[For The Love Of Franchises] Comedy in The Evil Dead Franchise
Horror and comedy go together like peanut butter and jelly, and anyone who tries to tell you differently is a gaslighter of the third kind.
[For The Love Of Franchises] How Scream Changed the Representation of the Final Girl
If I fell into a pit of snakes, I would do
The slasher genre has married gore and sexuality in an unholy bond that has remained strong since its inception
The roots of the slasher film began in Italian giallo films of the 1960s and 1970s, well known for their innovative use of violence, gore, and sexuality in their murder mystery narratives.
[For The Love Of Franchises] August Underground: The most disturbing franchise ever made
Is August Underground the most extreme and disturbing franchise to exist? The answer is probably yes. Whilst extreme cinema has been around for many years, and has always been boundary pushing, Fred Vogel’s gruesome threesome has been cited as one of the most heinous and depraved pieces of filmmaking to ever be created.
[For The Love Of Franchises] Resident Evil “You’re all going to die down here”
A new zombie film franchise kicking off right at the beginning of the zombie renaissance based on a beloved horror game series? Check.
Starring an actress in a fantastic red dress and combat boot combo who kicks zombie ass and takes evil corporation’s names? Check.
Creepy English children being the faces of evil AI? Check.
[For The Love Of Franchises] The Happy Death Day films and the Grieving Process
Grief is complex. Okay, that might be an oversimplification. Grief tends to be one of the most complex human emotions one can experience.
[For The Love Of Franchises] Mortality, Reality and Hilarity in Final Destination
Years ago, I had a habit of getting drunk after post-work drinks and ending up getting the wrong train home. My husband made a joke one night that on my gravestone it would say Here Lies Vanessa, she finally got the right train.
[For The Love Of Franchises] The Genesis Paradox in the Alien Franchise
The Alien (1979-present) franchise has been a cornerstone in science-fiction horror cinema…
[Film Review] Confessions of a Necrophile Girl (2021)
Directed by controversial director Cristiano Domiziano (Vore Gore, Nightmare Symphony), Confessions of a Necrophile Girl follows a young mortuary makeup artist as she documents through a video diary her struggles to fight her necrophiliac urges whilst on the job, or run the risk of getting caught.
[Editorial] 10 of the Best Snow-Filled Horror Movies
Snow has started falling, temperatures continue to drop, and the nights are getting darker and darker, so it’s the perfect time to look at some of the best horror movies set in the winter and filled to the brim with snow!
[Film Review] Christmas Bloody Christmas (2022)
If your Christmas wish list includes the robots from Chopping Mall (1986) in Santa suits awash in neon and set to rock n’ roll music, you are in luck!
[For The Love Of Franchises] 1, 2, Freddy’s Coming for My Type-A Personality
If I fell into a pit of snakes, I would do something slick to tie them together to make a rope to climb out of said pit…
[For The Love Of Franchises] The Sleepaway Camp Franchise And The Unsung Slasher Queen We All Deserve
Sleepaway Camp, the now-cult camp slasher film with an infamous twist, came to the horror realm in 1983…
[For The Love Of Franchises] “A Bond That Would Not Be Broken”: Exploring Sisterhood Within The Ginger Snaps Franchise
Maintaining consistency within film franchises is difficult…
[For The Love Of Franchises] ‘Zoms Vs. Poms!’ In Defense of Disney’s Zombies as Gateway Horror
Disney has a turbulent past with children's horror…
[For The Love Of Franchises] How The Purge Franchise is Both Terrifyingly Relevant and Disappointingly Hollow
The Purge film franchise deals with themes of classism, racism, poverty, and inequality…
[For The Love Of Franchises] REC and the story of the Monstrous Woman: La Niña Medeiros
Many horror franchises have an iconic villain at their centre…
[Film Review] To the Moon (2021)
The complex (and often twisted) relationship between siblings has provided the tension for dozens of horror movies….
[Film Review] Celluloid Screams Film Festival: The Leech (2022)
Eric Pennycoff’s The Leech delivers on fierce satire and wry dark comedy in this (mostly) three-way Christmas pot-boiler.
[Editorial] The Complicated History of the Lesbian Vampire
“You will think me cruel, very selfish, but love is always selfish.” — Carmilla, Sheridan LeFanu, 1872. There is perhaps no monster in our western glossary of beasts more adaptable and ready to be an allegory than the vampire.
[Film Review] Eating Miss Campbell (2022)
Troma films are something you either do or don’t get…
