[Editorial] Interview with director Theo Rhys & co-writer Joss Holden-Rhea on Stuffed (2021)
Are you a fan of horror musicals? Well Stuffed (2021) is a dark musical love story about a taxidermist searching for a human to stuff and potentially finding eternal love. Ariel Baska chatted to director Theo and co-writer Joss about about this beautifully strange film playing at SXSW.
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For any horror fan, a musical parody of the Saw franchise would be a treat. But a very campy, very queer musical reimagining of the plot? Now that's a little piece of heaven.
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Happily, her new anthology The Book of Queer Saints Volume II is being released this October. With this new collection, queer horror takes center stage.
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If you know me at all, you know that I love, as many people do, the work of Nic Cage. Live by the Cage, die by the Cage. So, when the opportunity to review this came up, I jumped at it.
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When V/H/S first hit our screens in 2012, nobody could have foreseen that 11 years later we’d be on our sixth instalment (excluding the two spinoffs) of the series.
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When someone is in a toxic relationship, it can affect more than just their heart and mind. Their bodies can weaken or change due to the continued stress and unhappiness that comes from the toxicity.
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If you can’t count on your best friend to check your teeth and hands and stand vigil with you all night to make sure you don’t wolf out, who can you count on? And so begins our story on anything but an ordinary night in 1993…
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The best thing about urban legends is the delicious thrill of the forbidden. Don’t say “Bloody Mary” in the mirror three times in a dark room unless you’re brave enough to summon her. Don’t flash your headlights at a car unless you want to have them drive you to your death.
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It's fitting that Elizabeth Hand's novel Wylding Hall (2015) won the Shirley Jackson Award; her writing echoes and pays homage to the subtle scariness and psychological horror of Shirley Jackson's works.
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A Wounded Fawn (Travis Stevens, 2022) celebrates both art history and female rage in this surreal take on the slasher genre.
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Perpetrator opens with a girl walking alone in the dark. Her hair is long and loose just begging to be yanked back and her bright clothes—a blood red coat, in fact—is a literal matador’s cape for anything that lies beyond the beam of her phone screen.
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