[Book Review] My Heart Is a Chainsaw (2021)
Stephen Graham Jones made a big splash last year when his award-winning novel The Only Good Indians hit shelves. On August 31, he returns to answer the question on everyone’s minds: How do you follow that?
His reply is the slasher lore-filled novel My Heart Is a Chainsaw; like Scream if Scream were actually about being an Indigenous teenage girl watching modern-day colonization insidiously take over her hometown as she copes with her outsider status and beer-guzzling father.
Yes, there is a lot going on.
The new novel follows Jade, a Blackfeet teen living in the lake town of Proofrock, Idaho, surrounded by forest park lands. When a small group of rich settlers begin carving out trees across Indian Lake to make way for their mansion-sized homes (aptly naming their community Terra Nova), Jade becomes obsessed with the Final Girl qualities of newcomer Letha Mondragon. As a body count begins to mount with suspicion cast all around, she becomes all the more convinced that the town of Proofrock is barreling toward a slasher-ific finale that only Letha can stop.
My Heart Is a Chainsaw is interwoven with Jade’s well-researched slasher knowledge, alternating chapters between story and Slasher 101. Within the narrative itself, Jade’s internal monologue can hardly keep from referencing both well-known and obscure, often forgotten, horror films, her relentlessly singular focus making her excitement at living through a real-life slasher palpable.
But underneath Jade’s obsession with fiction, there are much darker truths.
No one can tell a story as sad as it is bloody like Jones, who somehow manages to make readers feel the entire gamut of emotion whether he’s writing a novel or novella. Jade is a convincing teenage protagonist with a fully realized voice; darkly funny, sometimes nihilistic, tragic and enduring.
Jones shines in the act of pushing and pulling readers, giving plenty of fodder for theories as to the source of the gruesome killings in Proofrock. The references to A Bay of Blood are well-earned; anyone and everyone could be culpable.
My Heart Is a Chainsaw is an exciting, unforgettable entry into the horror novel canon, begging for adaptation to the screen. A book that is ultimately so much bigger than the sum of its parts, it will keep readers guessing up until the last minute, with a finale that lingers for days.
RELATED ARTICLES
Happily, her new anthology The Book of Queer Saints Volume II is being released this October. With this new collection, queer horror takes center stage.
It's fitting that Elizabeth Hand's novel Wylding Hall (2015) won the Shirley Jackson Award; her writing echoes and pays homage to the subtle scariness and psychological horror of Shirley Jackson's works.
Penance is Eliza Clark’s eagerly awaited second novel following her debut Boy Parts, which found much love and notoriety in online reading circles.
However Nat Segaloff’s book The Exorcist Legacy: 50 Years of Fear is a surprising and fascinating literary documentation of the movie that caused moviegoers to faint and vomit in the aisles of the cinema.
Nineteen Claws And A Black Bird packs in plenty of sublime and disturbing short stories across its collection.
Gretchen Felker-Martin’s Manhunt, a novel that holds both horror and heart in equal regard, a biting and brilliant debut from one of horror-fiction’s most exciting names.
Moïra Fowley’s debut adult work is a shapeshifting and arresting short story collection which looks at the queer female body through experiences both horrific and sensual.
Bora Chung’s bizarre and queasy short stories were nominated for the 2022 International Booker Prize and it’s no surprise why.
A girl stands with her back to the viewer, quietly defiant in her youthful blue-and-white print dress, which blends in with a matching background
EXPLORE
Redux Redux comes to streaming off the back of a fair amount of hype after playing several festivals, including South by Southwest, where it had its premiere as part of their Midnighter strand last year. Festival hype is, of course, always to be taken with a grain of salt, but in the case of Redux Redux, it feels very warranted.
Anyone who’s ever spent any time in Japan will likely be familiar with the allure of the convenience store. The humble konbini is so much more than just a place to buy cheap coffee and cigarettes – it’s a beacon aglow on even the darkest of nights, where a fluffy egg sando or crisp sliver of Famichiki awaits, the convenience store serves as a reminder that you are never too far from creature comforts, and the company of another human being.
Fairy tales and horror almost go hand in hand; from a young age, we read cautionary tales, warning us about whom we should trust and, in Little Red Riding Hood’s case, to ‘beware of the Big Bad Wolf’. So it doesn’t come as a surprise that we see horror filmmakers take these stories and adapt them to the big screen with their own spin on the classic tales.
“This is not a George Romero movie. There is no such thing as a zombie, okay?” No girl, this is a Tina Romero movie! Funny, fabulous and unapologetically queer, Queens of the Dead is the debut feature from Tina Romero.
Kicking off the final day, we have Violence, a blood-soaked thriller set in an alternate 1980’s that will shake away any remnant of hangover from the night before and wake up the audience.
While many horror films may feature a similar set-up, few pack the emotional punch of Adam O’Brien’s new film Bury the Devil, which premiered March 6 at FrightFest Glasgow.
Like the analogy of a frog in a boiling pot of water, the tension steadily builds upon itself throughout the film, until the climatic ending, when the viewer can hardly believe that just eighty minutes ago Joe was flying high on his upcoming freedom.
Mark "Markiplier" Fischbach has been a staple of the YouTube horror gaming scene since his debut in 2012. Now he's traded his computer screen for the big screen with his adaptation of David Szymanski's 2022 indie game Iron Lung.

It’s a subculture that leans decidedly, sinisterly far-right – and it’s with this thread of baked-in horror that author Saratoga Schaefer gleefully runs riot in their new novel, Tradwife (2026).