[Editorial] The Craft: Witchcraft, Sisterhood and Empowerment Part 1
Andrew Fleming’s The Craft (1996) is a film that most teenage girls throughout the twenty-first century have watched and treasured…
[Editorial] Black Gloves, Blood and Style : The History of The Giallo Part 1
Giallo (the Italian word for yellow) cinema found its name from the cheap paperback crime novels of the time...
[Editorial] A New Wave of Horror Stories in Pop Music - Part 1
From Billie Eilish to Kim Petras to CHVRCHES, all of these iconic female pop stars are weaving horror throughout their music & aesthetics to tell their stories…
[Editorial] Interview with the makers of Broadcast Signal Intrusion (2021)
I had a conversation with writer Phil Drinkwater and Producer Giles Edwards on Broadcast Signal Intrusion…
[Editorial] Do You Think Me Wicked? A Study of the Witches in Sleepy Hollow (1999)
When Tim Burton reworked this story into his 1999 movie, he made several notable changes to the narrative to ensure it stood out as its own adaptation…
[Editorial] Celluloid Screams: Interview with Max Booth III writer of We Need to Do Something
I was lucky enough to catch up with screenwriter Max Booth III of We Need to Do Something at this years Celluloid Screams: Sheffield Horror Festival…
[Editorial] London Horror Festival: Scare Slam (2021)
The 6th annual Scare Slam, part of the London Horror Festival, was held in the downstairs of The Pleasance Theatre…
[Editorial] Brooklyn Horror Film Festival 2021
While most horror fans might envision desolate cabins or sheltered, suburban neighborhoods as the backdrop for their favorite midnight movies…
[Editorial] Disability and Horror: Paul Dood’s Deadly Lunch Break (2021)
Thirty-one years ago, the Americans with Disabilities Act (ADA) was passed, in the hopes that by enforcing certain standards in business….
[Editorial] Feminism in The Slumber Party Massacre Series, Part 2: From the Party to the Massacre
Here in part two, we look at each movie in turn, and how the plot lends to the overall themes of the trilogy…
[Editorial] Nightstream Film Festival 2021
Through a collaborative effort from some of the most hard-working genre festival programmers, NIGHTSTREAM presents a thrilling…
[Editorial] Interview with Demigod (2021) Writer and Director Miles Doleac
Demigod is a new film from Miles Doleac, about a terrifying secret awaiting a woman when she returns to her birthplace in Germany with her husband…
[Editorial] Recipe: Zombie Brain Chocolate Cupcakes
Mmmmmmmm brains! Just for Halloween we have some gooey but delicious living dead cupcakes that you can make at home…
[Editorial] Feminism in The Slumber Party Massacre Series, Part 1: Sex, Snacks, and Friendship
The Slumber Party Massacre (SPM) series is full of feminism. It’s also full of blood, naked breasts, and 1980’s hair…
[Mother of Fears] Laurie Strode Fights Her Fate and Fear in Halloween H20 20 Years Later
Few movie timelines are as confusing as the Halloween (1978) series. Not only are there currently three separate timelines…
[Editorial] Spencer Charnas from Ice Nine Kills chats The Silver Scream 2: Welcome to Horrorwood
We caught up with Ice Nine Kills frontman Spencer Charnas to chat all about their latest album The Silver Scream 2: Welcome to Horrorwood…
[Editorial] Top 5 Short Horror Films from Grimmfest 2021
Grimmfest, for those of you who are unfamiliar, is probably the biggest genre film festival in the north of England…
[Editorial] A Nightmare to Die For: A Deep Dive of Wes Craven’s New Nightmare
On a rare, empty evening recently, I found myself looking for a slice of horror that was intelligent and engaging but that also contained a strong sense of nostalgia; one film immediately sprung to mind…
[Editorial] Laurie Strode: A Portrait of Trauma and Survival in The Halloween Franchise, Part 2
Iconic final girl, Laurie Strode (Jaime Lee Curtis) has seen more than a lifetime of trauma and terror…
[Editorial] Margaret Robinson: Hammer’s Puppeteer
Filmdom’s conventional wisdom in the mid-20th Century decreed that horror was no place for a lady. That is, unless it was as a shrieking victim dressed in a bosom-baring, diaphanous nightie…
