[Editorial] 9 Modern Horror Characters Who Deserved Better
Whether it's taking one for the team to distract the killers, being used as leverage, or making a noble self-sacrifice - it's often the case that the nicest of the nice guys do, in fact, finish last.
[Editorial] Editor’s Note: Puberty, But Make it Horror
Someone once told me that they were first introduced to horror when they watched Tobe Hooper’s classic The Texas Chainsaw Massacre, at the age of four!
[Editorial] Desire and Identity in Possession (1981)
My first reaction to the title of Possession was to assume that this will be an occult film, maybe along the lines of The Exorcist.
[Editorial] I’ve Never Been a Muse Before…’ Female Agency in Sightseers (2012)
The film follows Tina as she leaves her mother, Carol (Eileen Davies) behind to embark on an ‘erotic odyssey’ with her new boyfriend Chris (Steve Oram)
[Film Review] The Falling (2014)
In The Falling, writer/director Carol Morley further explores ideas formed in her 2006 short film Madness of the Dance
[Editorial] Is Rape Revenge Dead?
One of the most controversial subjects in horror has continued to return to the screen time and time again.
[Event Review] Heathers The Musical
This recorded performance of Heathers: The Musical from London’s The Other Palace will show for one night only in cinemas on 28th March bringing the show back to the big screen and making for some Big Fun as an experience, but with some variations that might be jarring for hardcore fans of the original.
[Editorial] Good For Her Shorts
“Good for her” horror is a term that’s sprung up in recent years to describe a certain type of revenge movie.
[Film Review] Fredheads the Documentary (2022)
I believe there is a Fredhead inside all of us and for fans of the Nightmare on Elm Street series..
[Film Review] Ox Head Village (2022)
Kanon is an average girl living her life when one day her friend Ren shows her a video of three girls who went into a supposedly haunted location, one of whom went missing
[Mother of Fears] The Search for True Love in Maleficent
Maleficent (2014) may be a live-action Disney movie, but it also has the makings of an ideal gateway horror movie.
[Ghouls Podcast] Psychotic Women in Horror with Zoë Rose Smith & Mary Wild
In March we exploring the topic of women in horror, not only because we focus on looking at horror through the female, female-identifying & non-binary lense, but also because it’s officially Women in Horror Month! So for that reason, our theme is ‘Good For Her’ horror, and anything that might feature complex, complicated and resonating women characters.
[Editorial] How Repulsion (1965) Interacts with the Good for Her Genre
When I first watched Repulsion (1965) I found it to be a mixture of fascinating, horrifying, refreshing, and confusing.
[Film Review] Scream 5 (2022)
25 years after the hit classic slasher film, Ghostface returns to torment the town of Woodsboro once again in a gruesome, gory bloodbath.
[Editorial] Creature Features: Best 15 Horror Films with Animals
Throughout the horror genre, animals are used as a tool for fear (and occasionally humour), some more effectively than others
[Film Review] Behind the Mask: The Rise of Leslie Vernon (2006)
The self-conscious horror film, i.e. the horror film about horror films, is something we have seen time and time again
[Film Review] Lullaby (2022)
Written by duo Alex Greenfield and Ben Powell, Lullaby stars Oona Chaplin as Rachel, a new mother, who unknowingly summons Lilith after singing a song from an old book.
[Editorial] 9 Frightening, Ferocious and Dangerous Women in Horror
So to celebrate seeing more frightening, ferocious and dangerous villains on screen, I’m looking at some of the ones that make my skin crawl.
[Editorial] The Extremes of Motherhood
Depictions of mothers in horror vary but when it comes to the more extreme and disturbing side of the genre however, this is when the role of the mother is shown in a different way as the following examples show.
[Film Review] Pearl (2022)
Ti West has once again gifted us with a film that harks back to a very specific period of iconic cinema with Pearl
