[Mother of Fears] The Search for True Love in Maleficent
Welcome to Mother of Fears – a monthly column that will explore the various roles that mothers play within the horror genre. Mothers are a staple feature in horror movies, and yet, their stories, motivations, representations, and relationships with their children are so varied and complex that we never feel like we’re watching the same story twice. Every month I will take a look at a different mother from the world of horror, explore their story, and look at how they fit into the broader representation of women in horror.
Maleficent (2014) may be a live-action Disney movie, but it also has the makings of an ideal gateway horror movie. There are creepy-looking creatures, a powerful dark fairy, death curses, and a boyfriend so terrible he would easily be at home with these horror lovers. And unlike the classic cartoon version from 1959, Maleficent places the titular fairy in the role of mother and caregiver to the princess which she has cursed to die.
In Sleeping Beauty (1959), we’re never given much of a background to Maleficent and her evil ways. She rocks up on the day of Princess Aurora’s christening and seemingly just because she wasn’t invited to the event, curses the princess to prick her finger on a spinning wheel and fall into a sleep-like death before her 16th birthday.
In this newer version of the tale, we see Maleficent as a child, living in the Moors, a forest which is home to a whole host of magical creatures that borders the human kingdom. Maleficent may be a little bit scary to look at, but she is kind to the other creatures, loves nature, and wants to protect the Moors from the men who are insistent on claiming it for their own.
One day, Maleficent comes across a young boy named Stefan, who is stealing from the Moors and has been caught by one of its protectors. Curious, Maleficent frees Stefan and tries to teach him about the importance of the Moors and the nature within. The two become friends and eventually fall in love, with Stefan gifting Maleficent what he calls true love’s kiss for her 16th birthday.
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In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
In August we have been looking at mind-bending films and books, which is why we decided to cover Agustina Bazterrica's disturbing horror book TENDER IS THE FLESH.
In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine contributors Iona Smith, Melissa Cox and Ariel Baska to get gooey, ewwy and a little bit horny talking about their recent body horror watches, reads and plays! From Cronenberg's Crimes of the Future, to cannibalism book Tender is the Flesh to classic sci-fi horror The Thing and more...
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
In this episode join Assistant Editor at Ghouls Magazine and host, Rebecca McCallum as strips back the layers of flesh on these films alongside Senior Contributor & Social Media Manager, Kim Morrison. And no, these two don't just think that remakes are all trash - there's love in here for originals and remakes including House of Wax (2005) and more.
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine Assistant Editor, Rebecca McCallum, and contributors Kat Hughes and Meg Kenny. They have been busy watching horror movies like The Devil’s Candy (2015), Rope (1948), Huesera: The Bone Woman (2023), binging TV shows such as Dead Ringers (2023) also also reading with the likes of My Heart is a Chainsaw and Dennis Coopers’ The Sluts.
This May we’ve been looking at natured themed horror films, anything from creature features to eco horror to biological horror and more. For this episode, the focus is on the parasitic horror and how infections can take control in terrifying ways with horror film The Bay (2012).
In this episode join host Zoë Rose Smith as she is joined by Playstation presenter, gaming streamer and The NoSleep Podcast voiceover artist - Ash Millman! Together they pull vines from their minds, and examine environmental horror film The Ruins (2008).
In April we are looking at ‘Coming-Of-Age’ horror films, from the lens of films that defined our own youth to films that directly dissect coming-of-age as a theme. This episode looks at romantic horror film Picnic at Hanging Rock (1975)!
In this episode join host Ariel Powers-Schaub alongside Sarah Miles, Kat Hughes, Alix Turner & special guest Fern. From Quentin Tarantino's Deathproof (2007) to the slasher fav Child's Play (1988) to British horror TV Ghostwatch (1992) and more.
In this episode host Zoë Rose Smith is joined by Ghouls Magazine contributors Kat Hughes, Iona Smith, Ariel Baska and Meg Kenny to talk discovering sexuality, battling bullying, navigating teen struggles and being that 'spooky bitch'. From Hellraiser to IT to Excision and more...
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
In the new Ghouls Watch episodes of the podcast, we chat about what horror films and TV shows we’ve been watching lately! This time Ariel Powers-Schaub chats to Caitlyn Downs, Ariel Baska and Liz Bishop about sci-fi horror show Severance, horror film Run Sweetheart Run, sci-fi horror film Splice and more….
Extreme horror films often look at the relationship between sex and death, examining the ways in which they intertwine and talk to one another in disturbed ways. Which is why for the month of love, we are looking at a complicated and tragic love story with Jorg Buttgereit’s 1988 horror film Nekromantik.
Have you ever turned someone down for a date? Well, if you have, then you got away lucky because if you did that to the iconic Lola Stone you would be enduring some torture... This Valentine's Day we're not indulging in anything romantic, instead we're taking part in some Anti-Valentine's by discussing Sean Byrne's Australian horror film THE LOVED ONES (2009).
Come on down to the Clown Cafe if you’re hungry for a little slicing, dicing and a hilarious amount of guts and gore! There’s only one way to start off a new year and new season of podcasts with a bloody double bill of Damien Leone’s Terrifier (2016) and Terrifier 2 (2022).
Join Ariel Powers-Schaub and Iona Smith for the final episode as they discuss Final Destination 5 (2011) and look at what the future might hold for more evolutions of this horror franchise.
Join Ariel Powers-Schaub and Iona Smith as they dive further into the Final Destination franchise to look at Final Destination 3 (2006) and Final Destination 4 (2009)!
The bells are ringing and snow is falling, it's the most wonderful time of the year! So this December for Christmas, join us as we look at Michael Dougherty's festive horror film Krampus from 2015.
Did you listen to our episode talking about what we were excited to see at Soho Horror Film Festival? Well we’re back from crawling our worm bodies out of the earth to discuss what films we managed to catch at the festival and talk about which ones were our fav!
Join Ariel Powers-Schaub and Iona Smith as they strap in for the rollercoaster ride that is the Final Destination franchise!
When you go down to the Church tonight, you're going to be in for a surprise... At Ghouls Magazine we love independent cinema and to champion indie horror, Assistant Editor Rebecca McCallum caught up with Jen Handorf!
There's going to be worms, ghosting, hangovers, cults and more at this year's Soho Horror Film Festival and we are more than excited! Join host Zoë Rose Smith as she chats to Ghouls Magazine contributors and freelance journalists, Hannah Ogilvie and Caitlyn Downs.
Halloween is nearly here and it's time to get your PJs on ready for a nightmarish movie marathon! Host Rebecca McCallum is joined by the slumber party experts, Joshua Tonks & Liz Bishop, to find out what 5 horror movies they recommend to watch this spooky season! Plus, the terrifying trio test their horror knowledge...
In this episode of the podcast, host Rebecca McCallum is joined by not one, but two guests to talk about their passion for horror books, and some of their recommendations to get you reading this winter. The first guest is Nina the Book Slayer, who is a book reviewer for Hear Us Scream, followed by Alex Bookubus who is a book reviewer on YouTube!
In the latest episode of the podcast, host Rebecca McCallum is joined by Tim Coleman to discuss sci-fi horror film ALIEN from 1979.
However, Stefan has always wanted to be king one day, and the lure of the kingdom and the life that would come with it are too much for him. After King Henry tries and fails to capture the Moors, mainly due to Maleficent kicking his ass, he puts a bounty on her head and says that whoever kills her will become his successor.
Due to all the time that Stefan and Maleficent spent together in their youth, he knows a little bit more about the fairy than most, and he knows that iron can hurt fairies. Stefan appears at the border of the Moors, and it turns out Maleficent still trusts him enough to welcome him in. While he claims he’s trying to protect her, he actually drugs her with the intention of killing her. However, he cannot bring himself to do it, and instead, cuts off her wings. While this doesn’t take away her powers completely, it was her wings and her ability to fly that gave her the edge in her first battle with King Henry. Stefan knows that he is robbing her of a part of herself, and uses her wings to prove her death to King Henry and secure his place on the throne.
Maleficent is understandably pissed off. She cannot understand Stefan’s obsession with the ugly side of the human world or his need to be in charge. She also feels incredibly betrayed. She trusted Stefan enough to welcome him into a place where humans never get to go, and he used his inside knowledge of her world to injure her and strip her of one of the things which made her so special. Her hatred and bitterness spread, not only affecting herself but also turning the Moors into a dark and twisted place. The humans were scared of the Moors before, but through Stefan’s actions, the place has become the terrifying and mysterious place that everyone worried it was.
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Now that he is king, Stefan marries and is soon father to baby Aurora. While Maleficent stews in her anger out in the Moors, Stefan is getting everything he wanted. This is yet another reminder to Maleficent that he never truly cared about her, and only used her and his access to the Moors to his advantage.
And so, Maleficent decides to turn up at Aurora’s christening, with this scene playing out pretty much exactly the same as the one from Sleeping Beauty. Only this time around we have far more context on why Maleficent is the way she is, and why she would want to hurt Stefan so terribly. After Stefan begs her for mercy, Maleficent says that the curse can be broken by true love’s kiss. Instead of another fairytale cliche, this time around Maleficent is mocking her and Stefan’s relationship. Because of the way Stefan treated her, he doesn't believe that true love’s kiss even exists. His words and his actions have come back to bite him in the worst possible way, and Maleficent wants him to know she’ll never forget the way he betrayed her.
You may question why Maleficent would choose to curse a defenceless baby instead of using her powers to hurt Stefan directly, but the slow-burning nature of her curse is designed to drive Stefan slowly insane as he waits for it to claim his only heir. Even though he rids the kingdom of spinning wheels, he sits alone panicking over the situation, unsure of what to do to change the ending. He even misses his wife dying because he is so distracted.
Maleficent doesn’t just want to hurt Stefan, she wants to rip his life apart in the slowest and most painful way possible, and it seems like her plan has worked perfectly. Stefan decides to send Aurora to live with three pixie fairies until the day after her 16th birthday so she can be kept safe. He is willing to give up the first 16 years of her life to try and protect her, leaving him bitter and alone in his castle.
However, it turns out the pixie fairies, Flittle, Knotgrass, and Thistlewit, are terrible caregivers. They don’t know how to feed the princess and spend so much of their time arguing that they don’t see the various near-death situations that young Aurora manages to get herself into.
But it turns out Maleficent has known right from day one where Aurora is, and rather than kill her or harm her in any way, she chooses to watch over the child, even intervening when she’s in need of help. This is because Maleficent doesn’t really want to hurt Aurora. She wants to rip Stefan apart, but killing baby Aurora wouldn’t cause the kind of pain she’s looking for. And so she does her part to keep the baby alive.
Eventually, young Aurora comes across Maleficent in the woods, and unlike most humans, she isn’t scared of her. In fact, Aurora is drawn to Maleficent and the Moors. She shares the fairy’s love of nature and the other magical creatures. Despite the fact that Stefan turned out to be trash, Maleficent does still have a longing for a relationship with the human world. And the mother/child relationship she has formed with Aurora seems like a safer option than a romantic relationship.
You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
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You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
• 4.5 oz/y² (153 g/m²)
• Pre-shrunk
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the centre
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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YWe’re always thirsty for more horror, which is why you show off your love for the gory genre with a Ghouls Magazine VMPR T-Shirt! Made from soft & cosy cotton that feels so nice on the skin that even Ed Gein wants one. Grab yourself some Ghouls Magazine merch to always look fresher than a corpse.
100% cotton
Sport grey is made from 90% cotton & 10% polyester
Dark Heather is made from 65% polyester & 35% cotton
Pre-shrunk
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER. WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
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Need a new horror hoodie? Then say hello to the Ghouls Magazine VMPR Hoodie! Made from a blend of cotton and polyester to keep the hoodie feeling comfy and warm when watching your favourite horror films. Black pull-over hoodie featuring a vampire lips logo design.
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Wear your love for horror on your head with the Ghouls Magazine VMPR Beanie Hat. Made from turbo acrylic for a stretchy fit to feel snug and comfy even on the coldest and spookiest of nights. Black hat features vampire blood-drip lips for some horror merch that everyone will want a slice of.
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Realising that her revenge on Stefan is not worth Aurora’s life, Maleficent tries to lift the curse. But her hatred and her spell were so strong that she is unable to remove it herself. Instead, Maleficent welcomes Aurora to live in the Moors with her, hoping that she can keep her safe.
Unfortunately, this invitation comes on the day before Aurora’s 16th birthday, and so when she tells the pixie fairies of her plan, they reveal the truth about the curse and Maleficent. Feeling betrayed by her closest friend and ‘fairy godmother’, Aurora flees back to the castle, where she is magically drawn to the room full of broken spinning wheels, and promptly pricks her finger.
Maleficent realises that she is the only one who can put together a plan to save Aurora, and she decides to take a young prince who has a crush on Aurora to the castle in the hope that his kiss will break the curse. At this point, Maleficent doesn’t believe that true love’s kiss is even a thing, but she’s out of options and needs to try whatever she can so that she’s not responsible for Aurora’s death.
However, the prince’s kiss does not work, probably because they’ve only met once, and it seems like Aurora may be asleep forever. Trapped in the castle with the person she hates most, Maleficent has nothing left to try and knows the odds of her making it out safely are pretty slim. She apologises to Aurora for ever involving her in the curse and kisses her on the forehead.
And just like magic, Aurora awakens. Maleficent may have stopped believing in romantic love, but there’s no denying how much she cared for Aurora as she watched over her for sixteen years. Maleficent is the only mother Aurora has ever known, and though she never imagined herself having a child, Maleficent has cared for the princess better than anyone, including her vengeful father. The curse was designed to pull Stefan apart, but the main thing it did was push Aurora and Maleficent together.
Even though Aurora has been brought back to life, Stefan is still intent on killing Maleficent. He once again uses his insider knowledge of the fairy world to ensure all his soldiers are armed with iron, so Maleficent is left quite defenceless. She tells Aurora to get to safety, which leads to the princess discovering Maleficent’s severed wings. Aurora knew that Maleficent had lost her wings at some point, and how emotional she had been about the whole situation. However, it’s not until now that she realises it must have been her father who removed them.
LISTEN TO OUR HORROR PODCAST!
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In this episode, host Ariel Powers-Shcaub is joined by Ghouls Magazine contributors Sarah Miles and Liz Bishop to chat about some of their recent horror TV and movies watches. From Zom 100: Bucket List of the Dead, to TV show Blood Drive to John Swab's Candy Land and more watch recommendations.
In August we have been looking at mind-bending films and books, which is why we decided to cover Agustina Bazterrica's disturbing horror book TENDER IS THE FLESH.
In July we have been looking at all things body horror! Which is why for our final episode of the month we visited the films of director Brandon Cronenberg with a look at Antiviral (2012), Possessor (2020) and Infinity Pool (2023).
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine contributors Iona Smith, Melissa Cox and Ariel Baska to get gooey, ewwy and a little bit horny talking about their recent body horror watches, reads and plays! From Cronenberg's Crimes of the Future, to cannibalism book Tender is the Flesh to classic sci-fi horror The Thing and more...
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
In this episode, host is joined by Ghouls Magazine Senior Contributor & Social Media Manager, , alongside Ghouls contributor . As always these three have been busy watching and reading lots of horror media and discuss films like Bones and All (2022), Suitable Flesh (2023), The Human Centipede (2009) and more.
In this episode join Assistant Editor at Ghouls Magazine and host, Rebecca McCallum as strips back the layers of flesh on these films alongside Senior Contributor & Social Media Manager, Kim Morrison. And no, these two don't just think that remakes are all trash - there's love in here for originals and remakes including House of Wax (2005) and more.
In this episode, host Zoë Rose Smith is joined by Ghouls Magazine Assistant Editor, Rebecca McCallum, and contributors Kat Hughes and Meg Kenny. They have been busy watching horror movies like The Devil’s Candy (2015), Rope (1948), Huesera: The Bone Woman (2023), binging TV shows such as Dead Ringers (2023) also also reading with the likes of My Heart is a Chainsaw and Dennis Coopers’ The Sluts.
This May we’ve been looking at natured themed horror films, anything from creature features to eco horror to biological horror and more. For this episode, the focus is on the parasitic horror and how infections can take control in terrifying ways with horror film The Bay (2012).
In this episode join host Zoë Rose Smith as she is joined by Playstation presenter, gaming streamer and The NoSleep Podcast voiceover artist - Ash Millman! Together they pull vines from their minds, and examine environmental horror film The Ruins (2008).
In April we are looking at ‘Coming-Of-Age’ horror films, from the lens of films that defined our own youth to films that directly dissect coming-of-age as a theme. This episode looks at romantic horror film Picnic at Hanging Rock (1975)!
In this episode join host Ariel Powers-Schaub alongside Sarah Miles, Kat Hughes, Alix Turner & special guest Fern. From Quentin Tarantino's Deathproof (2007) to the slasher fav Child's Play (1988) to British horror TV Ghostwatch (1992) and more.
In this episode host Zoë Rose Smith is joined by Ghouls Magazine contributors Kat Hughes, Iona Smith, Ariel Baska and Meg Kenny to talk discovering sexuality, battling bullying, navigating teen struggles and being that 'spooky bitch'. From Hellraiser to IT to Excision and more...
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
In the new Ghouls Watch episodes of the podcast, we chat about what horror films and TV shows we’ve been watching lately! This time Ariel Powers-Schaub chats to Caitlyn Downs, Ariel Baska and Liz Bishop about sci-fi horror show Severance, horror film Run Sweetheart Run, sci-fi horror film Splice and more….
Extreme horror films often look at the relationship between sex and death, examining the ways in which they intertwine and talk to one another in disturbed ways. Which is why for the month of love, we are looking at a complicated and tragic love story with Jorg Buttgereit’s 1988 horror film Nekromantik.
Have you ever turned someone down for a date? Well, if you have, then you got away lucky because if you did that to the iconic Lola Stone you would be enduring some torture... This Valentine's Day we're not indulging in anything romantic, instead we're taking part in some Anti-Valentine's by discussing Sean Byrne's Australian horror film THE LOVED ONES (2009).
Come on down to the Clown Cafe if you’re hungry for a little slicing, dicing and a hilarious amount of guts and gore! There’s only one way to start off a new year and new season of podcasts with a bloody double bill of Damien Leone’s Terrifier (2016) and Terrifier 2 (2022).
Join Ariel Powers-Schaub and Iona Smith for the final episode as they discuss Final Destination 5 (2011) and look at what the future might hold for more evolutions of this horror franchise.
Join Ariel Powers-Schaub and Iona Smith as they dive further into the Final Destination franchise to look at Final Destination 3 (2006) and Final Destination 4 (2009)!
The bells are ringing and snow is falling, it's the most wonderful time of the year! So this December for Christmas, join us as we look at Michael Dougherty's festive horror film Krampus from 2015.
Did you listen to our episode talking about what we were excited to see at Soho Horror Film Festival? Well we’re back from crawling our worm bodies out of the earth to discuss what films we managed to catch at the festival and talk about which ones were our fav!
Join Ariel Powers-Schaub and Iona Smith as they strap in for the rollercoaster ride that is the Final Destination franchise!
When you go down to the Church tonight, you're going to be in for a surprise... At Ghouls Magazine we love independent cinema and to champion indie horror, Assistant Editor Rebecca McCallum caught up with Jen Handorf!
There's going to be worms, ghosting, hangovers, cults and more at this year's Soho Horror Film Festival and we are more than excited! Join host Zoë Rose Smith as she chats to Ghouls Magazine contributors and freelance journalists, Hannah Ogilvie and Caitlyn Downs.
Halloween is nearly here and it's time to get your PJs on ready for a nightmarish movie marathon! Host Rebecca McCallum is joined by the slumber party experts, Joshua Tonks & Liz Bishop, to find out what 5 horror movies they recommend to watch this spooky season! Plus, the terrifying trio test their horror knowledge...
In this episode of the podcast, host Rebecca McCallum is joined by not one, but two guests to talk about their passion for horror books, and some of their recommendations to get you reading this winter. The first guest is Nina the Book Slayer, who is a book reviewer for Hear Us Scream, followed by Alex Bookubus who is a book reviewer on YouTube!
In the latest episode of the podcast, host Rebecca McCallum is joined by Tim Coleman to discuss sci-fi horror film ALIEN from 1979.
Aurora releases the wings from their cage, which not only restores Maleficent to her former glory but also removes the last hold which Stefan has over her. Stefan dies in the battle, and with the fight now over, Maleficent restores the Moors to what they once were. She also crowns Aurora queen of the Moors, meaning the human kingdom and the magical kingdom have been united under one ruler.
Aurora manages to achieve what her father always dreamed of through kindness and building a truly loving bond with Maleficent instead of just using her under the belief that power would make him happy. Instead, the power he craved pulled him apart from the inside, and the curse that drove him to madness pushed Maleficent and Aurora together in a way that was able to heal Maleficent both mentally and physically with the return of her wings.
Aurora has a lot of different mother figures in her life, from her birth mother and the three pixie fairies, but the moment Aurora is brought into the woods, Maleficent provides everything she needs. It would be so easy for her to let her hatred for Stefan leak into her bond with Aurora, but she is able to put all that aside to make sure that Aurora is cared for. It is this ability that allows her love for the princess to grow. Maleficent probably thought she wasn’t capable of love again after what Stefan did to her, but her relationship with Aurora shows that he hasn’t broken her after all. She is still able to care for others and learn to be happy in herself. And Maleficent and Aurora can now look after the Moors together, knowing that nothing can come between them or the love they have for each other.
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A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit.
Both the original Pet Sematary (1989) and its 2019 remake are stories about the way death and grief can affect people in different ways. And while the films centre on Louis Creed and his increasingly terrible decision-making process, there’s no doubt that the story wouldn’t pack the same punch or make the same sense without his wife, Rachel.
The story focuses on a group of survivors after most of the world’s population is wiped out by Captain Trips, a lethal super-flu. And while there are enough horrors to go around in a story like this, the real focus of King’s book is how those who survive react to the changing world around them.
Set during the mid-fifteenth century, Onibaba (1964) tells the story of two women fighting for survival. Credited only as Older Woman and Younger Woman (or Kichi's Mother and Kichi's Wife) according to IMDB, the story is focussed on the lengths these women will go to survive a war, and yet they’re not even given names, unlike the male characters.
For journalist Veronica Quaife her life changes direction one night in a massive way while attending a Bartok Science Industries party. She’s there to cover the event for Particle magazine, and has a few interviews scheduled with scientists who all think they’ve discovered something which will change the world.
You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
• 4.5 oz/y² (153 g/m²)
• Pre-shrunk
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the centre
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• Dark Heather is 65% polyester, 35% cotton
• 4.5 oz/y² (153 g/m²)
• Pre-shrunk
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the centre
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
YWe’re always thirsty for more horror, which is why you show off your love for the gory genre with a Ghouls Magazine VMPR T-Shirt! Made from soft & cosy cotton that feels so nice on the skin that even Ed Gein wants one. Grab yourself some Ghouls Magazine merch to always look fresher than a corpse.
100% cotton
Sport grey is made from 90% cotton & 10% polyester
Dark Heather is made from 65% polyester & 35% cotton
Pre-shrunk
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER. WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
• 52% combed ring-spun cotton, 48% polyester
• Slim fit
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
• 32 singles
• Fabric is laundered to reduce shrinkage
• Raw edge seams
PLEASE NOTE: AT THIS STAGE, ALL OUR PRODUCTS ARE MADE TO ORDER BY OUR SUPPLIERS AS PER YOUR REQUIREMENTS. THEREFORE, WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 20 DAYS
Need a new horror hoodie? Then say hello to the Ghouls Magazine VMPR Hoodie! Made from a blend of cotton and polyester to keep the hoodie feeling comfy and warm when watching your favourite horror films. Black pull-over hoodie featuring a vampire lips logo design.
Made from 50% pre-shrunk cotton & 50% polyester
Air-jet spun yarn with a soft feel and reduced pilling
Double-lined hood with drawstring
Ribbed cuffs and waistband
Front pouch pocket
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Wear your love for horror on your head with the Ghouls Magazine VMPR Beanie Hat. Made from turbo acrylic for a stretchy fit to feel snug and comfy even on the coldest and spookiest of nights. Black hat features vampire blood-drip lips for some horror merch that everyone will want a slice of.
Made from 100% turbo acrylic
12” in length
Hypoallergenic material
Suitable as a unisex hat
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Need something to carry your dismembered bodies in? Then fear not as we have the perfect solution with the Ghouls Magazine VMPR Tote Bag. Made from polyester, with a black base and featuring an all over pink vampire blood-drip mouth to help you show off those fangs. Grab yourself some Ghouls Magazine merch to help support us.
Made from 100% spun polyester fabric
Bag size: 15” x 15” (38cm x 38cm)
Double handles made from 100% natural cotton
Handle length: 11.8” (30cm)
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE.
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Whether you’re drinking your morning coffee kick, or perhaps indulging in something a bit stronger, do it with Ghouls! Sip, slice and swig through your day with a GHLS Mug featuring the Ghouls Magazine final girl logo.
Made from ceramic
Choose from 11oz or 15oz mug
Dishwasher and microwave safe
PLEASE NOTE: ALL OUR PRODUCTS ARE MADE TO ORDER . WE CANNOT ACCEPT RETURNS UNLESS FAULTY OR INCORRECT. PLEASE SEE OUR FULL POLICY HERE.
DELIVERY
UK & EUROPE: 5 - 10 DAYS
USA: 10 - 15 DAYS
Feeling like showing off your love for Ghouls Magazine? Then why not grab yourself one of our Ghouls Magazine VMPR Patches to attach to your denim jacket, dungarees, bag or anywhere you like really. Help to support our online horror magazine with some Ghouls Magazine merchandise.
Made from 26% cotton and 74% polyester
3” (7.6cm) size
You can attach by ironing, sewing or using a safety pin

Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.