[Film Review] Brightwood (2022)
Dane Elcar’s film Brightwood (screened at Panic Fest and Salem Horror Festival) does the seemingly impossible – it makes the outdoors seem claustrophobic.
[Book Review] Manhunt (2022)
Gretchen Felker-Martin’s Manhunt, a novel that holds both horror and heart in equal regard, a biting and brilliant debut from one of horror-fiction’s most exciting names.
[Editorial] 9 Top Horror Films Steeped in Nature
To celebrate Nature Horror Month at Ghouls, here are nine of the most beautiful and scary horror movies steeped in nature.
[Editorial] Best 7 Modern Folk Horror Movies
Ghouls Magazine’s list of the top 7 modern folk horrors
[Film Review] Lola (2022)
Set in the depths of World War II-ravaged England, scientist sisters Thomasina ‘Thom’ (Emma Appleton) and Martha ‘Mars’ Hanbury (Stefanie Martini) develop the titular LOLA: a complex machine capable of intercepting broadcasts from the future.
[Editorial] Dead By Dawn: A Retrospect on the Original Evil Dead Trilogy
With the recent release of Lee Cronin’s Evil Dead Rise, The Evil Dead franchise has encountered a resurgence from its bloody grave…
[Editorial] The Female Lens in Cat People (1942)
In Cat People (1942), Irena Dubrovna (Simone Simon) is terrified of intimacy, and the possibility that it will prove a folktale from her hometown in Serbia true—that she will become consumed by lust and passion, transforming into a panther.
[Book Review] Eyes Guts Throat Bones (2023)
Moïra Fowley’s debut adult work is a shapeshifting and arresting short story collection which looks at the queer female body through experiences both horrific and sensual.
[Editorial] Working Class Representation in Horror panel discussion
Join host and Assistant Editor at Ghouls Magazine, Rebecca McCallum for a panel discussion on ‘Working Class Representation in Horror’. Looking at the current status of working class in horror, emerging perspectives, ‘hoodie horror’, Ben Wheatley’s contributions, queerness and class, and how to improve the representation of working class voices in horror films and within the community.
[Editorial] Poetry, Literature, Fairy Tales and the Gothic in An American Werewolf in London (1981)
Whether it be the mist-covered expanses of the Yorkshire moors or in the confines of the back of a Hackney Taxicab, an American Werewolf in London is haunted by the past through its inclusion and allusions to poems, rhymes, fairy tales and stories.
[Editorial] Director Mark Jenkin Talks Identity and Ambiguity in Enys Men
Ahead of Enys Men’s US release, I got to chat with BAFTA-award winning director and writer Mark Jenkin about ambiguity, Cornish folklore and the importance of identity.
[Editorial] The Stone Swallows You Whole: Reconciling A Self Through Enys Men [2022]
It was about halfway through my inaugural viewing of Mark Jenkin’s Enys Men that I burst into tears for the first time.
[Film Review] Evil Dead (2013)
Fede Álvarez’s feature directorial debut Evil Dead (2013) is a gut wrenching and richly subtextual reimagining of Sam Raimi’s cult classic.
[Editorial] Reclaiming Femininity and Coming of Age in Raw (2016)
In a world where our bodies are so tightly policed and our desires are shunned, it seems no surprise that there is an abundance of horror films that see women rebel and reclaim their bodily autonomy
[Editorial] The Losers Club: The Best Friends I Never Had
I can’t quite remember exactly what age I was when I first read It by Stephen King but I think I was around 13.
[Film Review] Deep Woods (2022)
In Deep Woods, we follow Ty, the aforementioned businessman, and his old college roommate Nick, a Native American Game Warden who Ty seeks out to be his guide to the wilderness.
[Film Review] Spoonful of Sugar (2022)
Spoonful of Sugar is a Shudder original film that combines an assortment of horror elements that keeps you speculating about the narrative's intent.
[Editorial] Interview With Amber Doig-Thorne (Winnie the Pooh: Blood and Honey)
I met British actress Amber Doig-Thorne to chat about women in slasher horror, her experiences making Blood and Honey, and LGBTQ+ representation in horror.
[Editorial] Blood and Monsters: Coming of Age in Carrie (1976) and IT (1990)
Coming-of-age stories are something that Stephen King deals with in a lot of his work,
[Film Review] Wrong Turn 2021
Wrong Turn could easily fall prey to the usual out in the woods / folk horror tropes, but this one hits differently.
