Sophie Raine / Contributor 21/03/2023 Sophie Raine / Contributor 21/03/2023

[Film Review] Behind the Mask: The Rise of Leslie Vernon (2006)

The self-conscious horror film, i.e. the horror film about horror films, is something we have seen time and time again

Kat Hughes / Contributor 20/03/2023 Kat Hughes / Contributor 20/03/2023

[Film Review] Lullaby (2022)

Written by duo Alex Greenfield and Ben Powell, Lullaby stars Oona Chaplin as Rachel, a new mother, who unknowingly summons Lilith after singing a song from an old book.

Iona Walling-Smith / Events Manager (London) 17/03/2023 Iona Walling-Smith / Events Manager (London) 17/03/2023

[Film Review] Pearl (2022)

Ti West has once again gifted us with a film that harks back to a very specific period of iconic cinema with Pearl

Liz DeGregorio / Senior Contributor 15/03/2023 Liz DeGregorio / Senior Contributor 15/03/2023

[Book Review] The Aosawa Murders (2020)

A girl stands with her back to the viewer, quietly defiant in her youthful blue-and-white print dress, which blends in with a matching background

Rabia Sitabi / Contributor 10/03/2023 Rabia Sitabi / Contributor 10/03/2023

[Film Review] Project Wolf Hunting (2022)

What do you get when you pair a Con-Air-esque South Korean action thriller with a sci-fi horror that reminds you of Resident Evil mixed with Universal Soldiers?

Ygraine Hackett-Cantabrana / Senior Contributor 08/03/2023 Ygraine Hackett-Cantabrana / Senior Contributor 08/03/2023

[Film Review] Huesera: The Bone Woman (2022)

Huesera: The Bone Woman is the directorial debut for co-writer Michelle Garza Cervera.

Megan Kenny / Contributor 06/03/2023 Megan Kenny / Contributor 06/03/2023

[Film Review] Irreversible (2002) (Straight Cut)

Irréversible (2002) is a French extremity film from Gaspar Noé. It follows Alex, Marcus and Pierre over one traumatic fever dream of a night in Paris.

Melanie Moyer / Contributor 05/03/2023 Melanie Moyer / Contributor 05/03/2023

[Film Review] Skinamarink (2022)

Just as Danielewski’s novel was a test on concentration, this film—100 minutes of ambient horror—is a test of patience.

Jerry Sampson / Senior Contributor 03/03/2023 Jerry Sampson / Senior Contributor 03/03/2023

[Film Review] Blood (2023)

Blood stars Michelle Monaghan (Gone Baby Gone) as Jess, a mother and nurse recovering from substance abuse and making a new start after the end of her dysfunctional marriage by moving her daughter Tyler (Skyler Morgan Jones) and younger son Owen (an outstanding performance from Finlay Wojtak-Hissong) into her childhood home.

Amber T / Contributor 01/03/2023 Amber T / Contributor 01/03/2023

[Film Review] The Outwaters (2022)

The Outwaters, the disturbing feature debut from Robbie Banfitch, with its Mojave setting of glaring sun and blood-stained sand is stylistically worlds apart from the — very real, very tragic — incident.

Ygraine Hackett-Cantabrana / Senior Contributor 27/02/2023 Ygraine Hackett-Cantabrana / Senior Contributor 27/02/2023

[Film Review] Daughter (2022)

After having its world premiere at FrightFest 2022, taut thriller Daughter has now been released to rent or own digitally for the UK and Ireland.

Iona Walling-Smith / Events Manager (London) 26/02/2023 Iona Walling-Smith / Events Manager (London) 26/02/2023

[Film Review] Next Exit (2023)

If the existence of ghosts, and therefore life after death, was proven, how would the world respond

Jerry Sampson / Senior Contributor 13/02/2023 Jerry Sampson / Senior Contributor 13/02/2023

[Film Review] Sorry About the Demon (2022)

In the world of horror film criticism and analysis, common discourse entertains the ‘what abouts’ of subgenres.

Sarah Miles / Events (London) & Contributor 08/02/2023 Sarah Miles / Events (London) & Contributor 08/02/2023

[Film Review] The Killer is One of Thirteen (1973)

Glamorous widow Lisa (Patty Shepherd) has invited a large party of people to her remote mansion.

Lakkaya Palmer / Contributor 06/02/2023 Lakkaya Palmer / Contributor 06/02/2023

[TV Review] Junji Ito Maniac: Japanese Tales of the Macabre (2023)

For years, I have been a woman obsessed with the sensational work of manga writer and artist Junji Ito

Zoë Rose Smith / Editor-in-Chief 19/01/2023 Zoë Rose Smith / Editor-in-Chief 19/01/2023

[Film Review] Justine (2022)

When it comes to disturbing works of art, literature has always had a way with words. Finding ways to torment the reader’s mind through the use of prose, relying on their own imaginations to concoct visions of horror.

Ygraine Hackett-Cantabrana / Senior Contributor 18/01/2023 Ygraine Hackett-Cantabrana / Senior Contributor 18/01/2023

[Film Review] Deep Web XXX (2018)

Deep Web XXX is an anthology that explores the depths of depravity immersed in the deep web, as well as the natural human condition of morbid curiosity.

Ariel Powers-Schaub / Brand Manager & Admin Assistant 17/01/2023 Ariel Powers-Schaub / Brand Manager & Admin Assistant 17/01/2023

[Film Review] The Unknowable (2022)

Sometimes, as a horror fan, it can feel like we’ve seen everything, and we’re hungry for a new story, some new scares. If that describes you, check out the breath of fresh air that is The Unknowable (2022).

Ygraine Hackett-Cantabrana / Senior Contributor 16/01/2023 Ygraine Hackett-Cantabrana / Senior Contributor 16/01/2023

[Film Review] Kiddo (2022)

Set amongst a bleak and certainly grim landscape, Kiddo introduces viewers to a dystopian world where humans are divided into those who eat, and those who are eaten.

Ygraine Hackett-Cantabrana / Senior Contributor 16/12/2022 Ygraine Hackett-Cantabrana / Senior Contributor 16/12/2022

[Film Review] Confessions of a Necrophile Girl (2021)

Directed by controversial director Cristiano Domiziano (Vore Gore, Nightmare Symphony), Confessions of a Necrophile Girl follows a young mortuary makeup artist as she documents through a video diary her struggles to fight her necrophiliac urges whilst on the job, or run the risk of getting caught.

Ghouls