Liz DeGregorio / Senior Contributor 18/11/2021 Liz DeGregorio / Senior Contributor 18/11/2021

[Book Review] Night Rooms (2021)

Gina Nutt artfully connects horror movies, horror books and the infamous "final girl" trope to events from her own life…

Iona Walling-Smith / Events Manager (London) 16/11/2021 Iona Walling-Smith / Events Manager (London) 16/11/2021

[Event Review] Lights Out (2021)

Part of London Horror Festival at The Pleasance Theatre, Lights Out was a Merely Roleplayers and Blackshaw Theatre Company co-production inspired by the game Ten Candles…

Robyn Adams / Contributor 15/11/2021 Robyn Adams / Contributor 15/11/2021

[Film Review] The Deep House (2021)

In all of the best haunted house movies, the house itself has just as much of a presence and character as the spirits that call it home…

Melanie Moyer / Contributor 13/11/2021 Melanie Moyer / Contributor 13/11/2021

[Film Review] When The Screaming Starts (2021)

An investigative journalist and documentary filmmaker are invited to shadow a young man with ambitions to become the next infamous serial killer…

Kim Morrison / Senior Contributor 11/11/2021 Kim Morrison / Senior Contributor 11/11/2021

[TV Review] Texas Chainsaw Massacre - The Shocking Truth (2000)

In 2000, David Gregory wrote and directed this documentary, which looks at the creation of the cult classic slasher movie in detail…

Hannah Ogilvie / Contributor 11/11/2021 Hannah Ogilvie / Contributor 11/11/2021

[Film Review] Broadcast Signal Intrusion (2021)

James searches for answers about his wife who went missing a few years ago in 90s Chicago…

Sarah Miles / Events (London) & Contributor 11/11/2021 Sarah Miles / Events (London) & Contributor 11/11/2021

[Film Review] The Medium (2021)

I can’t resist a faux documentary horror. I freely admit that. Ghostwatch, Behind the Mask:The Rise of Leslie Vernon, Savageland…

Iona Walling-Smith / Events Manager (London) 07/11/2021 Iona Walling-Smith / Events Manager (London) 07/11/2021

[Film Review] Shepherd (2021)

Shepherd leaves the audience with a bitter taste in their mouth, wondering whether they were ever meant to empathise with Tom Hughes…

Emma Kostopolus / Contributor 07/11/2021 Emma Kostopolus / Contributor 07/11/2021

[Film Review] Death Drop Gorgeous (2020)

The concept of camp has a long and storied past within the horror genre, and especially in the slasher…

Aspen Esquivel / Contributor 06/11/2021 Aspen Esquivel / Contributor 06/11/2021

[Film Review] Woe (2021)

Woe (2021) is a slow-burning thriller about two grief-stricken siblings. After the death of a beloved family member, each sibling processes grief in differing ways…

Hannah Ogilvie / Contributor 04/11/2021 Hannah Ogilvie / Contributor 04/11/2021

[Film Review] Celluloid Screams Festival: We Need To Do Something (2021)

We Need to Do Something (2021) takes place in a huge bathroom, where a family of four wait out a tornado….

Iona Walling-Smith / Events Manager (London) 04/11/2021 Iona Walling-Smith / Events Manager (London) 04/11/2021

[Film Review] Possession (1981)

Possession is a film that demands the presence of a mass audience, chowing down on popcorn and taking in the chaos.

Amber T / Contributor 30/10/2021 Amber T / Contributor 30/10/2021

[Film Review] Caveat (2020)

Caveat, a promisingly rank piece of headfuckery from Irish director Damian McCarthy…

Caitlyn Downs / Contributor 30/10/2021 Caitlyn Downs / Contributor 30/10/2021

[Film Review] Last Night in Soho (2021)

Last Night in SoHo doesn’t feel bold enough to deliver on its more scathing commentary, delivering on cultivated cinematic moments that make it a diverting, if relatively empty vessel…

Kim Morrison / Senior Contributor 30/10/2021 Kim Morrison / Senior Contributor 30/10/2021

[Film Review] Antlers (2021)

The pandemic has led to a lot of movies getting pushed from their original cinematic release, and alongside A Quiet Place Part II (2021) and Halloween Kills (2021)…

Jerry Sampson / Senior Contributor 29/10/2021 Jerry Sampson / Senior Contributor 29/10/2021

[Film Review] Welcome to the Blumhouse: Double Feature The Manor & Madres (2021)

The second double feature release from Amazon Studios and Welcome to the Blumhouse tackles eugenics, ghosts, cool viney demons, and old age with a glossy sheen and few scares…

Jerry Sampson / Senior Contributor 28/10/2021 Jerry Sampson / Senior Contributor 28/10/2021

[Film Review] Ban This Sick Filth Presents: Moral Outrage Demonlover (2002)

For whatever reason, erotic thrillers seem to have largely gone the way of the dinosaurs since their popularity in the early 90s…

Melissa Cox / Contributor 27/10/2021 Melissa Cox / Contributor 27/10/2021

[Film Review] Escape The Undertaker (2021)

Halloween is a great time for a haunted house adventure, full of swirling fog, creepy basements and secret passageways…

Jenn Adams / Contributor 26/10/2021 Jenn Adams / Contributor 26/10/2021

[Film Review] Halloween Kills (2021)

The long-awaited Halloween Kills is finally here. Postponed a full year due to Covid, David Gordon Green’s newest installment…

Amber T / Contributor 24/10/2021 Amber T / Contributor 24/10/2021

[Film Review] Melancholie der Engel (2009)

Consumed by existential dread in the face of death, a group of grotesque sadists relish the opportunity to live out their most twisted and torturous fantasies…

Ghouls