[Film Review] Fredheads the Documentary (2022)
I believe there is a Fredhead inside all of us and for fans of the Nightmare on Elm Street series..
[Film Review] Ox Head Village (2022)
Kanon is an average girl living her life when one day her friend Ren shows her a video of three girls who went into a supposedly haunted location, one of whom went missing
[Mother of Fears] The Search for True Love in Maleficent
Maleficent (2014) may be a live-action Disney movie, but it also has the makings of an ideal gateway horror movie.
[Ghouls Podcast] Psychotic Women in Horror with Zoë Rose Smith & Mary Wild
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
[Editorial] How Repulsion (1965) Interacts with the Good for Her Genre
When I first watched Repulsion (1965) I found it to be a mixture of fascinating, horrifying, refreshing, and confusing.
[Film Review] Scream 5 (2022)
25 years after the hit classic slasher film, Ghostface returns to torment the town of Woodsboro once again in a gruesome, gory bloodbath.
[Editorial] Creature Features: Best 15 Horror Films with Animals
Throughout the horror genre, animals are used as a tool for fear (and occasionally humour), some more effectively than others
[Film Review] Behind the Mask: The Rise of Leslie Vernon (2006)
The self-conscious horror film, i.e. the horror film about horror films, is something we have seen time and time again
[Film Review] Lullaby (2022)
Written by duo Alex Greenfield and Ben Powell, Lullaby stars Oona Chaplin as Rachel, a new mother, who unknowingly summons Lilith after singing a song from an old book.
[Editorial] 9 Frightening, Ferocious and Dangerous Women in Horror
So to celebrate seeing more frightening, ferocious and dangerous villains on screen, I’m looking at some of the ones that make my skin crawl.
[Editorial] The Extremes of Motherhood
Depictions of mothers in horror vary but when it comes to the more extreme and disturbing side of the genre however, this is when the role of the mother is shown in a different way as the following examples show.
[Film Review] Pearl (2022)
Ti West has once again gifted us with a film that harks back to a very specific period of iconic cinema with Pearl
[Editorial] 7 Rape Revenge Films Directed by Women You Need to See
The rape-revenge genre can be a difficult one for people to enjoy because of the extremely sensitive subject matter,
[Book Review] The Aosawa Murders (2020)
A girl stands with her back to the viewer, quietly defiant in her youthful blue-and-white print dress, which blends in with a matching background
[Editorial] From One Fat Girl to Another: Thank You Piggy (2022)
We have an issue in society with fat people, treating them as sub-human…
[Ghouls Podcast] Good For Her Horror Film Recommendations
In this episode host Ariel Powers-Schaub is joined by Ghouls Magazine contributors, Liz Bishop and Amber T, to embrace the on-screen women who make getting revenge, necrophilia and being drawn to bloodlust look damn cool. From Excision to Nekromantik 2 to Captivity to Prevenge and more...
[Editorial] “Name Your Price:” Good for Beth in Hostel: Part II (2007)
It’s a somewhat recent trend to celebrate women in horror films by highlighting them as “good for her” stories
[Film Review] Project Wolf Hunting (2022)
What do you get when you pair a Con-Air-esque South Korean action thriller with a sci-fi horror that reminds you of Resident Evil mixed with Universal Soldiers?
[Film Review] Huesera: The Bone Woman (2022)
Huesera: The Bone Woman is the directorial debut for co-writer Michelle Garza Cervera.
[Film Review] Irreversible (2002) (Straight Cut)
Irréversible (2002) is a French extremity film from Gaspar Noé. It follows Alex, Marcus and Pierre over one traumatic fever dream of a night in Paris.
