Rebecca McCallum / Contributor 26/11/2021 Rebecca McCallum / Contributor 26/11/2021

[Editorial] Sally Hardesty in The Texas Chainsaw Massacre (1974)

It’s not wholly obvious in the first thirty minutes of Tobe Hooper’s The Texas Chainsaw Massacre just who our final girl will be…

Ygraine Hackett-Cantabrana / Senior Contributor 25/11/2021 Ygraine Hackett-Cantabrana / Senior Contributor 25/11/2021

[TV Review] Behind The Monsters (2021)

Behind The Monsters is an in depth examination of how some of the most famous horror antagonists were created…

Ariel Powers-Schaub / Brand Manager & Admin Assistant 24/11/2021 Ariel Powers-Schaub / Brand Manager & Admin Assistant 24/11/2021

[Film Review] The Strings (2020)

The Strings (2020) opens with shots of a lonely beach and a man walking into the ocean. He’s too far away to see clearly, and we’re left wondering who he might be…

Alix Turner / Contributor 22/11/2021 Alix Turner / Contributor 22/11/2021

[Film Review] Titane (2021)

The striking and challenging new film Titane was written and directed by Julia Ducournau; and when I left the screening last night…

Ygraine Hackett-Cantabrana / Senior Contributor 19/11/2021 Ygraine Hackett-Cantabrana / Senior Contributor 19/11/2021

[Editorial] Black Gloves, Blood and Style : The History of The Giallo Part 1

Giallo (the Italian word for yellow) cinema found its name from the cheap paperback crime novels of the time...

Liz DeGregorio / Senior Contributor 18/11/2021 Liz DeGregorio / Senior Contributor 18/11/2021

[Book Review] Night Rooms (2021)

Gina Nutt artfully connects horror movies, horror books and the infamous "final girl" trope to events from her own life…

Claire Davidson / Contributor 17/11/2021 Claire Davidson / Contributor 17/11/2021

[Editorial] A New Wave of Horror Stories in Pop Music - Part 1

From Billie Eilish to Kim Petras to CHVRCHES, all of these iconic female pop stars are weaving horror throughout their music & aesthetics to tell their stories…

Robyn Adams / Contributor 15/11/2021 Robyn Adams / Contributor 15/11/2021

[Film Review] The Deep House (2021)

In all of the best haunted house movies, the house itself has just as much of a presence and character as the spirits that call it home…

Melanie Moyer / Contributor 13/11/2021 Melanie Moyer / Contributor 13/11/2021

[Film Review] When The Screaming Starts (2021)

An investigative journalist and documentary filmmaker are invited to shadow a young man with ambitions to become the next infamous serial killer…

Kim Morrison / Senior Contributor 11/11/2021 Kim Morrison / Senior Contributor 11/11/2021

[TV Review] Texas Chainsaw Massacre - The Shocking Truth (2000)

In 2000, David Gregory wrote and directed this documentary, which looks at the creation of the cult classic slasher movie in detail…

Hannah Ogilvie / Contributor 11/11/2021 Hannah Ogilvie / Contributor 11/11/2021

[Film Review] Broadcast Signal Intrusion (2021)

James searches for answers about his wife who went missing a few years ago in 90s Chicago…

Sarah Miles / Events (London) & Contributor 11/11/2021 Sarah Miles / Events (London) & Contributor 11/11/2021

[Film Review] The Medium (2021)

I can’t resist a faux documentary horror. I freely admit that. Ghostwatch, Behind the Mask:The Rise of Leslie Vernon, Savageland…

Iona Walling-Smith / Events Manager (London) 07/11/2021 Iona Walling-Smith / Events Manager (London) 07/11/2021

[Film Review] Shepherd (2021)

Shepherd leaves the audience with a bitter taste in their mouth, wondering whether they were ever meant to empathise with Tom Hughes…

Emma Kostopolus / Contributor 07/11/2021 Emma Kostopolus / Contributor 07/11/2021

[Film Review] Death Drop Gorgeous (2020)

The concept of camp has a long and storied past within the horror genre, and especially in the slasher…

Aspen Esquivel / Contributor 06/11/2021 Aspen Esquivel / Contributor 06/11/2021

[Film Review] Woe (2021)

Woe (2021) is a slow-burning thriller about two grief-stricken siblings. After the death of a beloved family member, each sibling processes grief in differing ways…

Hannah Ogilvie / Contributor 04/11/2021 Hannah Ogilvie / Contributor 04/11/2021

[Film Review] Celluloid Screams Festival: We Need To Do Something (2021)

We Need to Do Something (2021) takes place in a huge bathroom, where a family of four wait out a tornado….

Iona Walling-Smith / Events Manager (London) 04/11/2021 Iona Walling-Smith / Events Manager (London) 04/11/2021

[Film Review] Possession (1981)

Possession is a film that demands the presence of a mass audience, chowing down on popcorn and taking in the chaos.

Ariel Baska / Contributor 03/11/2021 Ariel Baska / Contributor 03/11/2021

[Editorial] Disability and Horror: Paul Dood’s Deadly Lunch Break (2021)

Thirty-one years ago, the Americans with Disabilities Act (ADA) was passed, in the hopes that by enforcing certain standards in business….

Alix Turner / Contributor 31/10/2021 Alix Turner / Contributor 31/10/2021

[Editorial] Interview with Demigod (2021) Writer and Director Miles Doleac

Demigod is a new film from Miles Doleac, about a terrifying secret awaiting a woman when she returns to her birthplace in Germany with her husband…

Amber T / Contributor 30/10/2021 Amber T / Contributor 30/10/2021

[Film Review] Caveat (2020)

Caveat, a promisingly rank piece of headfuckery from Irish director Damian McCarthy…

Ghouls