[Film Review] Ultrasound (2021)
Ultrasound (2021) is an intriguing watch, keeping you on your toes, allowing you to fall for its understated approach to a high concept plot before throwing revelations thick and fast after revealing a couple of plot twists, leaving you reeling with the same thoughts as its three protagonists; how do you know what is real?
Starring Vincent Kartheiser as Glen, a man whose car gets a flat tire and finds his way to the house of couple, Art (Bob Stephenson) and Cyndi (Chelsea Lopez). Art is super kind and hospitable, but expertly persuasive as he encourages Glen to stay the night in the marital bed. Cyndi becomes pregnant and wants to leave Art due to his increasingly odd behaviour. But Glen and Cyndi are being watched by some shady figures. We meet Shannon (who is brilliantly played by Breeda Wool), a therapist employed at a ‘cutting edge’ facility where she believes they are working on new psychological methods to help patients resolve their trauma, and this is where she encounters Glen and Cyndi.
The characters are this film’s strength. There is one stereotype which, luckily, is in the B plot, but Glen and Cyndi in particular feel very normal, trying to get through their surprise pregnancy and making it work. We get layers to Shannon to understand her anxiousness of being in a new role and wanting to impress while also balancing her gut instincts that all might not be as it seems. Bob Stephenson as Art is wonderfully disarming. The set design is another highlight. The simpleness of it all, the vapid empty apartments with no soul, the minimalist office spaces with no personality mirrors the plot brilliantly.
Ultrasound is director Rob Schroeder’s feature debut and he shows a real competency in telling a story with multiple strands and multiple truths. There is a moment as we enter the third act when I felt like this was not going to come out right. But slowly everything starts to fall into place, explanations are given and my nervousness went away as I realised we were in safe hands. I really look forward to seeing what Schroeder’s next project is.
RELATED ARTICLES
What if evolution wasn’t finished with us? That’s the question at the heart of Flights of Reverie (2025), the feature debut of director Li Wallis. The film sees British ornithologist Jack Hastings (John Dooley) travel to Berlin, which has been gripped by paranoia following several mysterious deaths.
Confessions in Static is an exploration of the True Crime genre, and its ethics and effects on society, but it fails to deliver that message in a satisfying or novel way.
Overall, Stalker is a pretty solid short film with some very tense moments and an excellent performance from its lead actress. It’s not perfect, and some of the deeper stuff went over my head, but I’m glad I watched it. I think it’ll stick with me for a while, even if I’m still not sure what it all meant.
There is something paradoxical about the idea of a weekend getaway, searching for comfort by taking ourselves out of our comfort zones. Perhaps the change of scenery, a disruption in routine, an escape from the pressures of our daily lives, will reveal to us a path towards solitude.
The Bone Temple is the sequel to 28 Years Later that we deserve. Director Nia DaCosta took the beauty and spectacle that Danny Boyle gave us with 28 Years Later and turned it up to eleven. It’s darker, more disturbing and more… camp? Deliciously, delightfully camp.
The atmosphere seeping from every pore of this film is certainly its biggest strength; however, the narrative and structure fall quite short of the intended impact.
According to the opening credits of the film, the Darknet is a place feverishly depraved to the point of questioning if humanity even exists, with a slathering of heinous crimes committed all for the purchase and pleasure of the sick individuals that find themselves beholden to their inner most sadistic wants.
EXPLORE
Ahead of the Academy Awards ceremony, Ghouls has rounded up where you can stream all of the 2025 horror releases in the UK and the US from the comfort of your own home.
Now it’s time for Soho’s main 2023 event, which is presented over two weekends: a live film festival at the Whirled Cinema in Brixton, London, and an online festival a week later. Both have very rich and varied programmes (with no overlap this year), with something for every horror fan.
In the six years since its release the Nintendo Switch has amassed an extensive catalogue of games, with everything from puzzle platformer games to cute farming sims to, uh, whatever Waifu Uncovered is.
A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
If you like cults, sacrificial parties, and lesbian undertones then Mona Awad’s Bunny is the book for you. Samantha, a student at a prestigious art university, feels isolated from her cliquey classmates, ‘the bunnies’.
The slasher sub genre has always been huge in the world of horror, but after the ‘70s and ‘80s introduced classic characters like Freddy Krueger, Michael Myers, Leatherface, and Jason, it’s not harsh to say that the ‘90s was slightly lacking in the icon department.
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit.
Being able to see into the future or back into the past is a superpower that a lot of us would like to have. And while it may seem cool, in horror movies it usually involves characters being sucked into terrifying situations as they try to save themselves or other people with the information they’ve gleaned in their visions.

The life of a Silent Hill fan is a turbulent one. For every Silent Hill 3, there’s a Silent Hill: Homecoming. For every Silent Hill 2 Remake, there’s a Silent Hill: Ascension. For every Silent Hill f, there’s a Return to Silent Hill, and thus, the pendulum continues to swing, this time into frustrating - but expected - disappointment.