Ygraine Hackett-Cantabrana / Senior Contributor 16/01/2023 Ygraine Hackett-Cantabrana / Senior Contributor 16/01/2023

[Film Review] Kiddo (2022)

Set amongst a bleak and certainly grim landscape, Kiddo introduces viewers to a dystopian world where humans are divided into those who eat, and those who are eaten.

Ygraine Hackett-Cantabrana / Senior Contributor 16/12/2022 Ygraine Hackett-Cantabrana / Senior Contributor 16/12/2022

[Film Review] Confessions of a Necrophile Girl (2021)

Directed by controversial director Cristiano Domiziano (Vore Gore, Nightmare Symphony), Confessions of a Necrophile Girl follows a young mortuary makeup artist as she documents through a video diary her struggles to fight her necrophiliac urges whilst on the job, or run the risk of getting caught.

Ariel Powers-Schaub / Brand Manager & Admin Assistant 15/12/2022 Ariel Powers-Schaub / Brand Manager & Admin Assistant 15/12/2022

[Film Review] Christmas Bloody Christmas (2022)

If your Christmas wish list includes the robots from Chopping Mall (1986) in Santa suits awash in neon and set to rock n’ roll music, you are in luck!

Liz DeGregorio / Senior Contributor 01/12/2022 Liz DeGregorio / Senior Contributor 01/12/2022

[Film Review] To the Moon (2021)

The complex (and often twisted) relationship between siblings has provided the tension for dozens of horror movies….

Caitlyn Downs / Contributor 30/11/2022 Caitlyn Downs / Contributor 30/11/2022

[Film Review] Celluloid Screams Film Festival: The Leech (2022)

Eric Pennycoff’s The Leech delivers on fierce satire and wry dark comedy in this (mostly) three-way Christmas pot-boiler.

Robyn Adams / Contributor 28/11/2022 Robyn Adams / Contributor 28/11/2022

[Film Review] Eating Miss Campbell (2022)

Troma films are something you either do or don’t get…

Caitlyn Downs / Contributor 21/11/2022 Caitlyn Downs / Contributor 21/11/2022

[Film Review] Celluloid Screams Film Festival: The Elderly (2022)

A surprising and effective horror on the peril of ignoring your elders.

Zoë Rose Smith / Editor-in-Chief 10/11/2022 Zoë Rose Smith / Editor-in-Chief 10/11/2022

[Film Review] Philosophy of a Knife (2008)

Historical atrocities are something that cannot be shied away from, and filmmakers have time and time again reverted to fictional depictions of true stories to enlighten audiences of the historical horrors that have happened.

Anne Séguin / Contributor 04/11/2022 Anne Séguin / Contributor 04/11/2022

[Film Review] Rave (2020)

Loud, bellowing drums are at the forefront of the opening scene while we see partygoers heading towards a mysterious abandoned factory, the primary location of Nils Alatalo’s Swedish psychedelic body horror Rave (2020).

Kim Morrison / Senior Contributor 03/11/2022 Kim Morrison / Senior Contributor 03/11/2022

[Film Review] Pennywise: The Story of IT (2022)

Pennywise: The Story of IT (2022) dives into the making of one of the most famous pieces of Stephen King-related media…

Sarah Miles / Events (London) & Contributor 03/11/2022 Sarah Miles / Events (London) & Contributor 03/11/2022

[Film Review] Yokai Monsters Trilogy (1968 - 1969)

To talk about the Yōkai Monsters trilogy, now available on Shudder after a great Arrow box set release last year, it’s necessary to give an idea of what yōkai actually are. However, it’s a little difficult to say as most definitions fall short in encompassing the role that they play in Japanese folklore.

Kim Morrison / Senior Contributor 01/11/2022 Kim Morrison / Senior Contributor 01/11/2022

[Film Review] My Best Friend’s Exorcism (2022)

Another beloved horror novel has been given the movie treatment this October as Grady Hendrix’s My Best Friend’s Exorcism (2022) hit Amazon Prime. Based on the 2016 novel, which many of us bought for its beautiful ‘80s VHS-style cover, My Best Friend’s Exorcism focuses on the relationship between best friends Abby (Elsie Fisher) and Gretchen (Amiah Miller) after a night at a lake house goes very wrong.

Ariel Powers-Schaub / Brand Manager & Admin Assistant 31/10/2022 Ariel Powers-Schaub / Brand Manager & Admin Assistant 31/10/2022

[Film Review] Hounded (2022)

Tommy Boulding’s Hounded (2022) is a fast-paced and violent appraisal of classism. Four friends make their living as thieves, stealing art from the homes of wealthy people and selling it to art dealers.

Megan Kenny / Contributor 29/10/2022 Megan Kenny / Contributor 29/10/2022

[Film Review] Mother Superior (2022)

In 1975, Sigrun, an anesthetist in training, agrees to care for the ailing, eccentric Baroness Heidenreich in her crumbling, dilapidated country pile. Alone, except for the Baroness and her equally strange man servant Otto, Sigrun begins to explore the long abandoned dusty rooms, filled with records, chemistry sets, esoteric symbols and taxidermy animals, searching for the truth about her past.

Liz DeGregorio / Senior Contributor 21/10/2022 Liz DeGregorio / Senior Contributor 21/10/2022

[Film Review] Brooklyn Film Festival: Old Flame (2022)

In writer and director Christopher Denham's third feature film Old Flame (2022), what initially appears to be a romantically charged meeting at a college reunion swiftly turns into an uneasy meditation on memory, truth and violence.

Amber T / Contributor 20/10/2022 Amber T / Contributor 20/10/2022

[Film Review] V/H/S/99 (2022)

Last year’s V/H/S/94 breathed new life into the found-footage franchise that had lain dormant since 2014’s poorly received V/H/S: Viral, becoming Shudder’s biggest premiere ever and reigniting the spark that burned in the first two V/H/S movies.

Liz DeGregorio / Senior Contributor 20/10/2022 Liz DeGregorio / Senior Contributor 20/10/2022

[Film Review] Brooklyn Film Festival: Repulse (2021)

After originally debuting at Prague's Febiofest in 2021, Emila Křižky's quietly disturbing film Repulse (Hrana Zlomu) had its North American debut at the Brooklyn Horror Film Festival in October 2022.

Iona Walling-Smith / Events Manager (London) 17/10/2022 Iona Walling-Smith / Events Manager (London) 17/10/2022

[Film Review] Two Witches (2022)

Witches don’t die before leaving their legacy. Two Witches, told in two separate acts that come together to weave a tale of inheritance, begins with the pregnant Sarah (Belle Adams) and her partner Simon (Ian Michaels) who are out to dinner when they receive an evil eye from a random woman at another table, the chapter’s titular Boogeywoman (Marina Parodi).

Megan Kenny / Contributor 13/10/2022 Megan Kenny / Contributor 13/10/2022

[Film Review] The Lost Boys (1987)

David and his younger brother Sam move with their mother Lucy to the seaside town of Santa Carla. Still recovering in the aftermath of divorce, Lucy settles in with her eccentric father and looks for work in the sinister, yet bustling, town known, according to local graffiti, as the murder capital of the world.

Ygraine Hackett-Cantabrana / Senior Contributor 06/10/2022 Ygraine Hackett-Cantabrana / Senior Contributor 06/10/2022

[Film Review] DeadStream (2022)

Disgraced social media personality and vlogger Shawn Ruddy attempts to face his fear of ghosts and return to his former glory by live streaming himself spending the night in an infamous haunted manor house.

Ghouls