[Book Review] Grotesque (2019)
Imagining a character so despicable, so disgusting and so vile comes from a place of understanding and depth, one that looks within the soul of themselves and within others to find the definition of a person that is so repulsive that even on paper it is hard to even stomach them.
Yet author Mark Foster managed to achieve this feat in his extremely dark comedy horror book, Grotesque from 2019. This is a book that should come with a trigger warning on many levels, and it should not be recommended to anyone that is easily offended.
The novel introduces the reader to our insightful and far from delightful protagonist Charlie Whitman; he is egotistical, narcissistic, disgusting and somewhat of a cunt to everyone and everything around him. From the very beginning of the book it is clear that Charlie is never going to become a likable character as we are thrown into his world of debauchery, with him getting blind drunk, pissing, vomiting and even coming on himself, followed by Charlie drunk driving until he causes a horrific car accident and not really giving a fuck expect for the fact he wasn’t able to finish masturbating. We are viciously thrown into Charlie’s chaotic life and go underground with him as he enters into the Parisian underbelly after accepting a disturbing and dangerous job opportunity. Unfortunately for Charlie it turns out that curiosity and his greed to know more about the world he’s swallowed by are going to destroy his life.
Unlike other stories, Foster forces the audience to follow Charlie who is completely despicable in every possible way. However, as time moves through the book, there is a certain attraction to the protagonist, whether that comes from a place of intrigue or a place of horror, it is hard to say but potentially a combination of both. It was an interesting choice by Mark to make the audience confront this revolting man and his behaviour through the entirety of the book, yet it is even more disturbing that the character has traits that many readers resonate with, even if only on the smallest of scales. Charlie’s internal dialogue is intelligent, witty and at times comedic, which allows us to connect with him even when we are willing every inch of ourselves not to.
The language throughout the book really focused on the distasteful, doing everything in its power to make the reader feel shocked by the words they read. At times it felt like the book was trying to make itself controversial by putting in some highly offensive chapters that really make the reader feel uncomfortable, but even with that said, there felt like a purpose behind it. Grotesque certainly is a controversial book, and if you cannot read through a lens tinted with satire and sarcasm, then there is the chance the reader will just feel infuriated with some of the scenes that play out in the book. Even for someone who has an adoration for books that push boundaries and go further than ever before, there were parts of this book that either made my stomach churn or really pushed me to my limits in terms of subject matter.
It is clear to see that inspiration has been pulled from some of the most controversial pieces of literature including American Psycho by Brett Easton Ellis, and from more unknown but highly disturbing books such as In The Miso Soup by Ryu Murakami. Charlie Whitman is one of the most atrocious characters to be written on paper, but with atrocity comes a form of interest and intellect which allows the reader to immerse themselves in this sickening world and find out the true meaning of Grotesque.
RELATED ARTICLES
It's fitting that Elizabeth Hand's novel Wylding Hall (2015) won the Shirley Jackson Award; her writing echoes and pays homage to the subtle scariness and psychological horror of Shirley Jackson's works.
Penance is Eliza Clark’s eagerly awaited second novel following her debut Boy Parts, which found much love and notoriety in online reading circles.
However Nat Segaloff’s book The Exorcist Legacy: 50 Years of Fear is a surprising and fascinating literary documentation of the movie that caused moviegoers to faint and vomit in the aisles of the cinema.
Nineteen Claws And A Black Bird packs in plenty of sublime and disturbing short stories across its collection.
Gretchen Felker-Martin’s Manhunt, a novel that holds both horror and heart in equal regard, a biting and brilliant debut from one of horror-fiction’s most exciting names.
Moïra Fowley’s debut adult work is a shapeshifting and arresting short story collection which looks at the queer female body through experiences both horrific and sensual.
Bora Chung’s bizarre and queasy short stories were nominated for the 2022 International Booker Prize and it’s no surprise why.
A girl stands with her back to the viewer, quietly defiant in her youthful blue-and-white print dress, which blends in with a matching background
Hear Us Scream Vol II is a collection of over thirty essays from horror writers, scholars and fanatics. Touching on topics ranging from the monster within, to family values and reclaiming our bodies through horror, this is a deeply personal collection. Every contribution is meticulously crafted and edited, with care and insight into the film and genre being discussed.
GHOULS GANG CONTENT
EXPLORE
The life of a Silent Hill fan is a turbulent one. For every Silent Hill 3, there’s a Silent Hill: Homecoming. For every Silent Hill 2 Remake, there’s a Silent Hill: Ascension. For every Silent Hill f, there’s a Return to Silent Hill, and thus, the pendulum continues to swing, this time into frustrating - but expected - disappointment.
What if evolution wasn’t finished with us? That’s the question at the heart of Flights of Reverie (2025), the feature debut of director Li Wallis. The film sees British ornithologist Jack Hastings (John Dooley) travel to Berlin, which has been gripped by paranoia following several mysterious deaths.
Confessions in Static is an exploration of the True Crime genre, and its ethics and effects on society, but it fails to deliver that message in a satisfying or novel way.
Overall, Stalker is a pretty solid short film with some very tense moments and an excellent performance from its lead actress. It’s not perfect, and some of the deeper stuff went over my head, but I’m glad I watched it. I think it’ll stick with me for a while, even if I’m still not sure what it all meant.
There is something paradoxical about the idea of a weekend getaway, searching for comfort by taking ourselves out of our comfort zones. Perhaps the change of scenery, a disruption in routine, an escape from the pressures of our daily lives, will reveal to us a path towards solitude.
The Bone Temple is the sequel to 28 Years Later that we deserve. Director Nia DaCosta took the beauty and spectacle that Danny Boyle gave us with 28 Years Later and turned it up to eleven. It’s darker, more disturbing and more… camp? Deliciously, delightfully camp.
The atmosphere seeping from every pore of this film is certainly its biggest strength; however, the narrative and structure fall quite short of the intended impact.
According to the opening credits of the film, the Darknet is a place feverishly depraved to the point of questioning if humanity even exists, with a slathering of heinous crimes committed all for the purchase and pleasure of the sick individuals that find themselves beholden to their inner most sadistic wants.

Happily, her new anthology The Book of Queer Saints Volume II is being released this October. With this new collection, queer horror takes center stage.