[Film Review] The Unheard (2023)
You’d be forgiven for thinking that the core concept for Shudder Original The Unheard is a familiar one. Starring television horror alum Lachlan Watson (Chilling Adventures of Sabrina, Chucky), the film opens on profoundly deaf student Chloe Grayden (Watson) as she undergoes an experimental clinical trial in the hopes of regaining her hearing
[Film Review] Brightwood (2022)
Dane Elcar’s film Brightwood (screened at Panic Fest and Salem Horror Festival) does the seemingly impossible – it makes the outdoors seem claustrophobic.
[Book Review] Manhunt (2022)
Gretchen Felker-Martin’s Manhunt, a novel that holds both horror and heart in equal regard, a biting and brilliant debut from one of horror-fiction’s most exciting names.
[Film Review] Lola (2022)
Set in the depths of World War II-ravaged England, scientist sisters Thomasina ‘Thom’ (Emma Appleton) and Martha ‘Mars’ Hanbury (Stefanie Martini) develop the titular LOLA: a complex machine capable of intercepting broadcasts from the future.
[Book Review] Eyes Guts Throat Bones (2023)
Moïra Fowley’s debut adult work is a shapeshifting and arresting short story collection which looks at the queer female body through experiences both horrific and sensual.
[Film Review] Evil Dead (2013)
Fede Álvarez’s feature directorial debut Evil Dead (2013) is a gut wrenching and richly subtextual reimagining of Sam Raimi’s cult classic.
[Film Review] Deep Woods (2022)
In Deep Woods, we follow Ty, the aforementioned businessman, and his old college roommate Nick, a Native American Game Warden who Ty seeks out to be his guide to the wilderness.
[Film Review] Spoonful of Sugar (2022)
Spoonful of Sugar is a Shudder original film that combines an assortment of horror elements that keeps you speculating about the narrative's intent.
[Film Review] Wrong Turn 2021
Wrong Turn could easily fall prey to the usual out in the woods / folk horror tropes, but this one hits differently.
[Film Review] The World We Knew (2020)
The World We Knew (2020) settles itself in a deserted safe house where six men are waiting to hear how their botched robbery will impact their next step.
[Book Review] Cursed Bunny (2017)
Bora Chung’s bizarre and queasy short stories were nominated for the 2022 International Booker Prize and it’s no surprise why.
[Event Review] The Boston Underground Film Festival
The Boston Underground Film Festival celebrated its 23rd year this year
[Film Review] Jethica (2022)
Elena (Callie Hernandez) teases out the story to her anonymous lover, the no-name guy she won’t be taking back to her place
[Film Review] We Have Always Lived in the Castle (2018)
Stacie Passon’s We Have Always Lived in the Castle (2018) is slow burning and symbolic.
[Film Review] Evil Dead Rise (2023)
Evil Dead Rise is a return to unpretentious and unrestrained, gore-soaked terror for mainstream horror, bringing the franchise back to be with the maggots, in the best possible way.
[Film Review] After She Died (2022)
After She Died joins the recently graduated Jen (Liliana Ritchie) as she tries to traverse the grief felt in the wake of her mother’s death.
[Film Review] Candyland (2022)
Set in the early 90’s Candyland follows a small group of truck stop sex workers, aptly named the ‘Lot Lizards’.
[Event Review] SAW: Escape Experience Review
SAW: Escape Experience in London has recently had a gnarly freshen up (or perhaps more like a dirty up) with more immersive rooms added…
[Film Review] Signal 100 (2019)
Based on the manga of the same name, Lisa Takeba’s Signal 100 recalls other films
[Film Review] The Falling (2014)
In The Falling, writer/director Carol Morley further explores ideas formed in her 2006 short film Madness of the Dance
