fire, a world putting itself back together again, and Mother (Jennifer Lawrence) waking up in bed alone. The first thing she does is seek out Him (Javier Bardem), her husband.
[Editorial] From The Old Dark House to The Feast: 9 Moments of Wales in Horror
Moments of Wales featuring in the horror genre that you may not expect…
[Film Review] Mother Superior (2022)
In 1975, Sigrun, an anesthetist in training, agrees to care for the ailing, eccentric Baroness Heidenreich in her crumbling, dilapidated country pile. Alone, except for the Baroness and her equally strange man servant Otto, Sigrun begins to explore the long abandoned dusty rooms, filled with records, chemistry sets, esoteric symbols and taxidermy animals, searching for the truth about her past.
[Editorial] “I’m Your Boyfriend Now, Nancy!” A Sapphic Lens for A Nightmare on Elm Street
In the zeitgeist of the 80s slashers, it is a truth universally acknowledged that one of the queerest franchises is A Nightmare on Elm Street. I feel like I don’t have to fight y’all super hard on this.
[Film Review] Brooklyn Film Festival: Old Flame (2022)
In writer and director Christopher Denham's third feature film Old Flame (2022), what initially appears to be a romantically charged meeting at a college reunion swiftly turns into an uneasy meditation on memory, truth and violence.
[Film Review] V/H/S/99 (2022)
Last year’s V/H/S/94 breathed new life into the found-footage franchise that had lain dormant since 2014’s poorly received V/H/S: Viral, becoming Shudder’s biggest premiere ever and reigniting the spark that burned in the first two V/H/S movies.
[Film Review] Brooklyn Film Festival: Repulse (2021)
After originally debuting at Prague's Febiofest in 2021, Emila Křižky's quietly disturbing film Repulse (Hrana Zlomu) had its North American debut at the Brooklyn Horror Film Festival in October 2022.
[TV Review] Dead Set (2008)
Originally starting in the Netherlands in 1999, Big Brother is a hit reality show that derived its name from a character in George Orwell’s dystopian novel, Nineteen Eighty-Four. Throughout its run, Big Brother has spawned over 500 series across 62 countries to date.
[Editorial] Top 21 Slasher Horror Films of All Time
These are my favourites that I couldn’t live without, but even if this list was 100 movies long, I think I still would have had a tough time cutting it down. Long live the slasher!
[Film Review] Two Witches (2022)
Witches don’t die before leaving their legacy. Two Witches, told in two separate acts that come together to weave a tale of inheritance, begins with the pregnant Sarah (Belle Adams) and her partner Simon (Ian Michaels) who are out to dinner when they receive an evil eye from a random woman at another table, the chapter’s titular Boogeywoman (Marina Parodi).
[Editorial] Exploring sexism, ageism, and toxic relationships with The Leech Woman (1960)
Ageism is nothing new to society, particularly from the female perspective. It affects all genders, but is specifically more challenging for women who statistically do more to “cover up” signs of age such as gray hairs, fine lines and wrinkles, age spots, etc. as a societal norm.
