Kim Morrison / Senior Contributor 27/05/2023 Kim Morrison / Senior Contributor 27/05/2023

[Mother of Fears] Be Very Afraid of Motherhood in The Fly (1986)

For journalist Veronica Quaife her life changes direction one night in a massive way while attending a Bartok Science Industries party. She’s there to cover the event for Particle magazine, and has a few interviews scheduled with scientists who all think they’ve discovered something which will change the world.

Harriet Fletcher / Contributor 26/05/2023 Harriet Fletcher / Contributor 26/05/2023

[Film Review] Influencer (2023)

Blending slick satire with sympathetic nuances rarely seen in films about the rich and famous, Influencer (2023) is a razor-sharp critique of online celebrity and its falsity.

Christina Brennan / Contributor 25/05/2023 Christina Brennan / Contributor 25/05/2023

[Film Review] Blades in the Darkness (2022)

Blades in the Darkness is set in present-day Albania with flashbacks to a formative and brutal period in the country's history as it transitioned away from communism in the 1990s

Kristen Leer / Contributor 24/05/2023 Kristen Leer / Contributor 24/05/2023

[Editorial] The Disrupt Symbology of Lamb (2021)

A24’s folkloric horror productions have been one of the most drawing narrative and cinematic styles within the past decade.

Tadhg Bentham / Contributor 23/05/2023 Tadhg Bentham / Contributor 23/05/2023

[Editorial] Eden Lake (2008): How a Film’s Potential is Destroyed by Bias

I often ponder if the reason we as fans of this much maligned genre watch so many films that fall within the scope of this genre is due to us being protective of it, or because we are searching for the hit which we felt on our very first time watching a film that got under our skin?

Ygraine Hackett-Cantabrana / Senior Contributor 22/05/2023 Ygraine Hackett-Cantabrana / Senior Contributor 22/05/2023

[Film Review] Little Bone Lodge (2023)

Little Bone Lodge directed by Matthias Hoene centres itself around the fierce ferociousness of mothers as two sibling criminals invade the isolated farmhouse home of Mama (Joeley Richardson) after seeking refuge from a frantic storm.

Faye Toulson / Contributor 21/05/2023 Faye Toulson / Contributor 21/05/2023

[Film Review] The UFO Chronicles: A History Of Mysterious Sightings (2023)

The selling point of The UFO Chronicles: A History Of Mysterious Sightings, is that it's written, performed and illustrated entirely by Artificial Intelligence.

Kat Hughes / Contributor 20/05/2023 Kat Hughes / Contributor 20/05/2023

[Film Review] Cube (2021)

Inspired by Vincenzo Natali’s 1997 film of the same name, Cube joins a group of six strangers as they awaken in a nightmarish puzzle box.

Kim Morrison / Senior Contributor 19/05/2023 Kim Morrison / Senior Contributor 19/05/2023

[Editorial] The 9 Most Amazing Antler Deaths in Horror

Let’s take a look at nine of the most amazing antler deaths in horror!

Kitty Hurst / Contributor 18/05/2023 Kitty Hurst / Contributor 18/05/2023

[Film Review] Renfield (2023)

Nicolas Cage as Dracula. What more could you want? Renfield knows what you are here for, and it delivers deliciously.

Ygraine Hackett-Cantabrana / Senior Contributor 17/05/2023 Ygraine Hackett-Cantabrana / Senior Contributor 17/05/2023

[Editorial] 9 of The Best Home Invasion Horror Movies

Here are 9 home invasion horrors that will cause you to double check whether you’ve locked all your doors and windows.

Isobel Frost / Contributor 16/05/2023 Isobel Frost / Contributor 16/05/2023

[Film Review] The Unheard (2023)

You’d be forgiven for thinking that the core concept for Shudder Original The Unheard is a familiar one. Starring television horror alum Lachlan Watson (Chilling Adventures of Sabrina, Chucky), the film opens on profoundly deaf student Chloe Grayden (Watson) as she undergoes an experimental clinical trial in the hopes of regaining her hearing

Emma Kostopolus / Contributor 15/05/2023 Emma Kostopolus / Contributor 15/05/2023

[Film Review] Brightwood (2022)

Dane Elcar’s film Brightwood (screened at Panic Fest and Salem Horror Festival) does the seemingly impossible – it makes the outdoors seem claustrophobic.

Amber T / Contributor 14/05/2023 Amber T / Contributor 14/05/2023

[Book Review] Manhunt (2022)

Gretchen Felker-Martin’s Manhunt, a novel that holds both horror and heart in equal regard, a biting and brilliant debut from one of horror-fiction’s most exciting names.

Kim Morrison / Senior Contributor 14/05/2023 Kim Morrison / Senior Contributor 14/05/2023

[Editorial] 9 Top Horror Films Steeped in Nature

To celebrate Nature Horror Month at Ghouls, here are nine of the most beautiful and scary horror movies steeped in nature.

Faye Toulson / Contributor 13/05/2023 Faye Toulson / Contributor 13/05/2023

[Editorial] Best 7 Modern Folk Horror Movies

Ghouls Magazine’s list of the top 7 modern folk horrors

Isobel Frost / Contributor 12/05/2023 Isobel Frost / Contributor 12/05/2023

[Film Review] Lola (2022)

Set in the depths of World War II-ravaged England, scientist sisters Thomasina ‘Thom’ (Emma Appleton) and Martha ‘Mars’ Hanbury (Stefanie Martini) develop the titular LOLA: a complex machine capable of intercepting broadcasts from the future.

Ygraine Hackett-Cantabrana / Senior Contributor 11/05/2023 Ygraine Hackett-Cantabrana / Senior Contributor 11/05/2023

[Editorial] Dead By Dawn: A Retrospect on the Original Evil Dead Trilogy

With the recent release of Lee Cronin’s Evil Dead Rise, The Evil Dead franchise has encountered a resurgence from its bloody grave…

Nicole Sanacore / Contributor 10/05/2023 Nicole Sanacore / Contributor 10/05/2023

[Editorial] The Female Lens in Cat People (1942)

In Cat People (1942), Irena Dubrovna (Simone Simon) is terrified of intimacy, and the possibility that it will prove a folktale from her hometown in Serbia true—that she will become consumed by lust and passion, transforming into a panther.

Natalie Wall / Contributor 08/05/2023 Natalie Wall / Contributor 08/05/2023

[Book Review] Eyes Guts Throat Bones (2023)

Moïra Fowley’s debut adult work is a shapeshifting and arresting short story collection which looks at the queer female body through experiences both horrific and sensual.