Welcome to Mother of Fears – a monthly column that will explore the various roles that mothers play within the horror genre. Mothers are a staple feature in horror movies, and yet, their stories, motivations, representations, and relationships with their children are so varied and complex that we never feel like we’re watching the same story twice. Every month I will take a look at a different mother from the world of horror, explore their story, and look at how they fit into the broader representation of women in horror.
The horror genre often confronts the lengths couples will go to in order to add a child to their family, and False Positive (2021) looks at young couple Lucy and Adrian as they consider the next step in their fertility journey when they are unable to conceive naturally.
Adrian’s former teacher, Dr John Hindle, is a leading fertility doctor in New York, and so when Lucy is confronted with another negative pregnancy test, Adrian suggests they visit Dr Hindle to see if he can help. Lucy is disappointed, as she wanted the whole experience to be “natural”, but she is so keen to finally fall pregnant that she agrees to go along with the procedure. And this is really the beginning of Lucy’s picture-perfect vision of what her pregnancy would be like falling away in front of her as those around her start to control her and dictate what happens with her body.
As Lucy lies on the medical table, clearly uncomfortable as Dr Hindle performs the procedure, it’s far away from conceiving with her husband in their own bed as she dreamed. Meanwhile, as Adrian masturbates into a cup while watching porn of a woman being choked, he seems nonplussed at the change in circumstances. Either way, he gets an orgasm and a baby, so it really doesn’t matter to him what happens.
Soon after, Lucy finds out the procedure has been successful, and she is pregnant with three babies. Because the twin boys share a gestational sac and the single girl is on her own, Dr Hindle suggests a selective reduction procedure, which would involve terminating the girl to ensure a healthy pregnancy without putting too much pressure on Lucy’s body.
However, it turns out Lucy has always dreamed of having a little girl. After the death of her mother, Lucy is desperate to recreate that mother/daughter bond that she has been missing so much. She wants to name her daughter Wendy, after the character in the Peter Pan (1911) book that her mother read to her as a child. Despite Dr Hindle and Adrian's insistence that it would be better to keep the twin boys, Lucy has her heart set on Wendy and decides to keep the single girl baby instead.
Once pregnant, Lucy starts to realise the full extent of how her life is going to change. To begin with, she finds a group of expectant mothers to become friends with because she knows her single friends who like partying won’t understand what she’s going through. And while there’s no instant connection with these women just because they’re pregnant at the same time, at least Lucy feels she is able to openly talk about her IVF journey and her experience with Dr Hindle.
She also starts to experience problems at work. While her coworkers are initially delighted that Lucy has achieved her dream of getting pregnant, and love commenting on how much she’s glowing, she soon loses the big account she was just given and finds herself back getting everyone’s lunch orders again. Initially, she comments she’s looking forward to having it all with her growing career and her new baby, but reality quickly hits that it will be difficult to keep up the momentum in her career if she has to take time off to care for her child.
The final straw for Lucy happens when she starts to fear that Dr Hindle has done something to her unborn baby, and Adrian is unwilling to listen to her. She takes various trips back to Dr Hindle’s office during which he accuses her of reading too much nonsense on the internet and getting herself worked up or simply fobs her off with drugs. No one wants to listen to her or the way she is feeling. Everyone thinks they know better than her, even though she trusts her body, and all this causes her to push herself further away from both Dr Hindle and Adrian as she tries to find someone who will listen to her concerns.
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Her final hope is Corgan, one of the other mothers from her expectant mother friend group, who had also experienced problems with her own baby. Lucy reaches out to her and explains her worries about Dr Hindle, even showing Corgan a file on her she found in Adrian’s drawer, implying that the two men are conspiring together for some reason.
She believes Corgan is on her side, that the bond they share as women and as pregnant mothers is enough to forge a friendship and the female connection that Lucy is desperately looking for in a situation where she feels controlled by men. However, it turns out Corgan has recently become Dr Hindle’s patient as well, and as she values her pregnancy much more than her friendship with Lucy, she immediately betrays her.
It is here that Lucy goes into labour, and while she initially decides to go to a spiritual midwife instead of Dr Hindle, when she finds out she is actually pregnant with the twin boys and there are complications, she ends up in Dr Hindle’s office anyway. This is yet another example of no one listening to Lucy and what she wants to happen to her body. In the aftermath of the birth, Lucy lies stunned as the two boys are laid on her chest.
She’s told that she should just be happy to have any babies at all, but this isn’t the birth or the outcome that Lucy wanted. For Lucy, it seems like it was never about just getting pregnant and having a baby. It was really about wanting a little girl to help her grieve the pain of losing her mother. The twin boys aren’t going to help her work through this situation because she never wanted them, and no one seems willing to discuss her feelings about it all without painting her as selfish and inconsiderate.
Lucy decides that in order to work through her issues, she needs to confront Dr Hindle about the whole situation and find out what happened. And while she’s at his office, she discovers that Adrian is planning to join Dr Hindle’s practice. This Rosemary’s Baby (1968) reveal means that Lucy realises that Adrian knew everything Dr Hindle was doing to her, including terminating the girl baby directly against Lucy’s wishes.
Feeling utterly betrayed by everyone in her life, Lucy decides she has nothing left to lose and sneaks into Dr Hindle’s lab to see the full extent of what he’s been up to. In there she finds the reduced female fetus which was removed when she gave birth to her sons. Dr Hindle reveals that he impregnates all his patients with his own sperm to ensure the best babies possible. He also purposely terminated Lucy’s daughter because he only wants to produce male babies to continue his bloodline.
Full of the rage that has been building for nine months, Lucy finally unleashes it all on Dr Hindle and severely beats him before destroying his stock of sperm. She then takes her daughter's body with her and heads home.
Standing over her sons in their cot, Lucy regards the babies while covered in blood. It’s clear there’s no connection there for Lucy, and she imagines herself opening the window and letting her babies float away into the night. Lucy has a deep relationship with Peter Pan, and it is almost as if she’s sending the babies off to Neverland so they can live their life as Lost Boys, without a mother, but happy and safe.
When Adrian returns home, she hands him the babies and tells him to leave. After literally punching Dr Hindle out of her life, she pushes Adrian out as well. These two men have brought her nothing but pain and have forced their opinions on her from the start. Adrian’s betrayal to enhance his career is something she knows she will never be able to get over, and she also recognises that she’ll never be able to be the mother the boys need when all she ever wanted was Wendy.
Finally alone with her daughter, Lucy removes Wendy’s body from the bag and attempts to breastfeed her. After a few moments, Wendy starts to move and feed, and Lucy finally looks happy and relaxed for the first time in nine months. Much like sending her unwanted sons out the window, this is an idealised version of a very hard situation as Lucy desperately tries to cope with the bad things which have happened to her.
In this moment, she feels like she can forget everything that has happened so far if only she can have Wendy in the end. While she knows in reality that will never be possible, she needs to have this moment of peace, to look at what her life could have been.
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The story focuses on a group of survivors after most of the world’s population is wiped out by Captain Trips, a lethal super-flu. And while there are enough horrors to go around in a story like this, the real focus of King’s book is how those who survive react to the changing world around them.
Set during the mid-fifteenth century, Onibaba (1964) tells the story of two women fighting for survival. Credited only as Older Woman and Younger Woman (or Kichi's Mother and Kichi's Wife) according to IMDB, the story is focussed on the lengths these women will go to survive a war, and yet they’re not even given names, unlike the male characters.
For journalist Veronica Quaife her life changes direction one night in a massive way while attending a Bartok Science Industries party. She’s there to cover the event for Particle magazine, and has a few interviews scheduled with scientists who all think they’ve discovered something which will change the world.
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Set in the 1980s, Under the Shadow (2016) follows Shideh, a mother who is trying to find her place in the world. Shideh’s story takes place in post-revolutionary Iran during the War of Cities and sees her not only try to cope with current events but also piece her life back together now that the revolution is over.
Going away to college can be a difficult time for both parents and children. While both parties are no doubt looking forward to the new-found freedom which will come with the change in circumstances, it also brings a lot of disruption to the status quo of the past eighteen years.
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You've now found the staple t-shirt of your wardrobe. It's made of a thicker, heavier cotton, but it's still soft and comfy. And the double stitching on the neckline and sleeves add more durability to what is sure to be a favourite!
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
• Fabric weight: 4.2 oz/yd² (142 g/m²)
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This racerback tank is soft, lightweight, and form-fitting with a flattering cut and raw edge seams for an edgy touch.
• 50% polyester, 25% combed ring-spun cotton, 25% rayon
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Hag horror originated in the early 1960’s and enjoyed its heyday during this time. Golden Era Hollywood actresses such as Joan Crawford and Bette Davis suddenly found themselves struggling to win roles over the younger, rising starlets of the time. So, in an ironic moment of art imitating life imitating art, these women turned to psychological horror films centered on unstable and dangerous older women. And a new character archetype was born.
Here at Ghouls, we’re not averse to getting a little soppy with it, so we’ve rounded up seven of the most romantic horror films to spice up your Valentine’s Day, and where to stream them.
We devoured films of blood, obsession, and brutality, letting the screams of terror soundtrack our time in the shadows. Below, are our favourite films that haunted, thrilled, and consumed us while the magazine was on hiatus:
Ahead of the Academy Awards ceremony, Ghouls has rounded up where you can stream all of the 2025 horror releases in the UK and the US from the comfort of your own home.
Now it’s time for Soho’s main 2023 event, which is presented over two weekends: a live film festival at the Whirled Cinema in Brixton, London, and an online festival a week later. Both have very rich and varied programmes (with no overlap this year), with something for every horror fan.
In the six years since its release the Nintendo Switch has amassed an extensive catalogue of games, with everything from puzzle platformer games to cute farming sims to, uh, whatever Waifu Uncovered is.
A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
If you like cults, sacrificial parties, and lesbian undertones then Mona Awad’s Bunny is the book for you. Samantha, a student at a prestigious art university, feels isolated from her cliquey classmates, ‘the bunnies’.
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Fairy tales and horror almost go hand in hand; from a young age, we read cautionary tales, warning us about whom we should trust and, in Little Red Riding Hood’s case, to ‘beware of the Big Bad Wolf’. So it doesn’t come as a surprise that we see horror filmmakers take these stories and adapt them to the big screen with their own spin on the classic tales.
“This is not a George Romero movie. There is no such thing as a zombie, okay?” No girl, this is a Tina Romero movie! Funny, fabulous and unapologetically queer, Queens of the Dead is the debut feature from Tina Romero.
Kicking off the final day, we have Violence, a blood-soaked thriller set in an alternate 1980’s that will shake away any remnant of hangover from the night before and wake up the audience.
While many horror films may feature a similar set-up, few pack the emotional punch of Adam O’Brien’s new film Bury the Devil, which premiered March 6 at FrightFest Glasgow.
Like the analogy of a frog in a boiling pot of water, the tension steadily builds upon itself throughout the film, until the climatic ending, when the viewer can hardly believe that just eighty minutes ago Joe was flying high on his upcoming freedom.
Mark "Markiplier" Fischbach has been a staple of the YouTube horror gaming scene since his debut in 2012. Now he's traded his computer screen for the big screen with his adaptation of David Szymanski's 2022 indie game Iron Lung.
It’s a subculture that leans decidedly, sinisterly far-right – and it’s with this thread of baked-in horror that author Saratoga Schaefer gleefully runs riot in their new novel, Tradwife (2026).
Canadian horror God of Frogs, a psychedelic blend of creature feature, folk and body horror manages this feat remarkably well. Each segment has a different director, but all four follow the same monster, which returns to feed every 25 years.

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